Liberty Ladies College - Liberty Yearbook (Liberty, MO)

Page 47 text:

moderate ercoming Clementi, ach Well- Mozart, enti Gra- oncluded, d cyclical , Brahms, ced piano 7e studied, fork in the actice is of ical feeling Lts of music of exercises songs. is to accus- ng them to 1 by young Lg and high- ractical and 172p Raw heading from left to righD-I Bess Bilby 2 Florence Huse 3 Willie Huse 4 Manic Simmons 5 ' Illiddz'e-Bl;mt lm Grcpn Bollom Raw heading from left to righU-I Marie Dunn 2 Sue Cook 3 Minnie Bragassa 4 Agnes mom 5 f ETA UPSILON GAMMA

Page 46 text:

i 1 1 11 f 2: 24 l Liberty Ladies College and hnique, Practice of scales, chords, arpeg- rhythmical treatment continued. Dor- ing Octave Studies, Cramer Studies continued, Bach Two and Three . . . . e c Third Permd--Exerc1ses requmng a greater command of t more musical and mental control. gio, with various accent and Part InVentions, Czerny School of Finger Dexterity, Clementi Gradus ad Parnassum begun, Sonatas and other compositions of moderate diliiculty. . . F omth Period-Special exercises and etudes deS1gned for overcommg the difliculties met With in the works of the great composers, Clement1, Gradus ad Parnassum continued, Kullak, Octave School, Bach Well- tempered Clavichord begun, Sonatas and Solo work from Mozart, Beethoven, Schumann, Mendelssohn, and others. . F ifth Periodw-Advanced technical work continued. Clement1 Gra- dus ad Parnassum finished, Bach Well-tempered Clavichord concluded, Advanced Etudes from various composers, works in single and cyclical form from Beethoven, Schumann, Von Weber, Tschaikowsky, Brahms, MacDowell, and Schutt. Ensemble Class The class in ensemble playing is formed from the advanced pieno pupils. Standard OVertures, symphonies, suites, etc., are studied, thus enabling one to become acquainted With important work in the larger forms not easily undertaken as solos; this kind of practice is of inestimable value in deVeloping sign reading, firm rhythmical feeling and a larger musical perception and grasp in general. Chorus Class All vocal pupils Will attend this class, and all other students of music are urged to do likewise. The work undertaken, cOnsists of exercises in sight reading, based on the practice in solfeggio and part songs. Pupils' Recitals These Recitals Will occur monthly, the object of Which is to accus- tom students to appearing before others, thereby enabling them to OVercome all nervousness and timidity usually experienced by young players. Frequent public recitals are also held. Course in Theory This course is designed to cultivate a. better understanding and high- er appreciation of the master works in music, to make practical and thorough musicians in the true sense of the word.

Page 48 text:

w: R W m' - V, 3Xx ie Simmons 5 Helen Ford 6 Elizabeth Williams 7 Hilda Doppler 8 Hazel Pierce e Green gnes Scott 5 Frances Kenney 6 Helen Anderson 7 Mabel Burton 8 Addie Lowrance Awa ,w swirxn-mw n of s and an e