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Page 154 text:
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fx 29 TFMEND ' fi Musical Qmedy of, me igfeoe vlifesefgeed 5 SANDY WMSQPN 1AEES.ZRQ1c ln:.aai.4i4:a1 :'x1':i:'fQ:1':LfrIW fm JQPQKMHNQAMS flmmim . ZUCCTUBER Qt are Sana M to ll2 HAYES Ampmomwm 5-Zf.,?rZQXY 8300 IPQMO Q ffl-TX xlvvw nf' C I! ,' P1662 me mul X ! ' ha X X l afford QD m-ss ikl , 1 2 B-it were mt f , m X. Qcxvp dumhfX ' QF XX fix STUDiENT,sg moo f X l .- f 2 - I ADULTS? moo ' I VYLCKQLS Tfkdj be F'J1'du13Q3 qi, the CQCKHQ' Gourmek, fha S me S e of e hom K YZOPP fb Per'Qormi.r2gAfg5'1Dgpl',, Ed ' The Boy Friend' has been called as close a recreation of the flapper age as one is likely to run across - from the opening chorus to the final rendition of the title tune. The play is a headlong fling into an era of absolute and wanton abandon, fostered by fact and by fiction as the mating twenties. The play was the fall production of the Performing Arts Department under the direction of Dr. Janet Barton Carroll. LEP--X -P to f ll ar Q ils 150 Drama Productions
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Page 153 text:
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Fl lg 'mv Ei Tina Banner Cissy Key LY. 'B' CHEESQEKEERS Joanne Brown 69, i i Amy Kirk 39 F Io Royston Qrwi 4 if Y Suzanne Johnson 5.0 iwi O Tracy Mann O sg' efasi Q 1 Melanie Shipman Cheerleaders 149
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Page 155 text:
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fvl, 'E . t -'h- ik. ':Q, S was Q T Q S p ESOC if 52 rx is ESM xf A' 'C' Q al Lg' e iw ,Q ,f rx CR. .. ss ' xgi ' us- 3 ,y . , V ' ' , 41 . J' www-as QL! Huy -: f 'Q Playing the role that brought Julie Andrews to America, Polly Browne was portrayed by Missy Richter. Hortense was played by Rita Nasby, Maisie was Mayclare Mulhern, Fay was Deidre McPheters, Betsy was Sonya Robbins. Tom Michalski played Marcel, John Bossard was Pierre, Steve Tallent was Alphonse, Tim Hill played Jack, and Cindy Stonesifer por- trayed Madame Dubonnet. Percival Brown was played by Rob Lesser, Lord Brockhurst by Phil Zitnick, and Lady Brockhurst by Beryl Scutti. Costume design was by Steve Schell with costume execution by Jane Wesemann. Jim Taylor was in charge of sets. Dr. Janet Carroll, Director, stated, 'We only make fun of these musicals because we are fond of them. It is with love that we bring back the simple idealism of the 1920's to our complex 1985 worldf' 151
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