Lee College - Vindauga Yearbook (Cleveland, TN)

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Continuing Education M oves The Continuing Education Program moved into a new setting this year from a small four-room office space in the Monument Building to the attractive and spacious brick house across from the Conn Center. Ray Hughes, jr., Director of Continuing Education, pointed out several reasons for the decision to make the move. The first was that the Church of Cod School of Theology bought and occupied the Monu- ment Building. Further, Continuing Education had wanted to move on to the Lee College campus for quite some time. This move to the campus made the department more easily accessible for students and out-of-state visitors, and it definitely increased the convenience for Mr. Hughes, since he also teaches biology at Lee. An even more important reason for making the move was the convenience of the house itself. The floor plan was almost perfect for what was needed and it required very little remodeling. The Department now has use of eight rooms in the house as compared to four that were in use in the Monument Building. There is additional space that could be used for later expansion. This additional space currently offers more privacy for exam-taking, and there is now a room for employee breaks. Even though it is always somewhat of an inconvenience to have to move, the Continuing Education Program seems to have adjusted to the change very well. Employees seem to be quite happy with their cozy new environment. ,-?:?' A p T R 'Ut lf' The entire Lee College family was stunned on September 17, 1978, when several members of the college community were involved in a tragic accident. A van carrying members of Second Edition was struck head-on by an approaching vehicle on I-59, just south of Gadsden, Alabama. When the ordeal had ended, Danny Murray and Pam Trotter were hospital- ized. Ann Thacker, a freshman, was dead. The following pages are a tribute to her talent and testimony.

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TRANSPOSITION lAnna's Songl Charles W. Conn A lovely girl sat down to play, Her hands like moonlight on the keys, She filled the room with joyful sounds, With happy, haunting harmonies. At last she played a solemn song That none of us had heard before, The music came in rolling waves That washed upon a weeping shore. Just then I thought within myseU: This song sublime must surely be The best of all that men can hear, The best of all they feel or see. But then an aged maestro came, Who knew the lovely tune she played, He said, You play it well, my dear, But I will show a better way. When played too low you miss the point Of what the song was meant to be, So Ur you want the song to live, Transpose it to a higher key. When Anna played as he had said, Her song assumed a lofty grace That seemed the same, but yet was new, As it transcended time and space. Too soon, too soon, the music stopped, And left that sobbing silence here. Then, from afar it came again- In whispers from a distant sphere. Now Anna's song forever lives The way she played it joyously, And mortal hearts are blessed because The Maestro touched our Ann Marie.