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Si4„y Bruhi (Mike Robinson) at- Keith Palazolo adjusts a rug (of Death tempts to strangle Clifford Anderson r P The » u «« cre »“ imporunt (Steve Tennant) in Deathtrap P» rt CTer P 1 Guild works overtime story from the old testa¬ ment, Joseph and the Amazing Technicolor Dreamcoat, showed the jealousies and relationships be¬ tween Joseph, a warm, loving, innocent man, and his brothers. It was a play with much reli¬ gious significance; however, it dealt with the kind of family envy as well as togetherness that any family can relate to. “Joseph was really good. It was flashier than Deathtrap, but Deathtrap was good, too said senior Connie Fraley. Tim Pey¬ ton played the lead, Joseph. The brothers were played by-Larry Nigh, Mike Hite and Chris Snow. A series of cat-and-mouse games that kept the audience guessing is what Deathtrap por¬ trayed. Aging playwright Clifford An¬ derson (Steve Tennant) staged a fake murder which caused Sidney’s wife (Cheryl Robinson) to have a heart attack. The audience was given a surprise ending when Sidney and Clifford end¬ ed up killing each other. Not only did acting up on stage take time, but making all of the scenery, costumes, and props did, too. “It took us sever¬ al weeks of searching and bor¬ rowing to find all the props we needed,” said crew member Laura Basiorka. The crews fa¬ vorite prop was the run¬ ning goat used for Joseph. Jerie Koz- lowski and Karen Stavitzke had to set him up and keep the rope from tan¬ gling. Laura Basioka adds, “Anyone who got in the way of the fast-moving goat was in the danger of losing miscellaneous body parts.” Both Joseph and Deathtrap proved to be success¬ ful. by Jennifer Scalzitti For the first time, two plays were put on at once. Theater 15
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