La Salle Academy - Maroon and White Yearbook (Providence, RI)

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VINCENT ALIANIELLO WILLIAM DYER ROBERT HANLEY Maroon and White Annual THIS year the whole-hearted co-operation of all the members of the staff, their energy, and tireless efforts will be represented by what we hope will be one of the outstanding year- books in the annals of La Salle Academy. Brother Patrick again accepted the arduous and tedious task of moderator. He organized the members of the staff and appointed them to She various departments, according to their skills and talents. William Dyer was named editor-in-chief and assumed the writing of the Minstrel Section. Michael Silverstri wrote this yearis Dedi- cation. The Maroon and White Monthly Section was expertly handled and arranged by Albert Pike and Robert Han- ley. The business end I of the yearbook was cared for by Robert lVloan, who ironed out many exacting details. The everlasting and unending task of design- ing, planning, and compiling all the pages of this yearbook was undertaken and accomplished by the Art Staff. Heading this department was Rob- ert Hanley, who was capably assisted by Albert Pike, Vincent Alianiello and Angelo Di Pippo. To these boys we owe our heartfelt thanks. To Harry Robinson went the unenviable as- signment of supervising and correcting the per- DENNIS MCCARTHY HARRY ROBINSON JOHN GREEN Ninety-two sonality sketches of each and every graduate. The Sports Section was edited by John Greene who received invaluable assistance from Mat- thew Burke. Francis Donahue was assigned to write the Alumni Section and an article on the Archconfraternity of the Divine Child. Dennis McCarthy undertook the compilation of the class history, and Angelo Di Pippo, a vet- eran of both band and orchestra. wrote the sec- tion devoted to these organizations. The task of tabulating the tremendous pile of ballots for the Superlatives section as admirably completed by Irving Cilson. We are indebted to the feature writers, William Smith, Edward Nolan and Matthew Sweeney, without whose work the book would never have seen publication. The photographs in the book were the re- sponsibility of William Donnelly, Frederick McKenna and Paul Polanski. We close with a grateful note to the unsung typing staff. Headed by William Smith, who was assisted by ,lean Olivier, Joseph Mederios, Owen Goodwin and William Brennan, each spent many boring hours over the endless copy that necessitated typing. ROBERT MOAN WILLIAM DONNELLY ALBERT PIKE

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