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Page 22 text:
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Forty Carats, the 1973 spring play, sparkled in every facet of the production. Senior Steve Rowley acted as director, while the realistic ond colorful revolving sets were the work of set designer Mr. Robert Rhodes, a newcomer to LPHS drama. This sophisticated tale of a middle-aged woman's offair with a boy of twenty was chosen for its con- temporary comedy. It was received enthusiastically by its audiences and reviewer, the Herald-Argus. Student crew members worked long, hard hours to construct the set, pre- pare the costumes and make-up, and reody the sound ond light systems. All was complete by the performance nights of March 21,23, and 24. Ann Stanley . . . Peter Latham. . . Mrs. Margolin . Mrs. Adams . . . Billy Boylan . . . Eddie Edwards. Maud Hayes . . Trina Stanley . . Edgar Latham . . Christine Lotham Pat Graham . . . FORTY CARATS ISA SPRING GEM Kathy McClouth . . Steve Rowley . . Alice Szawica Leah Rae Korell .....Jeff Arndt . Bob Snyder Barb Komp . . Patti Graham .... Pat Richter . . . . Ellie Heidel Rick White 18
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Page 21 text:
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Polly Marne Madame Dubonnet . . Barb Komp Hortense Bobby Percivol Tony Lord Brock hurst Steve Rowley Lady Brock hurst Alice Szawica Dulcie The Waiter The Policeman Faye Nancy Alphonse Pierre Marcel Pepe Lolita Re-creating England's Twittering Twenties was a task that the cast and crews of THE BOYFRIEND found difficult, yet rewarding. Casting the play initiated this job, as those people chosen were given their specific duties. Mr. James Lampl with the choreographer, Mrs. Deborah Hardin, and the student director Beth Snyder, then started the cast down the long rood of making the 20's come alive through dance, dialogue, and movement. The musical sounds of the 20's were brought to life by Mr. Foreman's Bearcats (alios LPHS Pit Orchestra) and by Mr. Burk's vocal direction. The stoge crew's task of visually creating the 1920's was largely aided by the use of backdrops, yet, they hod the difficult tasks of light- ing, finding or construction of furniture, taking core of the numerous costumes, de- signing ond applying make-up, and locating or making the actors' props. Finally after eight weeks of hard work, the play was ready to go on. The mounting tension ond excite- ment was released as almost 1200 people watched the players present their zany musical. 17
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