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Page 29 text:
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present these successful plays Pay? tier ut u-five Ruth Hacker and Jane von Asch, student director», and Kay Pierce, a member of the property committor, check to »or what i» available in the «tore room for the vet of You Can’t Take It With You . Since the two plays are all-school plays, any student in L.P.H.S. may serve on a committee or tryout for a part in the play. The student directors play an important part in all these activities. Besides helping the faculty director, they see that all of the committees arc functioning. At the January P.T.A. meeting. Either Moteley, Sharlcnc Kendall, Barbara Kaminski. Mr. Hargrave, Bill Shick. Marlene McFceley, and Stanley Hannah discussed “The Value of High School Activities to the High School Student.”
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Page 28 text:
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And we worked many hours backstage to Carol Ncwlon, Connie Route, and Mary Louise Ucbcle practice applying make-up on Nancy Lewis, Mary Linda Shchorn, and Ruth Har- grave. It takes the hard work of many people behind the scenes to put on a successful play. This work is done by several committees made up of interested students. These students may be seen after school, on weekdays, and on Satur- days painting scenery and gathering properties and costumes. On play nights the make-up committee transforms the cast members into the characters which they are playing. Member» of the property committee, Jim Ro»c. Susan Hargrave. Carol Ncwlon. Danny Travis, and Esther Moseley work on the wall for the set of Belles On Their Toes.
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Page 30 text:
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Mr. Simpton rthnrtn with the four toloittt for the annual A Cappdla choir concert. Left to right arc Dave Reeve, a bari- tone who ang Lord, Make Me To Know”; Kay Bryant, a so- prano who sang I Will Comfort You”; Mr. Simpson; Pat Harrer, acompaniit; and Bill Carbon, also a baritone who sang Here On Earth Vi'e Have No Continuing Place . We saw the A Cappella choir and BSC ► Annually the A Cappella choir presents a musical show. Last May, under the direction of Mr. David Simpson, it gave Brahm’s oratorial, the Requiem”. This was a more serious type of musical than the choir usually presents. There was no scenery on the stage, just the choir and a piano. The program itself consisted of seven numbers, including three solos. The 1916-17 A Cappella choir which presented the Requiem . Page tuentysix
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