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Page 210 text:
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206 Drama Beep Tregeser, Kent Lanier, David ' Evans and Shannon Beatty prac- 5 tice their upcoming performance fa of Oklahoma. Photo by Pascal 53 Villiger. QW f P 'lffmo Kent Lanier and Sherry Stringfield audi- tion after school for Dark of the Moon. Photo by Pascal Villiger. Todd Hinesley and Shannon Beatty per- form in the 1984 award-winning contest play. Photo by Lee Armstrong.
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Page 209 text:
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. ' ifmw l., 494' n-num. , ,A,,,.., i V 4 ? 15 A 51 in , , X d y 2 i ,M-gziudf Side? I It if ' Q .ffwlwdwin uv xx V. - ,.,, .., Leanne! Blank-eff' and Christi Wk ff' ,, Ogletree olgser A an improvisation in lim? Iul' MM, drama. t oto om Chambliss. Stacey Kessler waits the posting of call backs during auditions for Dark ofthe Moon. Photo by Tom Chambliss. ' 'IOC 1 -000000 000000 icons 'loci 'onus uu.h 'til V004 uf Q 'Docol iiiooo Hosea 'l'! ' U' A , gq i Mike O'Donnel studies the script for Auntie Mame. Photo by Tom Chambliss. Drama 205
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Page 211 text:
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l l Sherry Stringfield and Scott Stringfield on stage during drama's first perfor- mance, Auntie Mame. Drama You need 10095 energy and dedication in drama, said Linda Meola. hen did tongue twisters, 29- letter words and knocking knees become literal nightmares? When the Klein Thespians stepped onto the stage of the auditorium. The versatile Thespians took a typewritten script and through three to five hours of daily rehear- sal, turned it into a realistic perfor- mance. Whether the atmosphere of the production was the playful antics of Auntie Mame, the drama of Dark of the Moon, or the musical intensity of Oklahoma, these ambitious actors conquered the butterflies in their stomachs and delivered four skillful shows. Even the pressure of competi- tion couldn't crush the determina- tion of the Thespians. The 35 entertainers spread their talents to dramatic, humorous, and duet- acting tournaments all across Texas. Sixteen of these students learned some tricks of the trade at workshops at the University of Texas, Texas Tech, and Lamar. Now tongue twisters, 29-letter words and knocking knees don't even raise an eyebrow. Drama 207
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