Kentucky Home School for Girls - Pandaisia Yearbook (Louisville, KY)

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CTL 21557322 BETTY CLAYTQN WASHBURN PATRICIA BARBOUR.WELLONS 1 tread gn air and Sink not, 6'Round her she made an atmosphere -Byron of lifef, -A ,ZXIix BY JOAN MILLER In among the pages of our mem'ry book, One remembrance will be cherished over all. Alix, always light of heart, you loved those who With you sought the zest and fun in living. i This we lost and Culver gainedg so keen our loss Now we know. Those of us who held you in our hearts Do not soon forget your leaping love for life T Which lived itself and made us live. fU ' f 17 The Wish-Arnold. --Byron

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ifllpzrffie 332211 Sums Cglyangea gillahe What's happened to the Navy blue Our men wore yesterday? We're opposed to the change of clothesg Our Navy's wearing grey. That dark, dark blue with the gold, gold braid Has been replaced these days By the drab O.D.s which the C. O. says Must be those black trimmed greys. ' Oh, listen, men in Washington! l'd like a word with you. Why dress the mates in suits of slate When they could be wearing blue? Nancy Armstrong, ,45. Elpatterna 00lxllXC out of my window in a New York hotel the dramatic skyline makes a never to be forgotten pattern. One similar to the pattern formed the world over by buildings where man congregates in masses. Essentially the same yesterday, today, and tomorrow, yet it changes with the uncertainties of nature. Yesterday the still gray tone of the skyline harmonized' and seemed to blend into theover- cast sky. There seemed to be no termination, as though af gauze drop had been lowered over the scene by a master producer. There was no feeling of depth found when colossal buildings cast shadows over those dwarfed by their height, only the strangely irregular skyline, as though a child had cut the pattern out of gray craft paper. The scene was cold and monotonous, unfriendly and impersonal. I was oppressed by the stifling confines of these misty buildings. All this was yesterday. Today the scene has changed. The skyline remains practically the same, but today the orange chimney pots show against a blue sky. The shining concrete skyscrapers are recessed, floor after floor, into towering pyramids. The bronze dome of one building glittered in the sunshine. The open eminarets of a church spire make lacy designs against the background. What Twelve seemed plain and irregular in the drab sky of yesterday revealed fantastically ornamental out- lines in the brilliant light of the day. At night the scene becomes a carbon copy of the pattern. The feeling of gloom-is gone, the multi-colored neon signs form a kaleido- scope of color, spreading a warm, ruddy glow along the streets. The lights in the hotels create designs that play with one's imagination and the gaily lighted penthouses seem to form halos for the buildings. In the distance where the lumbering buses have faded into the black- ness of night the office lights appear to be stars bordering on the horizon whose points have been chipped off. A line of sparkling lights outline the curve of the river bridge like a strap of rhinestones curving over the shoulder of a beautiful woman. W'hen this same scene is in the grip of winter, blanketed in snow, the buildings form a design similar to the crenelated patterns on the ancient fortress-palaces of Assyrian noble- men. The atmosphere which has been cleaned by the falling snow creates a blue sky as radiant as a priceless sapphire., Thus, while the pattern remains the same, the effect is constantly varied by nature. Anne Bush, '45.