Kent High School - K Yearbook (Kentland, IN)

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'-'-----:boc---:: - :::::::::::::::::t:: :vo4:::1:::::::1::: 99q0o 04:-1---vv------:rc--:vc---:pc--oc-:vo Perfectly Killing -Continued farce. But it meant at least a chance, and that was what he was looking for. Isn't he perfectly killing? whispered the blonde little leading lady in a polka dot wedding dress, as she slipped gracefully on a banana peeling on the altar, and the minister gravely untangled her veil and the hero's trouser legs. And it was Monk's chance. The director was the first one who had ever been smitten with, Monk's face and he was hit hard. He blessed himself for his lucky find that day and told Monk that with a little training he'd make him the best comedian of the year. Monk liked the Workg it was just his natural calling. All he had to do was to look like grim death and act like a fool. When the fluffy little actress was told who her leading man was to be, she laughed and said: Why I'd just as much like to fiirt with Old Skull and Cross Bones himself as that man l But she had every reason in the world to change her mind-and she did. In fact, she got so used to loving him for the public that she soon discovered that she was just keeping it up for her own benefit. Monk took the public by storm. His long, serious face ranked with that of Teddy Roosevelt for popularity, and Charlie Chaplin blushed with shame whenever he saw a show advertised in which Monk was featured. But on one occasion a tragic thing happened to Monk, It was in the middle of the most critical scene. The camera was clicking merrily and Monk had just successfully mixed himself with a dozen custard pies. He looked up and saw the dainty little Ruth Dean in her preposterous polka dots and he smiled-a great wide smile-right at her. The di- rector shouted. The camera stopped clicking. Monk kept right on grinning. Quit it, you chessy cat l yelled the director. Come out of it, called the camera man. What's the matter ? asked Ruth anxiously as she came to him. Why, he said, I just found out that I'm through with the sober life. I'm going to get married. We're going to get married! And she took him at his Word, custard pie and all, while the camera man began to take scenes of Ruth Dean's and Monk's final movie film. Gosh, that'll be perfectly killing! said the director as he reviewed the picture later. ...xxx -+.-- 20 :::--.----,,---- sixty-eight

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oq:---- gn' :::::::::::::::::::::::::::p Q4::::::I:2:22:::::::: ..t----Y .... -- ..... -- .... ...A --- .,,,.....,...........oooooooo0000 -v- .... ,,--v,,---------1--- Perfectly Killing QBy Glenn E. Duttenhaverb Yes, he had a sober expression. There wasn't any doubt about it. When the nurse handed him to his mother the first time, she looked at him, then burst into tears. I just know he'll be a preacher, she said, look at that face! And the nurse, being Irish, was also optimistic and there- fore said, cheer up, mum, maybe he won't be no worse than an undertakerf' After she said it she vowed that young Truxton Smith Junior had given her a solemn look. It was, she said, perfectly killing. All through childhood he clung to that graveyard ex- pression, and it just naturally clung to him in his later life fro-mforce of habit. But that honest-to-goodness look and that I'm a pessimist expression concealed one of the most optimistic, rollicking natures ever found outside of Irish parentage. His school days were the bane of the school. He was the despair of the college professors, and the pride of the schol- ars. There wasn't a joke too preposterous for him to put across, and he'd do it with a face befitting a chief mourner at his pet pup's funeral. He won for himself the nickname Monk. In dramatics he was a scream, and the center of attrac- tion in the college play, being the hero, the heroine's net poodle and the piano lamp. He was, as some of the girls on the front row remarked, perfectly killing. After his college days were over, Truxton Smith Junior set out, as they always do, to the city to seek his fortune. He wasn't a bit more enthusiastically received by the citi- zens there than most young fortune-seekers. His face grew more and more solemn as time went on. He went from place to place to be refused work and his fuperal expression proved an obstacle almost unsurmount- ab e. One day Smith chanced to walk past a movie studio, and as he gravely considered going in, a frantic man in shirt sleeves rushed out of the building, seized him by the arm and dragged him in. You a minister he barked? Ever act? Got a job? Want one? Here's your rig, crawl into it and appear in five niinutes as a clergyman. Monk had had time to only nod three negatives and an affirmative, when, to the surprise of the movie man, the sober faced individual threw a series of cart wheels. around as a pivot on a convenient bench. flopped back to him fthe managerl, flung his arms around him in a joyous hug, all the time maintaining his solemn mien. Well, I'm doggonedj' choked the director when his breath was regained. 'Ja' do that often ? Then, well hurry up and appear in three minutes. Monk lost no time in costuming and appearing. His part was very minor, being merely to act as a minister in a zo y-sex' n

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