Kenmore High School - Kenitorial Yearbook (Kenmore, NY)

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Oi Q1 A calm settles over the audience as the house lights dim. It's five minutes till curtain time and up goes the curtain. It was a big mistake to have Carlton Kauf- mann as curtain man. Poor start or not, the show must go on. Ah, here comes joan Kraus, she must be the wife. Yes, there is Paul Clark, her husband. For a sample of Beebe's genius and a good thick slice of life, let's listen in for a while. Husband: Well, what do you think? Wye: I don't know. fThinks for a minutej Husband: It's for you to say. Wye: I know. CAfter a long pausej There's jane. There is a fumbling and fussing in the audience. Bill Stoddard, well-known agri- cultural leader, in the third row, strikes a match to see who jane is. She isn't in the program. Who the devil is jane? lt seems that the play director, joan Stoddart, has so much on her mind that she forgot to tell the printer, Paul Luthringer, about jane, who incidentally prances in at this point, lollypop in mouth. The dis- guise is good, but we recognize you, Maureen Thiringer. On with the play. Husband: You mean the whatchamacallit? Wye: Yes. ftelephone ringsj That's probably Arthur. A notable clergyman, the Reverend Robert Clark, in the fifth row strikes a match to see who Arthur is. He's not in the program either. Husband: Monday. Much more likely to be Ann. Wye.' Not now. Husband: Well. Wye: Oh, all right. fexits for ten minutes while husband reads the paperj. Husband: fas she comes backj Ann? Wye: fln a voicej Give my love to the dear boy. Husband: No darling, not like chickens. QWife writes a letter, then picks up paper. Husband, who was out determining the source of a backstage disturbance which proved to be Carol Copley eating one of her famed lunches, returns.J Wye: Qfrom paperj Rose Plumb is engaged. Fancy! Husband: Yes, I meant to tell you. I saw jack Mullen at the club. Two gentlemen strike matches-correction-one has a lighter. Wye: Who is he? Husband: Bob Wright's best friend. fenter maidj Child in audience screams, That's my mommy. jerry Kosack quiets the child and Gloria Lindner begins her lines. Maid: There's a policeman downstairs, sir. He wants to see you. Husband: Oh! If that's Bob Feinen again. QHe goes out for five minutes while audience waits breathlessly. Now the drama is moving. . . . He returns., Wye: Car? Husband: Some fool turned the lights on. What were we talking about? Darn, I left my pipe downstairs. QI-le goes outj And if the audience goes out too, who shall blame them? At this point we have a lengthy intermission. Wishing to take full advantage of our time, we take a tour through the halls of our good old alma mater. We hate to miss the beautiful music of Ted Wertz and His Fanatical Five, but a chance like this comes so seldom that we must take it in full. Strolling through the hall, many old familiar sights meet our eye, but something new has been added to the dear old cafeteria which was so dear to our stomachs back in '49. Each table is equipped with its own milk shaker and individual dish- washer. Ah, such conveniences these scholars GJ have. Reaching the stairs we decide that we will visit the sceond Hoor where in '49 the walls rang with the screams of frantic teachers and flunking seniors. But wait, what's that odor descending upon us? Could it be, but no, but horrors it is, they haven't cleaned out locker 2285 since we left. Realizing we have overstayed the intermission, we hurry back to the auditorium only to find the play all over Qwe could have planned thislj. We are soon swept into the departing crowd admidst whom we see Conover models, Carolyn Martin, Pat Hornbarger, and Mary Westover. As we push our way out the door we are knocked out of the way by a flash of red which later proves to be Pat Molloy with her husband, the eminent Dr. J. Kent. Well, as Ethel Barrymore says, It's all over, there isn't any more. . 5 :fab . , if . , 'first ng.. '. 4 lv ' ill' S ' ', .ist J Iv' . . ,. ,. '4 , I. : lf, I 5 viii' sa 95 33' -.v' 'ff , A ,' . ,rf .f e Eli 'ji' 9'- ,-':,- 1, 2- 7' , lr fm- - '? X sh?

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' f' Wim? 45X ef ..f b'L X Nw 'I r X cicek E 'x P 3 Aw th 4 ASHA ig,-s J Ti f2f,f YT. .. 2 ' ' 0 3.wi'kf -dx GQM l ,aff - Shin 'X'PbL..1lX 1 CLASS PHUPHEEY By Prlscxlla Parker and janet Lusmk Wha hoppend' Why all the excxtement? Trucks baby buggxes llmousmes rocket shlps hotrods fatomlcally equxpped, of coursej are all mlllmg about tmy Kenmore Senlor Hlgh School Haven t you heard? Phyllls Beebe s latest dramatlc productxon SCUFFLE IN THE RAIN fa sequel to DUEL IN THE SUN, IS opening tonight Because of crowded condltxons on Broadway jlm Chlldress, our lnfamous prm clpal has gxven h1s consent for the use of the school audltorxum for thls bug event Gosh' I m glad our rude here IS over My heart ns sull tn my mouth for thereaboutsj Remember the good old Qwell the old anywayj days of the IRC? Well they re gone forever and ln thelr place we have the bxggest best most colossal transportation system known to man Pembroke s Conveyor It travels underground above ground and nt has even been known to travel on the ground Ed Bergner our nefarlous drlver, just couldn t seem to make up his mind tomght Rldlng the crest of the crowd mto the dear old halls we nmmedxately dash to the nearest drmkmg fountaxn to see lf xt expels coke To our uttery dismay we get a face full of gmger ale It seems that jack Tapson the renowned janitor has suc cumbed to the hlgh pressure salesmanshxp of john jones What about the escalators? They re not there elther? Marge Valentlne the present gym teacher advocates the theory A romp a day keeps the undertaker away Whlle we re on the subject there goes Marlanne Aber, who proudly boasts the tltle of being the only woman under his usual expression of solemmty If we want to see thls stupendous show, we really must buy a ticket Ah ha here IS a ticket seller Why look' ll s Art Sabna The female heartbeats are no doubt work mg overtxme tomght Tlckets clutched 1n our grimy lnttle paddypaws we bravely stalk down the alsle m search of a seat We had planned to snt ln the front row but lf seems that the row IS filled wlth noted cr1t1cs among them are Dave Shxrlaw and Donna McDougall Ah' a seat at last Eddle Raffel our rather dlsheveled lookmg usher IS gallantly holdmg down two seats for us ln the balcony But before we settle ourselves, let s take a look at the audxence Isn t that George Koesters, the famous basketball coach occupying a seat ln the third row? And there sprawled beside htm IS Bud Oakes the famous contoruomst just look at thus row of smllmg faces Why II s the ten llttle Simmons chlldren and their proud Mama and Papa Up there tn the newly mstalled theatre boxes, we note Charles Roth an emment sclentlst and Inventor of that marvelous new home permanent the Charlie For proof of nts capable workmg power just take a look over there at the Haffa twms just whxch one of them does have the Charlle? fNah' nexther one'j Look who s coming down the aisle Why 1f1t lsn t Barb Lewxs CIO leader and her erstwhlle companion Ann Babcock who now runs the AFL hot xn the mtddle of an argument as usual Who s that wavmg at us? Well lf xt lsn t Hubert Holler the now famous laywer HIS popularity rose when he for the twentleth ume broke the bonds of marrlage between Glor1a Oeffner famous radlo actress and Fred Montanye her latest After a chat with Marx lyn Baker that expert on human relatxons we fund that 1959 bears a slnght resem blance to the good old days People are st1ll sleepmg eating and havmg a gay old txme and gettmg a llttle work done now and then But II seems ln these days that a boy asks a glrl for a date That would be quite a new lme to the glrls wlth sox appeal ln 49 iflvf W x l' 'dh ' -Y ., 1 5 , N: f ax Qximu . .. , A .Q Q , It I. , . R 1 - X ew a+' ' N ' Aga ,ki I Cf ' V ' . :w-'NQMQM at .ll 1 E If I ,f ,Il ' ' r ., ,f A xc-.w fi? - . ll in f A I l - ,-t.Ls , , 6 , . . . . . I . . ' ' - . . , . ' - . , . , . , . . . . , , . , . , . - , nf? y . . I . ' ' , . 4 Q. -2.1 'fl' ' ' , ' ' 'F ' ' ' W Xxf- . - - , 4 1 e -iw ' - 9- - . . . . . - f 1' , t , ' . . . . . '- 1 El f? -A 'f W 'Q-rv . . . , . , . . U V P ,I , . . , . ' ,. 'nn ,N . , - , , I i kg . -4 ,R h 4-in : . l I ' , ef , 4' ' . . ' I V af , , taker ln Kenmore. Her husband, Dave Whnte, tucked carefully under her arm, wears as . gif' . . ' . . ' - , ,, - ' t . .- . . . N :L . , ' V , ' 1:1-N ' g A . , ,- .... . . 'U M. 'J ' V- . ' . . . ' It l ' - 1 s V , , Q . . , - . . , ' 1 , . . . . l .. - ,, - - a , . . - , . . . . , '. ' ' . . ' 1 I I Q , 9 l . . ., , 7 ' . . ' . . ' 2 . , - , - . 1 y . 9 ' ' ' 33 ' x . . . ' ' QT' 4 ' . . . ' ' . ' . ' 2611 , . .- Y. . .f - k-74.41 1 . 'miilf L, -,tn - In 4 - - -,ff-ff. ' gg? 'f'l,Q' ? . 'I , ,I Q' , V' i 'tsl g - in..- ' 11 ,1 , . , 14-4 ff.. '. , ', - 5 20 'I :F F. ff ,... -J ig. 131 is-eff' ,

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1 4 ferr. . ,, 51,9 f 'yi f,e 5' f,.,. , ., , -,K 7 fl .-. u fs' f . S. , Jo. J :n ,E : ' 1:5f'L1t3: 'fl QL ,.,5-inf I Qfpiffffff' fs -9 fgfw QQt EUHTAIN CALL 1'fQi 9f' v' ' s 1 ' , 4 X A ,, ds! T 1 1 f 1 , 3 L if 5' ee f' With the whole world as our playhouse, And our only limit Time, We embark upon a journey, Naught but mem'ries left behind. Our knowledge is the playbook, From which Li e s pattern came Inside its cover lze the deeds Connected with our name The properties ue ve gathered Can brzng us shame or bliss Which lead us o er a paved road Or down a dark abyss We have lost the crutch like prompters Teachers thoughts no longer aid In our search to find an ansuer To zssues we cannot evade We ve played our parts the rst and last Nowfinally they re done The days of frst decisions The days of care ree un Let us welcome L1 e s adventures When we leave these high school halls And go forward never daunted Tzl the final curtain call Donna E McDougall 22 f ! er ' Il 7,1 ' l ! - l , , . ' - fi , s s - , I 1 o ui l 7 J Q. , ,V , . . V 'iffy' if' .' fry' ' V I. i!,nQ?',4:i4 Ck gl .av g I flfgif Q I X. ?f' f'ne ' V iff If ly kai ., 55511:-efeelfffL'Yt' if ' f- Kr.- fn