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Page 22 text:
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IB again - 'mufn J . . x X ' A A They are strength building, non-intoxicating -T-TT-PTT-TK-'FT-Ti?-F!TT-TTR-'F-TEE f 1 9 HONEY ALMONDS I-lind's Honey Almonds are health givng, strength building, tissue repairing, and non-intoxicating. They cure everything. Just feel their muscle. Laughing's good for the digestion, too, it is said. Look closely at them. Anne Calkins, there in the front row, is a Honey-CAlmolnd, I-Iind's brandy She goes in-or out-or on -for dramatlcs, readings, plays, and the like, She had a part in the all- schceol play, The Clean-up. Anne was one of the gossipy, society women in this production, Delphine Gfeller also reads-poems, American history, and. most anything else with words not longer than two syllables, She also takes charge of the revenue pouring into the senior G. A. A. club. She doesn't have to work hard at that, though. There's seldom any revenue. Miriam Miller, on the end of the first row, sang in the operetta, Joan of the Nancy Lee, -at least there was Q1 rumor to that edect and her name was on the program. She was the love-inspiring person who effected Arthur O'Donnell with her magnetic personality. The dancing master, also, made several advances toward her. Too bad she couldn't do any better than a cabin boy or teacher, isn't it? And she's such a wholesome-look- ing girl, too, She manages to get around a little now and then, when Ribs is spending the week-end in this flourishing' metropolis. Hot-shot Reuben Hammond is hid- ing there in the back row. Peekwa- boo, Ham! It's a good thing this isn't a moving picture, or Hammond wouldn't be there. Just a streak across the picture showing the dust he left behind when he started mov- ing. Talk about being fast-he makes greased lightning look like a slow motion picture of a snail walking across a china plate. When he moved down the basketball floor, his op- ponents wondered what caused the draft. Edwin Peterson is another of these boys the girls all ask about. Just a man about town! See that nonchal- ant, tired-off-the-whole-affair look on his face? That's the cost of being besieged with too many feminine ad- mirers. What are your office hours, Ed, or do you give advice to the lovelorn? Georgia Norris is a sweet, quiet, little thing. Pardon me-a nice jun- ior. Her hair's naturally wavy, too. Lucky. Did you eat bread crusts or spinach, Georgia? Horses, horses, crazy over horses! Who is? Cora Mae Smitley, of coruse. Ride 'em. cowboy! You ought to s-ee her tear around. And, as if that isn't detrimental enough to life and limb, she allows herslf to be knocked around like an old dish- tow-el. You ought to see her fall around from people's shoulders onto the tumbling mats in gym, She hits the floor most gracefully. Rex Gish is bashful. He was absent when this picture was taken, but he's too good to miss. He played the part of a high!-powered reporter in the junior play. Did he get the news? Scoop, that's what he was! Here's a list of the Honey Al- monds if you look at them from left to right: lst row: Miriam Miller, Georgia Norrris, Cora Mae Smitley, Miriam Stafford, Evelyn Langvardt, Ann Cal- kin, Ella Shaw, Bertha Bryant. 2nd row: Espernolia Douglas, Wil- ma Johnson, Kathryn Rimer, Julia Davis, Alene Younkin. 3rd row: Beda Kurtze, Genevieve Languein, Cleo Veille, Delphine Gfel- ler, Margaret Stratton, Marguerite 0'Neill, Ralph McLain. 4th row: Roy Smith, Allen Harris, Raymond Hill, Lloyd Segrist, Travis Brooks. Lloyd Dow, Charles Rose. 5th row: Edwin Peterson, Chrespin Noches, Reuben Hammond, Bill Ini- sley. Those not pictured are Rex Gish and Aloha Phillips.
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Page 21 text:
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Illufu - 'lllilnfu J0 6 ' WQQ-ff fi i' s They chisled their way into prominence! l .3 C li CHISELERS A l Ny l V' KL '-'-'-' '-' '-X'iTL.'L'J4'L:.2.1-L-:Li-i'l.li':iE.Ili' The Chiselers, under the instruc- tion of Miss Margaret Bloome, the world's best. chiseler, chiseled 'their way into prominence fand not by ignoring' N, R. A, code, either.J Three members of the family of Chiselers, Elizabeth Hannah, Vesta Wood, and Faith Foster, chisled their ways into leading parts in the junior play, The Three Gracesf' Elizabeth was one of the afore- mentioned Graces. Faith was the big, bad wolf-oh pardon me-the bold. bad villainess. Vesta was the loyal follower, who shadow-ed every n'ove of that terrible scandal-monger. It was the members of this group who managed to out-chisel the Zip- ping Zebras fpage General Johnsoni in a banking contest. The stak-es were candy bars: the Zebras. paid their debt. too. Ev-elyn Peyton is known as that little girl-who-wishes-she-were-older. You'll age eventually, Evie, Then look where you'll be. You may never have heard of Paul Whitman and his band or of Rubin- oil' and his violin, but everyone has heard of-or maybe just heard- Vesta Wood. She and Rubinofl' are competitors in the violin business. If you ha.ven't heard of this blonde, heres a word of explanation. She's the gal who wins league contests and things. Hasn't, that boy in the third row been around here quite a bit? Oh, yes, he plays basketball. John David Kirkpatrick will probably be one of the mainstays of the 1934-'35 basket- ball team. He's quite a shiek, too, so watch him. girls. That handsome boy on the end of the second row is another most popu1ar man. Look how he's sur- rounded by girls, Maybe it isn't his fault. though. He may have been placed there so he could be seen. At any rate, when Jack Moore grows up, he won't be a bad guy. The first speaker on the affirma- tive-oh! oh! another slip! Let's st?rt over. Waneta Delver used to go out for debate. When that tall, light-haired girl arises and begins to talk, it's a cinch something happens. Lois Cassetty wore her fingers to the bone-not scrubbing. so don't mention child labor-playing Pop Goes the Weasel, to which the glrl's gym classes pranced. She was assist- ant pianist for the senior Girl Re- serve club. too. There's Lone Weasel Shaw stand- ing up as big as life in the back row. He's been the brunt of many a joke, concocted by intelligent persons with warped senses of humor, That's all right, Lloyd, we still love you. These Chiselers may incite caustic remarks about themselves, but, all in all, they're a pretty good gang of seniors-to-be. Here they are, my friends. Now no remarks! Left to right again: lst row: Martha Darnell, Lois Cassetty, Elizabeth Hannah, Faith Foster, Evelyn Peyton, Pauline Shoff- ner, Pearl Peterson. 2nd row: Neva Hayes. Lillian Kar- men, Cleon Thornton, Viola Tully. Waneta Delver, Jack Moore. 3rd row: Margaret 0'Nelll, Esther Peterson. Betty Flbly, Ellen Elias, Vesta. Wood, John David Kirkpatrick. 4th row: Roy Clark, Mae Nhlttet, Hilda Shull, George Britt, Jack Durbon. 5th row: Lloyd Shaw, Chester Smith, Ervin Reber, William Hurd, John Rezac. Earl Filby, another Chlseler. is not in the picture. A-0 'J' .MMA 4244 VSA
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Page 23 text:
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'Y igufn - mnflu A Pretty good at zippingf' -.-. .FT ,-T-'F .ST .-T L? 1-TT-, .-, 1-'N ,-. --.vi-'r -, .-, .-, .-. .-N r-TTEE,-. ZIPPING ZEBRAS 3 l w . l 'f1H L l' em ' ' ' And here, ladies and gentlemen, we have the Zipping' Zebrasf' zippingly led by Miss Marguerite Bignall. Some of this group are pretty good at zipping and zipped, skipped, or gyped their ways into the junior pllay. These experts are Genevieve Cooper. Patricia Johnson, Karl Lun- dee, Maxine Foveaux, and Floyd Fansler. Hooray! Genevieve Cooper was the leadlng lady. She played the part of one of th Three Graces. It was she, who fell heiress to a- mansion and, with the other Graces, made it into a tea- room. Genevieve and the leading man became quite affectionate in the closing scene of the drama. Tle kissed her as though he had had some practice. And may you think she couldn't take it! My name is Thuthy Thimpthon, and I lithpf' said Patricia Johnson in the same production. She may not have used these words, but oh, that little lithp. As the llsping third of the Graces. she brought down the house when she infected the en- tire cast with the fever and had even the dlgnifled attorney-at-law lithp- ing. She proved her nonchalance by not lighting' a Murad. lSh-e ate waffles and and cream puffs insteadb And oh, my, when she nearly choked on her breakfast! Wouldn't lt have been funny if sh-e had died out there-in front of Mr. Vineyard and everybody -of overeatlng? They'd have had to change the plot of the play to make a. death scene ilt in. What an ln- convenience that would have been! Puzzle! Find Karl Lundeen. Really, though. he's not there. They wouldnt let him in for fear he'd break the camera-or something. He was that romantic gentleman who had the lead in that much-mentioned junior p'ay, Karl was the tall. handsome football player, and you should have heard the feminine hearts beat when he appeared on the stage. tEdltor's note: One curious male member of the audience was wonder- ing whose watch was ticking so loudlyl. In real life, also, Karl played the heart-stirring game of football. He planned to play next year, but the newest eligibility rule bars this. Coach Floyd Fansler was oh, so grim and unbending when he order- ed Karl o'fT the team. Oh, you Na-asty man! He looked so much like a grown-up college coach that it was quite disillusionlng' to see him after the play without his mak-e- up. Maxine Foveaux saved the day. when. with the authority of a home-ec teacher, she stated that waffles were not indlgestible. lI'll bet she really can't cook and doesn't know anything about it.l Look at that entrancing look in her eyes. She makes posters, too. Wilma. Ilrion is another one of those women who know what to say, how to say it, and when to say lt. A debator. Willy, is the white mice problem in Alaska essential to the British plan of control of llzzards and pink elephants on Mars? That sounds kinda' mixed somehow, but facts never would stick. Ladies and gentlemen and students of the high school, I take great pleasure in presenting-aw heck! Fenlon Durand ls there in the back row. Look him over. I-Ie sings a mean tune and plays a great game of basketball. You know. not a one- track mind. Smile for the people. Fcnny. Let me fix your tie. It's crooked, All ln all, though, he's a. pretty nice youngster. The monickers, to which these Zebras answer, are, reading from left to Bright: lst row: Maxine Foveaux, Gene- vieve Cooper, Rena Cook, Patricia Johnson, Martha Wennersteln, Vivian Gordon, Leona Stevens. I 2nd row: Mary Elizabeth Barnett, Wilma Irion, Louise Baresel, Blan- dina Spiering, Carrie Mae Walker, Irene Wilkes. ' 3rd row: Geraldine Beam, Ruth Longacre, Pauline Johnson, Marleta Adams Isabel Pitts. 4th row: Ollvette Carpenter, Ber- tha Sand, Mildred Burleigh, Richard Gillispie. Raymond Revere. 5th row: Wells Brown, Tom Fegan, Fenlon Durand, Floyd Fansler, Ed- ward Porter, Lloyd DeMersseman. Those not pictured are: Karl Lun- deen, Peter Rago, Ruth Sutton, Ar- thur Zernickow. Y
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