John Marshall High School - Marhiscan Yearbook (Indianapolis, IN)

Page 19 text:

Winding up for the fast pitch, Senior Scott Cox assists the publication ' s team challenging the German Club in last spring ' s Softball tournaments. Displaying his unusual technique, Sen- ior Mike Martin wallops a homerun for his team. Mike was co-photography edi- tor for the Marhiscan. Yearbook Co-editors Mark Goff and Dav Mogollon work together to create one of the many layouts for the book. In order to plan their strategy, Brian Stewart calls the team to center field for a huddle. Hoping to surmount the pile of work on her desk, advisor Jan Eberle organizes photos for a yearbook layout. Publications 15

Page 18 text:

Publications staff work days, nights, weekends! Vc One of the few quiet moments in year- book class was w hen sponsor Jan Eberle caught the staff for this picture. First Row; Barb Mogollon. Dav Mogollon, Karen Terry, Kathy White. Michelle Toole. Second Row; Lisa K. Murphy, Michelle Cox. Mark Goff, Scott Cox, Stacy Shreder. Third Row: John Pettway, Charmane Dodd, Cindy Waller, Beckv Baker, Chico Schaefer. In newspaper class. Sophomore Rhonda Myers struggles against time to meet a deadline. Journalist Charles Montgomery dis- cusses ideas for next week ' s issue of the Liberator with Co-editor Debbie Lu- tocka. ictory can be achieved outside the football field, and the publications staff illustrated this point. Toiling hours, dead- lines, work, work, work. Give me a break! Yet every stu- dent knows that the hours spent show how rewarding the work can be. So, with this new outlook you are led to a finished product, an achieved goal, a victory! Yearbook and newspaper staff both have the responsibil- ity of getting their jobs done and done well. Yearbook consists of an 18-member team of editors, photographers and advertise- ment people. Many hours are spent after school working out ev- ery major deadline, every minor detail. Co-editor are CD. Mogollon and Mark Goff. Copy editor is Cindy Waller. Al- though this mixed up team of leaders are up front, the peo- ple behind the scenes are a big part of our declared victory. The newspaper staff works with vigor to produce their bi- monthly issues of the Liberator. Keeping up on all the latest news, sports events and school activities, the result is a pa- per that interests and informs all of Marshall ' s Patriots. The Liberator is sold for 20f an issue during first and second periods. Debbie Lutocka and Rhonda Ball are co-editors, and the staff consists of a 20-member hard working crew of indi- viduals. — Cindy Waller l4 Publications

Page 20 text:

Stage crew creates magic with lights and brushes ji ehind the scenes of all of Marshall ' s fall plays and spring musicals is what some in-the-know call the backbone of the theatre. Granted, performers and musicians are neces- sary for any theatrical production, but the stage crew also plays a major role in every production. Stage crew consists of Paul Justice, stage manager; Charles Scott, student stage manager; Scott Hartman, sound techni- cian; Geoff Lacy, light board; Ann Davis and Lisa Murphy, spot operators; and .Andy Davis and James R. Smith on curtains. . lthough these people work in specialized areas, they also con- tribute a great deal to the design and construction of the sets. The floor crew is responsible for shifting sets, moving props, and special effects. Members are Mark Conners, Gino Cortellini, Shelly Cox, Cindy Dillard, Chrissie Johnson, Greg Patrick, and Bob L ' hlenhake. The crew also handles Evening School Graduation and Senior Graduation along with all other auditorium functions such as science programs, dance recitals, and other educational programs. The importance of the crew is easily understood when you are seated in the auditorium watching a performance. The An- nual Patriots on Parade feature songs and lighting that daz- zle you with perfection. The curtains are drawn when cued, and the props are skillfully set without the audience being aware of the activities behind the curtain. So, the next time you ' re seated in the auditorium await- ing a Patriot Production, remember the hard working crew add- ing the final touches to performances and other auditorium functions, by Lisa Murphy Before a show, props must always be West Side Story is a prime example of Geoff Lacy decides wliich batton should accounted for. This is one of the jobs the creative ability of the stage crew. be lit for the proper stage effect, performed by the floor crew. 1 6 Stage crew