John Jay College of Criminal Justice - Justitia Yearbook (New York, NY)

Text from Pages 1 - 110 of the 1981 volume:

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'Z'-'fr 0.1 T- ' xr 4.45 'x,...x. g.x.., , . le,g':l, Iauffhf -.. f-.. 51- , .u . v , Lau' 4'- 'Lf 133' I 'L' 'r '-4 ., - P143 Qdxrf r .- ' A -, ' '-,:f.v- L: ' xNl,'. f1 - rf Y-lf ei'A'f, :gifl sq-4,1 A.-3 nj., CNPAKQLE' ,uk 2.54.-SNE-dr 73 ' 'f An -.4-7' . . . I. .' - .' . X - .',,I: ' -.nh if t - - lx ' . , 1. 4 . x , Y f C - 1 ' I-. .. K. C . x o'vvp4+.,.-- -f---.- editors' message We spoke recently with a gentleman who claimed to be a self-made man. We don't doubt that he was, at least as that phrase is informally understood, he displayed the arrogance and opulence of that breed, and we gathered that he'd had a good deal of personal success: and what I've gotten, I've gotten on my own. But laying his individual accomplishments aside, it seemed odd to us that he would claim to be self- made.', Did he invent his flesh? Did he nurse on his own breasts? Did he learn to read by staring into the dictionary? Did he learn to think without the influence of any other person? If an oak tree grew where none had grown before, would we call it a self-made tree? Or would we attribute its growth to the sun, air, water, and soil? Human beings are no different, and even our vain friend would have to agree that we are, as much as anything else, the sum of the people who touch our lives. This book is devoted to the people who made the self-making experience of education possible for you. -'is U, L. . mlrifk In an age in which criminal justice is becoming an ever more important issue, John Jay graduates have an opportunity to make a real difference. You have chosen a field in which there are more challenges than solutions and more problems than answers. You represent a new kind of criminal justice professional with a new approach - men and women educated not only in your own specialties, but also in the best liberal arts tradition. As many of you take your places in a system that is much in need of change and improvement, we hope that your work at John Jay has prepared you to understand the problems, to help find solutions, and to make a difference in our City and in the nation. Congratulations on your graduation, and best wishes for happiness and success in your lives and in your careers. - Gerald W. Lynch President On behalf of all of us teaching or administrating in the Graduate Program I send our best wishes to all our graduate students, especially to those who this year have earned the Master's degree. The way through to the degree from freshman undergraduate status is long. It often conflicts with family and occupational commitments, demands a heavy schedule and involves difficulties in transportation. We nevertheless hope you have enjoyed your learning, that you have made many friends, and that you have built up your capacity for progress and a rewarding life in the world beyond the campus. - P. J. Stead Dean of Graduate Studies I applaud the efforts of the yearbook staff for the arduous energies devoted to the task of publishing the 1980-1981 Justitia. Your labor in this project exemplifies superlative student leadership, which clearly illustrates the ability of students to join forces under inordinate pressures to produce, in a responsible manner, a professional product worthy of praise from the entire John Jay College community. I also extend my congratulations to the members of the Class of 1981 upon the completion of their degrees. As graduates of John Jay College you are charged with the responsibility of molding your personal career goals and developing a style of leadership within your community. You join the ranks of renowned alumni entrusted with upholding the ideals and high standards of professionalism established by John Jay College of Criminal Justice. My best wishes to you in your future endeavors. - James A. Malone Dean of Students XX ...Vi ,ax f t. a!f5 1! . . . the best in a teacher because he was the best in a man - caring, concerned, thoughtful, and genuine. - Dr. Eli Silverman This yearbook is dedicated to the memory of Dr. Arthur Niederhoffer 1917-1981 S That We May C . . As I sit by my window And as I sit here awaiting the rising Sun awaiting the rising sun awaiting a new day awaiting a new day suddenly I feel I pray silently that this that it is more than a crime tragedy may help us to c It is more than a shame while we may have reached a place that our babies are being silenced among the stars before they've had a chance to speak. new plateaus perhaps I feel a loss a sorrow there is still a need It is within my soul within myself to unite ,,,., It is total. Y Shirley Hill 'Ha 4. 'sf- J3- f :v..'.g'-XII! 454, 1, J'- ik. ,J Ragga 5, is 1 I 'rd 1 I' 1 9 1 1 'I he Q 'il I F 'f . .4 Us -I -A P53 , . 1'7 'ix 4 3-J ' - ff, ,Q- Q .Q ,xxgksz gr, Jug nf uf X N, , 1 wmv--ff 1- .b L , 2 ,. vw, .,,fL. 4, . , sg H . , , .., 3 1 fftfi' it 'jf- . - . 1-K A,-, -. . IS . ' . ,, A V 3, - 1 jiugs. Lsfi'f3'l,?. ng' ' Q 1, . ' xx.-' l . vig' x 'Y A', ,ifigx ' -'Kr ' ,.' ,Q k yn.-U. kr mg I Q 1' .j-yf,jf:g?rX ' I 11,4 ' N ,fi-.-' , A . ' , 719: . 3 , Q., - s V11 .Amie . .1-, , 'K N. .5 fue Sunday At Four A warm wet cold and beautiful Sunday it was walking on the almost main avenue. Walking slowly, forgetting the past and remembering the future. Rushing to get nowhere at all except confused about the clearest points to be pondered. Being wrong, while everyone else is right. Oh no. I am right, too late. Knowing you will be gone, but remembered to whose love is in your heart. Saying hello and goodbye. It does not matter that I ended up there for the last time But I went back, again, and again For a piece of my soul and life resides In those lovely decrepit walls of solitude And their own hopes and their own Expectations. They will live up to hers, and theirs But not their own. For they know not But they really do. them, And so I think I do And they will live up to mine. But I am gone, and they know But who will tell them They, and he, surprised me. - Aaron A. Horowitz -QW? I. -4 ,.,. 'tug 1 4,, +A, X -'P I 3 Q Q' fi V' hw A ff? ' 1 4 Gr: ! I fn fl I 4 'z - , I 12 f -W it .. v , ii 5, ,,'Q -3. Q ' 4. W ' A 1 6 ! W, f 'l wig --'MLQQL :aaa U A 'f..,.V, A ' '-av.. , . .W Hu -L VM? f.a .i 5 ' 1 'E -hm. .4 r .1 wg ' K' , fm ' is 4 , A I, L I X ik' fl ' ' K 10 '1.,fli!?3- x, K v Y 'A '-v ' ge-QL ,., ,Q A . x. V :Q xxx X'-JS ff' 1 'N R 4 1 It Rats 1-.' P I mfg, 1 -' W i'.x'5j Q' C ,- ,. ix V ,X hr' mv K Q- 1 . -.1 . -'. Y If' , ,M-f Xt' A'-'UIYQJ - A .4-f 'S if Z fl . 3 W v-4 M ', i 5 ' I an- 'll -1' Xxx ,xxx 7,1 ,, 1 V , , ' xhnxx ,id i - xx,-f ' All N ,,V--KA' .,.,- iif .L i 12: 'Z 4 this is heavy heavy something too heavy to bear and you say sister, sister don't be so so slow cause ain't that much deepness in the world except when I look in your eyes and you know the shonuff shonuf truth can't be touched with hands and I say brother brother what is that saucy springy tangy taste in your mouth when you speak the word, to me what's that breath and smell you breathe that takes my breath away and give me new breath and who told you to touch the touch that shakes me with your glances you smile and answer so so sweetly you touched me too - Audrey L. Owens .Q -hh 'L ,n, 'T I 11 X' .ffjrj-M-....,,,A v-.' Y.- QL If ' I 1 X f If I ll X ff 'WlfQfL -J ,lf u I f f ,J N' 3 ' ff i X Lf- m QHE HAD T0 oo All ovfx TOWN ron sfx BOOKS..i 'l AMD THEN THE CLASS ws CANCELLED EPD? I .-A Wake Up They're looking at us Not looking out for us Decipher their tongue . . . For what is said is Similarly! What we live is not Always what we've dreamt Sacrifice our trust . . . And save our young . . , For as Black as we are We can be seen For they're looking at us And not looking out for us - Jacqueline McLeod F,--f V mf-and Wide Awake I waddle in my memory of oblivion Procrastinating as to reality Certainty effaces my lies . . . And the inevitable leaks inside Numb is the feeling Death is the cry To my love for you Not I, but again . . . I waddle in my memory of oblivion Procrastinating as to reality Certainty effaces my lies . . . And the inevitable leaks inside. ,., X ,. 1 i' Jacqueline McLeod J, I '12 vi qs, XS ,u mm . ':,:f+'-.J-'.f,, JA-.afbf 2i-f'fnl 'ww H.- .. fi' 9' -: zE,':,H:-.?-- - .A :PZ'i Q3fIf'eff4.5' 35t X'I::l-'C:w53W f'4'TE2rl: '5 ' . v 1., fwf:I',1'.'r'- if-1 6226115 int: - Aw ., ,hf:'s ' f, -E W. ' ,'1iMf'iij5,. ji ?p':,'3' L 'P 5, .. 'Y',f,g 5,- 'Ya.52gL2fl.ij,. -ig.:-Q w ,- 1 i4 N f vf 1 Q A xr , 2 - N' W .pix , W xi, w gww-1trr:?s P -v- ' 14 Av-v . K l i? QN 4 X-.r .,, uns REGISTRATI VHA5 LJA1 i ...4.L,., jpoLlCE It-Scfeucf .T M F .. -r . 'W' 1 R 1 af . Y 'q' v , Q? was 9115 0 - ,. , .4- k -W 1 , 4 , -' . J. K ,,. wa. -2- 14 - 'Yi-vi D .ga 'p Nfmg, . .. Y,gf',g,,, J S ,V , .Qty ov- ., . . X, ,A ,L .- wlibxzxw . ., 8. ., N .ips w-.QXQ Q:-Sl Linda Windows smashing through hands like a final scream I can't do anything to change her situation Her kids are screaming The stereo blasts sweet love songs as the tea kettle whistles on The kids are watching Tom Sz Jerry while the dogs bark at the paperboy I pay him then push out to catch the rabbit who has hopped out of the street She grabs the black cat and throws it to the side instead of punishing it for getting into the garbage She starts to cry I listen to her problems again That's why she took in the other cat She says he reminded her of herself alone and scared with shoulders haunched ready to strike out against everyone anyone I bandage her hands Wishing I could do the same to her heart She takes a knife and rips off the bandages The baby wants his bottle I take away the knife as she watches the blood I l R i I . drip onto the rug She says it looks like a leaky faucet r th The other two kids are fighting ove TV I replace the bandage She sits and rocks on the floor holding the stray cat in her arms I go to fix the baby's bottle and the window smashes again I cannot stop her pain I bring her tea rocking and crying with her She is so alone - Patricia L. Chamic -FN X 9 gr' I ' I sf' xx ,R Tm-3 T sf ,J --al.- -l..- L. :jx E: Z... E1' I if -4 x l I-id -..-...-...- 1 4-- an 11' l la Ii' 336 xxxxxxxxxxx, HEEL 4,1855 .liy,'z,.,g5 9 f L 4 mi' F721 ,f..,Z., -4- ffif, 1 M4-fgjxzwl 'M f 311, ,cJ,,,,,,-.W-, Love lies deep beneath any motivated part Of a person who feels love The temptation of this feeling does not explain itself In any form other then feeling Love depends only upon the individual's imagination And cannot be set by any other You cannot explain love to a person Because words have no meaning for the inner feeling Love can not be forgotten in any matter For a feeling is always there Whether deep within one's self Or very close Love glides towards temptation The temptation to love someone Love can be expressed by the showing of it Letting someone feel your love No other feeling can replace love Love Love Love Love Love is one single feeling grows from imagination is a creation is isolated is Love - Patricia L. Chamic ,N riff' fin fy E Y ' x We-uQ ng --33 11- hz- ,.- .r 23 ,,,,,,. J 71 Ql , 4, ',,:,,.4. .. i' 9' n X ,affwgfg 4 Muerte!!! j,Muerte, en donde te escondes? En que rinc6n lejana y oscura Me esperas y me rniras? se que estas ahi Te presiento Te huelo! Vestida de blanco y negro Sonrisas mficabras, me esperas, Me esperas . . . esperas ..... . . . g,Que mundo es este? Sin substancia y sin raz6n Sin borde y sin cielo? Que frio! Que cixlido! Que gritos y lamentos NO! Este no es mi mundo Dios, perdfmame! - Raimundo Wray U X 51.4, 'Lfac w I 'Q I 1 i Lagrimas Lagrimas que caen al suelo Como el agua que se disipa de la nube Y cae tambien al suelo. Lagrimas que al mirarlas Veo reflejos de mis pecados Pecados tan inmenso que ni Dios podra perdonarlos. Miro a mis lagrimas que Brotan sin cesar Aliviandome de mi desgracias. Consolandome de mi perdicion. Oh lagrimas cuanto os anhelo Porque solo vosotros me comprendeis En mis horas de agonia En mis horas de desesperacion. Lagrimas! - Raimundo Wray i , f 21' . Africa g,Oh AFRICA! que pecado has cometido? LPor que te juzgan y te abandonan? LPor que te saquearon hasta tu nombre Dejandote desnuda y desvergonzada? LDime mi AFRICA Cual es tu delito que dicen que nunca podras Que yo arrepentirte? LQue maldicion te implanto Dios para humillarte en esa condicion? Tu que antes eras la luz de naciones Naciones en la obscuridad. Tu, que por ti se revelo la humanidad. Tu, que diste vida al mundo, Y tu, que el mundo te la quito. g,Oh levantate mi AFRICA moribunda! Levantate y reclama tu corona. No te desanimes mi AFRICA, estare contigo - contigo hasta Ia muerte. - Raimundo Wray Blackout 80 the last time i looked while others looted and sold the last time 1 looked it was there half-sane minds, hot i wasn't blind staring back at me a dime a dozen or unsympathetic to your need but then again you ghosted in but i am now so was my shadow peddled my heart of gold where you left me that was until you came along to night for free feeling for light without warning or anyone s truth stripping the blackness of no i use to call ours face on the wall - Dee Williams and me you left without reflection or claim X 7Z?'7 Y 5522 Q Q5ff N Z S e Q za 4- A Y Ziff X Masterpiece like a leaf pressed against the snow you left a cold braille image imprinted on my flesh i could not read between the lines they've aged and wrinkled truth and my hands that sensed the same no longer felt the you and now to live forever profiled for fear to show l 4 what hides behinds these hands are scars from your own mold -- Dee Williams -Q-L 0 rw-sgunun-an ' in gppdaluvwi X ff! ai rs- , .r ,Af ff' ,... U- Q-X, AX, N-Q if f' ,fl .L M N., I W U, hi? 1 fdr, x M 1 f U, sq ' is iiWf?a,1 h Sleep Sleep little one Innocent in mind So full of joy So sweet, so kind Unknown to you, are the true facts of life Sweet can be the years, yet sharp as a knife. So grow good, and grow wise I'll do my part, And share your successes As well as broken hearts. I'll try always to be there Whenever you're in need For blood from my veins, For you I will bleed. And when I grow old, I hope you remember That I'll feel this way, From January to December . . . - Mary M. Rivera FV Q33 1, 'Pr 5,11 1 'U ' lg ',---.U - 0 P if .. .1 ' ' E ' muff , z , ,,,. . , - i - - L . 1 A S- - Iil If F' Li fi ' x W, 1 if Q Q, Y ,V-A ,ga s'-'siqx ' -IN -P s -'Q W N f m ' 1 N -' -i'. ' g In . Q 6 y I 'T 'U Q ja , ,, www f . J' ,W,:..1,15,::,Aa'2uL?, ,, A ' ,':-,zu tw 14 -,1, - w'9l'f,z1, 752' ff. ,,:.iA:'ail L .df 4 f xg , .' . Q . SQ 11-20. ,2'ifHEW?? ' H' Jw IIII III Another Kind Of Power Everyone's mother ibarely visible beneath 31 layers of official New York grimel slept ther bags full of sequestered secrets drawn carefully beside herb across the doorway of the New York Times. Mitchell I want to write a poem about Mitchell Mitchell who bleeds on me whose eyes plead from me Mitchell from Queens with the new color TV, Mitchell wants to be an artist Mitchell wants to create to spill his guts on the printed Page in bleed on everybody ink I want to write a poem about Mitchell who jailed his pride to avoid an argument, Mitchell altered his second-hand opinions to be on the right side of everything Mitchell sold his balls to stay out of a fight, Mitchell wants to be an artist I want to write a poem about Mitchell's morbid fiction fantasy being produced, being discussed Art for art's sake? students query gratuitous violence?, facile plots? chameleon Mitchell revises incessantly The frumpy, dumpy bag of rags all her festering obsessions kept all the news that's fit from getting printed at least for a while but didn't herself rate even the smallest mention. Land iwithout ever writing a wordl to better get across, Mitchell wants to be an artist I want to write a poem about Mitchell who lost his job because of me His baby wife at home in Queens sobs softly to the color TV as Mitchell gropes and grumbles trying to understand, Mitchell bleeds on me, feeds on me, Mitchell bucks down, lets loose, goes under gives up and cries, Mitchell wants to be an artist I want to write a poem about Mitchell iand the Mitchell inside of mel Mitchell who knows you've got to do it and do it but never gets around to it, Mitchell wants appreciation anyway, Mitchell dreams away his time, Mitchell won't face up to a glaring mirror Mitchell wants to be an artist Bw his ,wi 4 IRXUQ MW' 33 xvj sl 1' J' ,Hx A 5 N 1 4, 'I '.Xf'iif nil 11.1 S -.7 tg, K X l , xr. A , Q 4 N U GH! 1 if ftfxin ti ' ,af i 1 Yfgv X , . 1 - J 'I' c.?1'- Y if N ,A K..! i x Q- f Thawing A snowflake fell on my forehead Dancing down my eye As it melted into a tear Sliding slowly Down my cheek I thought deeply about the snowflake Crying into my life - Samuel Gates III I4 NN l 1 fix H If . i.. x ,L --'-- f-- -+ m---ual I 'Y 1 Hr. 4 and 'Wx ali' ' . 'fu YQKWG U 15.2, -x ai' To A Poet Whose Images Dance On The Tip Of My Tongue Underneath your poems In the mist of your voices Pages spread like rays of sunshine I bathe in your images I breathe your breath that speak your Your beauty and truths Wetting my body brown and sweet dreams That will read from books sheltering Like cook spring rain Twirling from your mouth like a your In the arms of midnight ballerina experiences Dancing beneath your fingertips Both old and new Drinking rivers of moonlight Naked Never to die To be eaten by hungry eyes When the shelves of their refrigerators Are cold And empty - Samuel Gates III Trophies In Our Heart As we laid in our vault of silence Splashing our tongues on each others shore Transformed into silk after the waves reeled back into a fisherman's boat And the fire drowned burning screams in ou And the books stopped flapping their wings across the room And the phone received my calls We still carried trophies in our hearts - Samuel Gates III throat An Evening With The Kuumba Pla ers dedicated to the memory ofthe children of Atlanta 3 l il 'QV' 7 V ' ,tg L -,S 1 -5 I I I I ,f--- --'Q V,, ! X Xl J ,. .9 ., - ,,...'.y'Xgi. I 4 ,: fl' 5? UI 1 -U . , 'B !?,,,....j 1' Blessed Children Of Atlanta Blessed Children of Atlanta, Your life was just starting to begin, Blessed Children of Atlanta Some evil person wanted to see Your life end. Your forefathers toiled America's soil with their bare hands so that you will be able to live in a free land, But someone did not want you to have it, so they destroyed you with their bare hands. But don't worry, Oh children For God will give you a home without sorrow or grief, And he will revenge the one who destroyed his children. So Blessed Children of Atlanta, go ah and rest in peace, and as you look down from above, look not in hate but in love. - Edwina Gray ead is 'QA Dfw XX-. Xxs- sg 1 rw' www: 'W r--5.1 .H -3 V' Q. : 5' Q 'Isif' na V 1 ..v79 ,b?, S4 . W +A f . ' , I IG Y 6 4 X x if s wg! -Q x -, if v F. ,ln .-... N Aa j ' 5. b ., Q, 1 ,V .1 I i V .. QQ? 1 4, . ,,Q. up s, i 'e ,p,.,1. 0. ,, 'vue -,Q K '-5,- . ' wg f :V 'usp 'LA xf '4 WY? 4 ? iff5f:'IfT' fwovf ,V N .vw .1 if-.1- Vs .J N - 1 , ,,i,.syp ,MPQQ .3138 4' '. 5. ,d, fv'-,if ! Aw X313 2 -r, ,. S yN r ff. 's f Vy N v , x 7 ' 1 M'-IX ' '7532 X xtxwx' .I wh. x ., - X , fu f' A- E X. THE RESPONSIBILITY EOR THE STAND YOU EACH TAKE LIES VITH YOU ALONE. CAST YOUR VOTES ONLYAFTER INTELLIGENT AND CAIZEFUL DELIBERATION ON THE FACTS AND ATALL TIMES, KEEP IN MIND THE ULTIMATE OUTCONE Of tru ,A YOUR DECISION. OH, OMNOU! You CANT ALL ABSTAIN ff X , - , --1 I -TY A1 ,A A - fxLL gl T I A 'A A I If A I1 I aff f I5 'X 'TK 'TLT Im? A L diklgkf , I L, HQI, v A ,, elim X Q1 Q L T000 J' 1 1, S 1 4 X x T, is Q ' Q v XL .4 ' ' ' N 4 - 5 , 3 F4 fiizg. :gilt 5' ,tiff 1 '7'1 ,Lz ,, ,fy , Clockwise from left: Pres. Stephen Palermo, Vice-Pres. Anita Mestey, Secretary Judy- Lynne Peters, Susan Kulaga. Treasurer Sandra Palleja 4,3 Clubs And Organizations Jewish Student Society Carribbean Club T My Government Club Sf! 5 1 Ski Club Dancin' Club Scuba Club l I i 5 1 5 - K A W Debate And Discussion Club ln.-wx' 1+- ' I U Law Society Betances Student Society Irish Society G. Swann Jama Adams Fred Rick ni' ff V1 , Peggy Murphy Ray Namdar Charmaine Davies Bettyann Labrenz Steve Brumer John Bums ,XXX Christine Conder Gail Monsegue After three weeks of not getting us together, we took us apart. Perhaps the only lasting advantage of our doing this yearbook is that we get to look so relaxed and alone while everyone else is A-.X jammed up like the Second Avenue bus. fo 'S' fe Ayshia Armorer Members of the staff not pictured: Michael Corrigan, Hamilton, Bobb, Liz Rivera, Tammy Kian, John Kirton, Diane Klapakis, Jacqueline McLeod, George Gil, Michael Morrongiello, Catherine Ortiz, Todd Randazzo. thletics li kb-iff: E L if F' , ,ff V m A J ANN , N , d, 'wue PH If WN Q' xx 4 xg, K slr. 1 , Q N x My -QQQA -I ... A ,,f, ,H , -I .-1, I MMR 3' Forensic Science P . Jx 1 Y Xl ' f FINGERPRINT PATTERI' , M., . , , M63 9514- W3 X X3 , j, :Si Q 5 5:-4 Q H 17 4- .n Y.: -5.1: - -veg ecee 1 ' it . . :MINT SUPP iifl N Y I I 1' ,..,I' I Refrain Theodore Gill Richard Pearson SIR, VM Flor-1 THE STUDENT MELJSPAPEAZ wf'0 LIKE ro Mau uHo's REALLY nuuufuo rms SCHOOL- You 012 ALBAAIV Q,-was GET Au AUTHo1zf1'4- TIYE ANSUER ro THAT7! MRS MITCHAILLF GET HE ALBANV A iji'w ! You CERTAIAILY CAN ' 1 J X1 X W h gi , yl 'V aa? S X V Nw I-..,..,..,. , ,J -. --'FN T' 'X 'X-.A v Matthew Neary Alan Rumberg 7 4-' '-Q .- N X ff ,. N554 x s x r I xx ,, I xj Edward Spinzarn ,,, I ' 1 , I' pur SIR , YW 5017 fall 333249 Ifcfufugvfmg I movoll Y ME. DEAN? vw muse w cpu- btw 1-wffff' Jvucrfou um: -fav! ffzgwfvolifl if ,qw EESPDNSMILITIIS JUMEHEN1? ' q R . gnlll? If Q N I K I llbfd IALS cennuvfswfx wifi ra Zur 92211411 0 if ,uve iff' Awfnr me Rrour Decfsfous, DF HY 6xP6o6vf6,f 'ffufs ww rrfzfsrzn men llfkt Paz you. U, J 5- 5 , 7, - X X 41 X 3 1'o0L rl Mildred Shannon 'Wy Ruth Lonsdale I Jack Zlutniclc X if if Tom Doyle Q95 45 ,Q IX 4 Richard Saulnier iQ1g - .,, , - , Robert Dempsey , .4 A sg M X Y riff pl 6 f .S v , we-' A a ll. f' .N ,Vi -V , TG' . ,, ' Imagine trying to keep track of the records of 7,000 students. Add to that the grueling effort of three registration sessions a year. Then you'll understand the important function provided for us by the Office of the Registrar. Our hat is tipped. 1 . Registrar is K-, WW? QR . ,J A' We . ,pamf mu it 'Elsie Q 0' Bw Department ' Chairpersons ' 153311 wilson - Atrican-American Studies ' s Louis Guinta - Communication Skills yi l '- hs. ,' 4 -.. Harriet Pollack - Government and Public Administration J- Scott Ffanchef ' Amhf0P0l0gY A , 7' 'T' Y U Y ., ,V . f 1, r-at ,. Q 1 . gf 4 . ,v P qi .r 6 . 1,1531 1 'L+fi5'.QQ' X. Q 'N 'J 1 -- Y,-,MX - .nv A 5 5 . 4? , ., 5 ' ' ff- ,:,.,if2:2:f',f f :QL sq-y g grl I T ww 'L W 1 ,:f 'iQf . ' 4, N Q i r 11,3'f-wif--. -, , 1 -X grx, . SXN -. Lawrence Kaplan - Economics Arthur Schlissel - Mathematics QM. ,J It 14 ,e A 4.5.1 if 'J- Wallace Pina - Physical Education Lloyd Sealy - Law, Police Scimivv and f'rimimiI Justice Administration I' . hn- nuwf' 1' fi-ii' l x f f .nf 42, i. P i V Til !'2 .2',,' f - Altagracia Ortiz-Squillance - Puerto Rican Studies , 1 f . f 5 Av.. , A-V . . , ., ff' I I Peter Buirski - Psychology , 'Y M f ' if ,f ff 'fl 1 ' Q y yi y P i-10 A flx, , . f -. Mil P W 2 1 -I ,Il 'f lf. x Charles Kingston - Science in J Raymond Pitt - Sociology fw' , 1 L1brary I9 5 . J. Facult I if, . 13 V si 1 e'.9 0 x silv- - 5,,' R Y ff K Q ,gym vs. wfii' ' ,Sn Q..-as K. A , f ,. A mfr- Q., Nthih . 1' 4 Q 'xy .os 2 -.., f- .xag, . an - 'I 5' , . v V .- wx., '5- '2 ,J ur . s - .1 '. T ' ' ,... I ,nf . 7 f .1 W5 . 'Un ,+, 1 Q '.'- ' Q ., . .. . 3- , - un... . Q ' ' N 1' 1 .Z Q I I 1 - . ' .-.. . , ,, , fi.. . u n 1' V . HX ,I if Ln.- I' Non-Teaching-Staff -4 v ,v ,DCA ,f . S ' .25 t 1 4 -f4. 5. 1 V ' N Ax ' lr , 1 ' 1Vl Av lb, A l. I 63 Security , 'x wi v 'Z ff 1 'L-ff All the hoopla surrounding the faculty and administration notwithstanding, the people who really keep the college going are the ones you never see. Support ervices ? 2 A .am ms... vy . H9 1 2 A 4 ,gi l .ill A . -97 951' 4, f ff f'-, .- A' i U We wouldn't have a college if the mail wasn't delivered. If the boilers weren't tended. lf the midterms werenit printed. If the floors weren't swept. Yet the people who do these things are the ones we notice land fawn overl least. It is an omission that demands correction, since, as much as anyone else, these people made your education possible. 'A If ' 'K ' .4 N 'Y A , ' LT . i-Yr- Cixi 5'5 3 'uf -X' x .g ' v J I I -vs Y it ff -big fff-wfgyg A 'fi-Z, ll Llmr 'Va 1.1 .f-lf.-1. ' 1 YI f. . A 1 , if f . ff, '50 'wg Q' W Flin fi ' 5 l l J W d v g I 9 Q I Qt, ,-ef' inf ai. '? 6? 44 I -- r fx Ox AW ---r is 3 vs.N..A R-.4 Elizabeth Abrahams Rafael D. Adams Vernice E. Adams John J. Aitken Angela F. Alexander Daisy M. Alverio Doris Amador Lawyer C. Anderson Flora Arias Ayshia Y. Armorer Kevin Astor Celia B. Banks Cynthia Banks Miriam Barfield Karl S. Barry 4d X 'il .- 'Nd QS ix if Donna M. Battaglia Richard C. Bellomo Pur W. Birdling Peter R. Bishun Cecilia M. Blamo Barry A. Blatt Kathy M. Bogdanowlcz Franklin J. Bosio Marguerite Boutsikakls Sylvia T. Brady Frank A. Brindisi Anita Brody Stephen D. Brody Edward J. Brogan Annette M. Brown A as 'C ,xy Saul Bruh Vivian S. Burruano Cynthia Burton Sheffield Bnrton Duncan Campbell Rosalie Campbell Thomas Carroll Mary A. Carter Vivian F. Cassady Jay W. Chagrin Marguerite Cheeseman William F. Clabby Sheena Clarke Kenneth Clator Ward Clayton l 'JU in: 'Q 1-X J ,, - . .- Caudieu D. Cook Steven W. Cook Eunice Coleman Miguel A. Colon-Ramos Sherry L. Confino Linda Coribello Varney M. Corneh Karen P. Crosby Roberto D. Cruz Anthony Curry Maureen A. Cusmano Charmaine Davies James M. Davis Veronica Davis Ann Delaney Q 15,4 Q.. , , 1 1' 'B ny- 1 Frank Del Vecchio Robert J. Denaro Eric H. Deravin Miguel A. Diaz Andrew Dietz Kathryn M. Dillenger Ciro P. Di Meglio Donna A. Donato Jane Durkin Raymond J. Durritie Joyce A. Edwards James O. Egaghe Dorit Ettinger Claudia S. Fidanque Joyce P. Fields Sri' sl' ' J- 'if ,J E 2, 5' ' . gl 2' 1-4 'Q lv 15 ff I Qsx ,wr TIN' 1.5. 'sv' Leon E. Flanagan Jeffrey Freundlich Steve N. George John J. Giambrone Leroi L. Gill Richard A. Goldstein Marina A. Gomez Wayne Gordon Calvin Grant Victor A. Griles Kevin S. Guarino Yvette D. Guy Cheryl A. Hall Diane R. Hanson Belinda L. Harris :W Ar 20 I' e ,x, 4 'zr+w ,. X 5 Zi f' V I 1. f 105 'C' ' .X Wy I , f 'ia 51+-.QX 'i W.. 'Q 'J' 'inli- f I A If - - .1...,elmu - b 1,-,mg wma., -.-. M--5 WW' sv,-rx Angelette Hart Jeromia S. Henry Micheline Henry Ana Hernandez Elray T. Hobbs David I. Ibezim Cynthia D. Jacobs Edwina Rawlings James Robert G. Jewell Geronia Johnson Keith M. Johnson David C. Johnston Gregory Jones Lucille Jordan Sovulj Josip 'fb Q N. Q... 'vm lim- 'X 1 HQ. Q A 4-.J 'RO Linda Kadluboski John G. Karayiannes Bessie Kaufman Brenda A. Kelly Karilyn Konesky Victor Labozzetta Earl Lacondre Karen M. Lanza Vincent Latora Lorna T. Lemon Michael M. Leonard Peter J. Lizzio Elizabeth M. McDonald Deborah A. McManus Valerie L. Melrose ww-.Q M, . '-v' X. X x 'U Wx .J-P 1 .-A Angel Mendez Elizabeth Mercado David E. Mesibov Anthony Messina Anita Mestey Elizabeth P. Meyers Raymond A. Miller Howard L. Millman Miriam Moranda-Kende Keran M. Moment Patricia R. Moore Cathy E. Morman Paul J. Moriarty Ann D. Moronta Ronald A. Mumford 86 , -1 'D X.. Hb 4 F Tv 4,.,. 4 wi 'X li 19' 'WR 'ir GQ, Gale R. Murdaugh Edward J. Murphy Lori A. Nappi Josephine A. Neeson Larold Neil Lindsey I. Nicholson Terrance O'Connell Jennifer M. Oliver Sharon A. Owens Kathleen A. Pagliughi Stephen J. Palermo Sonia I. Patao Joe Perez Michael A. Perry Sandra Perry Q 0 ,A 4 i. kg? I ,g.,5 'f 3' ' 'hi vb'- , I N gs fl' , f ,N .V , -I Qs ' -4 ,.. m I2 41... c' '99 094 Ip 'T 'fs K' James J. Peterson Ginervieve E. Phillips Pamela L. Phinn Thomas J. Power Sharon F. Pressley Joy V. Quashie Nivia Ramirez James P. Reddin Yvette T. Remice Gertrude Reynolds Ron G. Rice Karen A. Richardson Cathy L. Ridley Carmen I. Rivera Elizabeth Rivera an: 2-..,, I Qi A -k E i 'Q r 4 George A. Rivera Yvonne Rivera Ricardo Rodriguez Richard I. Rubenstein Carol A. Rudder Harriet Ruderman Lucie St. Leger Margaret A. Santos Ann F. Shuler Kathy L. Slaughter Samson Slobert Lynette M. Smith Theresa Smith William W. Spooner Chris N. Stefandis 4, ., 0' Qu..- WV' 23 gg- fm, ' 'lr ,-'f f i A fb- 'bw x .0 Q, i Vs PQ ,qv- 1. 92 1 Michael Vader Esteban Valdez Susana Vargas Mario Vega Luis Velez Diano Z. Viera Moses Voker Gerard Watson Reva R. Wayne Janice Y. West Ebonii J. White Pamela S. White Johnny L. Wilford Birdera Williams Deborah M. Williams 1 ff. ' fx' AHB. .' A 9' . F, , ,. 3:2355 ies, I Us ug., A I A 'Q n 'ln.. xi Xfhm W Y ' ii' L1 ,, 2'1 r xi 'vxau -...ss-Q hs Donna Sterling Gloria J. Stevens Vani E. Stirrup Walter T. Strack Jeane L. Strickland Valentin Suarez Evette S. Taub John K. Thompson Rhonda D. Thomps James R. Titterton Myra Todd Marybell Torres Vilma T. Torres Rosemund Trotman Bobbie J. Tucker O11 Wg, 'V Vu. in-w. Of' 49-7 .v-.X UQ, .,N 'Nao ...X-.4 f ? AdVGTt1S1Hg AND WELCOME ABCARD to the CLASS OF 81 FROM THE ALUMNI ASSGCIATION CONGRATULATIUNS ' --:. . The Detectives. O I 0 ' 0 Fighting crime full time. Their only assignment. New York detectives have one full-time job- solving crimes. Unlike other police personnel, they don't handle service-related or non-criminal matters. Still, their caseloads are overwheln-eng. Why? 330,443 crimes lhomicide to auto theftl were reported during the first six monthstof - this year- almost 16010 more than in the first halt of 1979. Detectives were asked to investigate all but the most minor cases. But, there are only 1,800 detectives-less than 9'fs of the New York Police Departments 22,000 swom police personnel! Just 1,800 men and women assigned to investigating and solving crimes. Qmcerned professionals. The gold shield shown here represents detective status. Those who receive it have gone through a long career path and . H . And, the criteria are tough. Standards are related to an individuals effectiveness in preventing and solving crimes! So, the accountability and responsibility pressures are great. No other rank is held to such performance standards. Because of their professionalism and the way they view their role in fighting crime, detectives share your concem about rising crime rates. They are impatient with inadequate resources: the present, ineffective criminal justice system: and bureaucratic platitudes. They reject the idea that 'nothing more' can be done. Detectives are doing something about ' New Yorks crime crisis: They are not willing to wait until our elected officials decide to act. Through their union, the DEA, they've launched a comprehensive public infonnation program. lt includes . newspaper. Fladioand TV Educational . brochures. And, a unique speakers bureau. Detectives are available now to begin a dialogue with political, community, and religious groups conceming what can be done to protect lives, homes, and property. But the program goes beyond discussion of security measures. lt will focus on implementing aggressive community action which will impact on the decision-making process conceming police resources. The result? New Yorkers will hear the truth about crime in their city, and leam how they can do something about it. For more information about this new program write to the Detectives Endowment Association. Detectives' Endowment Association of the City of New York, Inc. 299 Broadway! Suite 516fNewYork,NY10007 Dennis P Brennan, President pe OITTIBHCS 9V3.lU8iIOfI DFOOESS. It fakes Y83fS.. l 4 l 1 1 1 CO GR TUL TIO to the CL SS OF 1 SCHOOL PHOTOGRAPHY YEARBOOK SPECIALISTS Candld Weddmgs fra Baby Plctu res Natural Color ldentufncatuon Photos nc 848 FRANKLIN AVENUE 0 BROOKLYN N Y 11225 0 PR 42570 Gradulations 'Y Model Portfolios wifi . C0 GR TUL TIO to the CLASS OF '81 from A SERVICE OF john lay College Bookstore 445 West 59 Street SLNOBLE New Wk N Y 10019 BCQKSTORES INC The Center for Productwe Pubhc Management extends 1ts CoNGRATULAT1oNS to H16 Shllli GRADUATES GRADUATES of 1981 from I, Rocco S h HCPPM, Th HERO SHGP 7 I p ' ' t d ' 'ty ' the goal f C f P d t' P bl' M g . t d' inates ' f t' through p bl' t' d dio- ' lp tatio d d 'g for I h I students at th d t l 1. V rl - .' .1 'A 53 4 H ! gl- .1 . I I 0 O QL-I I 4,.,, ',SQ4,,g,py1-10lqn,,.1-7' 'I or v 3. .- . 1 '..,g'7 J 1 B .. ,-.., fTf T-1- 7 11: J 5 ?f'5E'i'?f5':Tr I Z5 'Jaffa e ,,,,,,.-......N.-,- . 1 myafnQn gqngyuimnwgfqamigffm