John Burroughs Middle School - Burr Yearbook (Los Angeles, CA)

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X .Q .X .lf - .Xf fi' qyl f .X ' 'fl 1 X , .I XQAIII IX AM QI X I ,1 J. 1... .M .- X - X. al' X f li . , 1 , ,IIX I X- X X i X X I .QI 3. ,. t XX, , - - . Q . -1- 2 X v l AH' 1 7 I ' ' X ll! . . fl. . .g, ,Ln ,X ,,I ,.X thu . .XI X, ,I I ,M Pl ? , .rg X L fl , I , I If II IX7I X X 'I ' .X ., jg.. 'l , ' ll x f ' I 4 1 'al 4 4 ,',, ., 1. Q . 11 . Ia IIII II W II ggi . I, my fl , X .Xl Xu ,ls - I 1 ' I l ll l ll K?1i rm., ,.-. .- .. . .I... f,., . ,. X .1-. Xl M- .- ..II IIIII. V' LIFE IN THE CH QAndree Smolierj Above the chatter And tap of rehearsing feet Could be heard The warning of two Minutes to the chorus. And none of them were Dressed and it looked As if they never would be, Because they seemed always To be tangled up With someone else. Prop boys were. Running to and fro. On the stage. Fixing the proper settings. Electricians focusing. The correct lightings. On the star. Directors shouting orders. But back in the chorus. They still weren't dressed. 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BACKSTAGE By P. R. W. QPatsy Weitzmalij I met the other day A friend of mine VV ho worked backstage Of a large theatre. He invited me Backstage sometime. So back I went And everywhere Confusion reigned. So I just stood And watched. ff 5' 1 4' . 1 in-1-M - - V- Jgfflifff .f --s- V r -if g. :if ' - -I-.i5'Zg-TZ ,. ' - ' , . -, ..', -A ...1 ', 2--I .,., , .eff 1-:'3'f-If-fii:'1'l5'f.fi ',.' . 1 .,-' A' Q' V ki . i'2-S29 ,, 4-.fmgfv-, as ' . A Uffrr sw, r ff +13 1 . . . . I - Isa... .i ' .ifL.,.f2. -.z.- .ws - r ag ., :Gaz-r vi if 31 ' .- .V ...QQ 2: .1 'Y fvlfa. . gtgggy.,-.5 ,,, Q t ' !:g,g.-.- -.Q f .- , .. , 4 I . lfi3.ff.lj.2'. V- V':.lVl x-'Ve . - -14 .:...' :VV .-+ I SE'aV.- f4 :M .-.V.. . . . 5.- aww 4 - -if 1-.V ,-,::- :+A 1.352-'f'-V.'. - - -.- . f',-Wk?--373 A - v- 3 -1146-fQ .' -. ... 'Y' .'1'?P -:if Vs'-T g,Js,1agf2:- . ,..fiw.- s?tVy.'-1.,iI-g.5y5-- V 14145-- 49' 'I .- , , fjfvin, 1. i'ff.i 'M' 5- 1 V - ws.. . -. .ga we- - - 1, 7 f . - ,A . . Prop boys hurrying. xi -'fgQft,, - V V I-x1f.'v.'JgQff'i 1Q.'.t:H ,A Groups .gfabbmg Last minute rehearsals. ' '4 Ai 3V . . ' Q5 fl,-R ' V Q ft -J, - ' 'ff ' ' ' 5194. The star came out ...f r y .gfff ,vga W- Inches deep in make-up V t in .-.-2. - - 4.1.1 But beautiful. .Uh -l -...wi-W V.'. -f9i '2fi' '-7 .V Efi'-ifzl. t--g- 1, V,:.e, g ,Q .. .-wait Vet .f v 6-nf . I ,'r ' ' The show was on. . gy.-1 -I ,z The audience looked -if 532155153 ggi. fi sSI5fl ' 2 'V - QV -i:?.2f' -gs .s .- .V y .- ,, -.:LVj,.5.-,- J N- , L- . ,JV .V im-N. So strange to me. ff' fn. V ,.-151 .. 5 it ' X ,-f 5 tw V- ' 1-1-V5 :V.-..x 1-SH-ke a Sea Of upturned faces. Finally the curtain dropped ix iz' -.2- .4ix,,,,M 'f3..t:'.f, -- - .f-'1 if 1- f .i pg' -'Mm-. And everyone applauded. ' fy Q ,ff 15V',bV.i,..5..g:.,,.,5mai, My VlS1t was over too .37 Mg . V. -1 .- If 4- ---'. 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V- 4-EW' ,Vg c- -' -V -.u--ftr vit ', my za a. .'.-. . VV1'.41:-- EV ' It vi s '-1 59' - -Vi.. V---EJ V .:z.' '- ' . '-'. E,'lf- Mir, -4- - f - fl .1 iff IT f fli?1 f'1 ' 4' 1 ' - -53'.'I...s 31a tV 'Y E Es:-' 1 2:a V..f.e. I . .f- ag fiwm-M 4. ,.,-iw .9 5. -1 F 1-141.-LW 1 . -V -' g f . V 'J -.A V .-: Sw an ff .' . V - , ., :,-- -----..--:ss 1,:ef,:-'..fI-:VV- V N ' . 3.-,, lu'-.9 x V - . V L .- ig.-4 - 1' -- - u. . vu, I W ifiiftax if Tjkx' JIMMY THE FLOWER By AUDREE SMOLIER He didn't know her personally. But anyway he'd been. Told to deliver her Howers. At her dressing room backstage. And he knocked on The door with the star. On it which was. Opened by a French maid. And she couldn't understand. What he was talking about. And anyway the flower boy. Got exasperated and shoved. The flowers at her. And left the theatre. Hoping never again to come. In contact with a. Maid who spoke But French. I thankee nothing. BOY

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ADVENTURES OF A NEVVSREEL CAMERAMAN By JUNE FRIEDMAN Gosh,', thought Tom Jason. Not a thing doing since last night. Itls kind of boring sitting around. I wish Lacker would call. Jason, come here, Lacker shouted at last. Coming, answered Tom. just got a call that the old Manchester Hotel on Peach Avenue is on fire. Gather up your camera and Pete, and get down there before the fireys out. Five minutes later, Tom and Pete were at the scene of the fire trying to find which angle to take first. At the end of the consultation, Pete stayed down below while Tom climbed onto the roof of the building next to the destined hotel. From there he got pictures looking down at the fire. All at once he heard cries from below, VVatch out! The flames are coming across !', Tom knew if he could stand on this roof for at least two minutes 1nore, he would be able to get pictures for Metropolitan that no other newsreel could possibly have. The fire was dangerously near now, and although those two minutes werenit up he imagined they were, for he was in a great hurry to get down and shoot pictures from a different angle. When he reached the ground, after a perilously close shave, he asked Pete to go into the burning building with him. After many protests, Pete finally consented. As they climbed higher within the building, the smoke became thicker and thicker. Finally they reached the floor on which they were to take the pictures. Flames leaped through the ceiling, came out from the walls. People, in a panic, rushed through the halls, sometimes almost knocking over the two cameramen. lf these people insist on bumping into the camera, said Pete, we'll have to cut half of the film. At least, answered Tom, the part we'll have left, no one else will have, because it seems as though We are the only ones foolish enough to risk our lives this wayfl K'Guess youire right at that, but you act as if we Won't get out of this alive. If we don't, we'll die knowing we tried, anyhowf' VVhat a cheerful fellow you are V' said Pete sarcastically. Say, we had better get out right now. Itis all deserted, and that fire looks as if it is starving for something ll' said Tom. Look, Tom, if we take pictures of the Hre while we walk down the stairs, itlll be perfectf' You're right. Come on, let's go. Even so the Hre was almost at their heels when they reached the ground Hoor, the smoke was choking them desperately, and they were truly lucky to get out with their lives. N ewsreel cameramen go through these daring feats every day. Every disaster is covered by one or more so that the public may know what has happened. Does this public appreciate the newsreel cameraman? PUBLICITY MEN By MARVIN FRANKENSTEIN The publicity men are oh! so line, They think and talk, with what a line. If something's fair, its great, gigantic, Something dry they make romantic. A star is made with lines of print, An empty purse could be a mint. The publicity man is the one who could Make this town called Hollywood.