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Page 15 text:
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Student film making more work then lrene Genna gets the sound track ready for an upcoming production. iS. Kuehlj it looks For the serious, amateur film- maker the process of film-making is a complex multi-media endeavor since several of the classical art forms are inherent in the process. While creating a screenplay, the student film-maker must represent his idea in both written form, the script, and graphic form, the story board- a series of drawings depicting each scene chronologically and com- positionally: the camera's and, ul- timately, the audiences point of view. The script might not only indicate dialogue and screen-direction, but may also include orchestration of the soundtrack. Many of the sound mon- tages approach music concrete : a telephone-modulated voice sur- renders to the strains of a single guitar, a Swedish dialect is backgrounded by the familiar Looney-Tunes tag, a bank of speed- changed, cross-reverberating kazoos are augmented by a choir of drunken mourners. Original songs have been generated and incorporated into the K- . ..-ss- I1 fn New Editor, Cheryl Boone works with Aldon Taylor at the WISU station located in Dreiser hall. is. Kuehlj soundtracks of several films. Having completed the screenplay and having procured talent iactorsj, props, costumes, access to locations, etc., the film- maker shoots the scenes. At this time, stamina is requisite: lt is not unusual for a 15 minute film to necessitate 12 or more hours of continuous shooting at a cost of S50-S100 in raw stock. During the shooting, work within the graphic and theatric art forms is prominent. After processing the raw stock icourtesy of the AV Centerj, the film- maker begins the editing stage of film production. Bad takes are omitted, scenes are sequentially rough cut . then final cutting provides for smooth flow of action and theme. The editing process requires an understanding akin to that requisite in other kinetic arts. The edited soundtrack is then transferred to the film. It's finished. Students entered the first annual student film award competition this spring. Under the auspices of College Women in Broadcasting, Mr. Lawrence J. Londino and Cathleen V. Minardi, instructors of RadiofTV Film, conceived and originated the com- petition. The competition open to stu- dent film-makers were judged by Dr. John Stockwell, chairperson, Dept. of Speechg Mr. Gale Adkins, professor of speech, Director: Ftadio-TV Research, Mr. Whitney Engeran, chairperson, Art Dept: Mr. James Hatch, asst. professor of English, Mr. Keith Hawkins, supervisor of film productionffilm library, AV Center: Mr. Linus Haller, motion picture production asst., AV Center. An awards ceremony was held in May with Mr. Londino and Ms. Minar- di presenting certificates of Recogni- tion for Cinematic Achievement to those entrants as prescribed by the judges' decision. Trophies were presented to film-makers whose works were judged most superior in any of the seven categories. Spec al F at e-Flm al:
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Page 14 text:
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Film Winners Best WomenlMinority Film Deanna Pigg Portrait in Grey Best 16mm Film Clayton Taylor Hour of the Hedgehog Best Super-8 Film David Lister Funky Closet Freak Blues Best Soundtrack Terry Bonneau An Unusual Company Best Editing Harvey Blain Hobo's LuIlaby Best Cinematography David Lister ln Ceremonies of the Horsemen Best Director Clayton Taylor Hour of the Hedgehog Dave Lister enjoys the taping session. If W4 J .4 , l 10 Special Feature-Film Making Learning while doing-Don Morris gets some assistance from Larry Londino during the shooting of Attack From Comet Sutra. f . ' t Q ' y.,v,tq,- X -962- 1 IQ ir 1 fi -wa 'A j'gs:sst'-'X t' .2 X Lift Y. FI I-I X-T, . I - -rf???f4X. :- 15-11:15. ss. 4 me 1 S mi Q Xxx T, x Q X Shooting Attack From Comet Sutra required Dave Lister, Deanna Pigg, Don Morris, Gary Pund, and F-ion Reader to work together to produce the film.
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Page 16 text:
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12 F851 Sandison hall residents looked ahead to their future and petitioned the Board of Trustees dis- cussion that the dorm would not have 24-hour vis next year. tChati
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