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Page 74 text:
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Page 73 text:
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Page 75 text:
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y-W QF 1 LE PIONT If ' .1 'Ibe Qlrt rDepa'rtmcn1N fl11111f of l111111Iq IS Il 11111 fllltttl I 11z111111ss 11111111s1s 11 z 111 1111 ass111l111111fl1111q111sS' 11111 91111-1t1IIl11p 1 I1ozt11 11 111111f II IIS 111111 Il sI1 p P1111 of s'1t11f 1111117118 111111 llllllfll llllll quuf Illlllflllllq ONIL VS ITH NIE. for a dellghtful halt hour to a land of beauty Whlth would haye delxghted the soul of Keats I sh xll not take you far but smce things worth haymg must be strlyen for I am compelled to ask you to mount laborxously four tedlous Hlghts of stalrs before we arrlye at th1s world of lovelmess Whele are we gO1I'lg9 To the Academy Art Room Oh here we are at last' Now close your eyes a moment while I open the door for I want your fust IIIIPYLWSIOH to do Justlce to the scene Thele Don t move or we shall dlsturb the teachers and then pupils and then you w1ll mlss seeing them at work Yes the l1ttle Preshle by the window IS domg cubes 1n charcoal Thats elementary work you know but the other llttle glrl opposlte lg mole adyanced See how sklllfully she handles her brush O11 pamtmg msn t easy elther I know from euperlence Complete' Yes llldeed Our Alt Department IS umque ln that respect The teachers too a1e tho1 oughly acqualnted wlth then' work, and spend the gleatcr part of eyery summer 1n study and xxsltlng other 1I'lStltlltll ns of art I XWISII you could see thls room sometlme at dusk It IS then one catches lts real atmosphere for the yarlous figures so stand out agalnst thclr respettlve back grounds and the colors seem so to blend and fade mto a rosy mdlstmct haze that one experlences 1 peculxal feelmg of xwe and wonder I loxe It lest It such times lxe tts Xes I am much mtelested m th1s lme of wolk In tact I thmk It the most fasclnatmg study 1n the world Long ago IH the dlm past when I took to IIIAXNIIIQ' as naturally 'ls most guls take t dolls I used to thmk a whole day ample tlme m whlch to do a head ln water color But when my art lessons began and days and weeks rlpened mto months before my work was pronounced complete I was forced to alter my perspectlve and I began to vxew art ln an entlrely new llght Although the work IS xt tlmes dlscouragmg the ptuod dexotcd to lt always passes too rapldly and other dutles often cut 1nto some lntensely lIItt.ILStlIIg' study The steady ploddlng on to lm ploxement ln charcoal sketchlng or stlll llfe I5 often lelleyed you know by joyous weeks III costume deslgn posters cuts or ever clever work on chma pms Youye no 1dea what charmlng Chrlstmas glfts we make chma sets vases hand pamted s arfs handkerchlefs eyerythmg lmagmable Then back to scratchlng away at churtoal heads charcoal arms eyen charcoal mouths and eyes Dear old Art Room' Sometlmes It IS so lovely It makes me feel all choky and sad to feel that I im lelymg It but goodness how I ramble on Xou must be tlred Come well close the door softly and depart I, too am glad you saw It and he reafter when the world looks blue to you there w1ll be as heats says a bower of qulet ln th s memory of your NlSlt to Mount Marle Annabelle Phllllps 8 lu, N :lx I , I A 1' ,t f- K- II N E ' , ' E xr! F , ' ,- 1. , I -, V IX ' ' . . ' ' . ,-V . .,. ,gl V1 ' 1.. ' n-1 p.. ' 1' rye,- . .. . , at 11 V ' ,J y. . . X. I . .. -1 f - 7, .- 1 V I 1 P 1 1 1 l D ' ' Y Y . D I 3 - e . - V Q ' ' 1 ' , W ' . ' ' . . . ' . . ' '. ' . V . . ,, . 1 - . r '4 1 y ' ' Aw l ' 1 . V ' . L.. 5. 2 V . ' ' S , - V, .g ,BU ' is V f V' Y .. V' ' .V V fi- i'.: . f, U V V . V . . . . . I - V u a l y . I u i . I v KK ' JY x 1 7 1 5 ' 1 ' , l . - . I knew you would llke ltg everyone does. S-s-sh! ' Y v I . ' ' . ' - 1 , V' '.- ' lil S ' 1 I ' A, K V . - s Q 1 v - . V I Y 4 I . Y ' Y ' V . , A . . V . . ' ' 'Y V ' V . . y ' 7 Y 3 , ' ', . . . V , v . I . ' , ' . ' -V '-1 . 1 I . Q 1 . - - i . , . ., . . . . , K v . , ' ' ' ' n 1 A B, .1 1 K' v u ' I ' ' - ' V V V . , . .. . - . , , ' . . . . . . . ' V . , . V V V ' L . - - -. . .' . . 2 2 '- 15, ! J . . - , Y ' . Y . . , . , K , V. A V I H 5 ' Y . . ' l xl . ' ' ' - I I- v 7 P 1 v I V' . ' . . 61 , - nv V 7 ' ! , V1 . . . . V z ' v I 2 V V . V ' . 'z 'V' f-vm-1 j-nw
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