Immaculata University - Gleaner Yearbook (Immaculata, PA)

Page 70 text:

On-the-spot reporting by Rotating Editors Patricia Keamey and Helen Dietz gives rise to a feature on the new Faculty Center. The how' of make-up is demonstrated to freshmen and sophomores by Rotating Editor Theda Sliwkowski. Each woman tries to be of service to others in some way. In the field of journalism, she endeavors to be part of a profession which strives to pre- sent news with truth and accuracy so that others may be well informed. Serving the college in such a manner, the Immaculatan offers to the student body an opportunity, a challenge, a duty. An opportunity to become a journalist - a challenge and a duty to become a good one. Headed by a staff of rotating editors, the Immacu- latan is a college historian for its seven hundred subscribers. To the juniors and seniors who compose its editorial board fall the tasks of re- porting, rewriting, make-up, and copy reading. While being gradually schooled in such skills, freshmen and sophomore members form the main- stay of the circulation staff. The prod- uct of their combined efforts is a newspaper striving to mirror a wom- an's role in college-for such is the aim of the Immaculatan.

Page 69 text:

Rm .. P, ,V A .5 A ,....-e':-lyxi 2? A , H-e 'f' ,t -X XX Gleaner literary and photography staffs re-check picture slips, layouts, copy, and captions to insure final accuracy and completeness. Gleaner business staff members must read proof, type copy and captions, and handle financial matters for the yearbook. We do not see in an individual Work only the creation of its author but we expect of a great Work of art that it be the meeting place of many streams of inlluencef' The story of the greatest Work of art - the creation of the Eternal Woman, forms the theme for the 1962 Gleaner. In it We are attempting to develop Miss von le Fortis premise by articulating the divers influences which mold the Eternal Woman. It follows that our basic task lays in pinpointing these influences for ourselves and then recording her develop- ment under them. --4 Likewise, our record of this development, the 1962 Gleaner, is a . . meeting place of many streams of influence? It fonns a composite entity only because of the interrelation of its compo- nents. While thc literary staff is responsible for the layouts and copy, it is the photography staff Who determines picture ideas upon Which the quality of the finished product depends so greatly. The business staff supplies typists to facilitate mechanical handling. These 'cstreams of influencev then meet in harmony to create, we hope, a Work of art. SN'

Page 71 text:

i L I Unis? 'zify The masque of comedy in journalism? Yes,', answer Associate Editors Mary Holland and Maryellen McCarry. , 'fm fx ask .. .3 Q, Interest is the keynote, as the reporting stall listens attentively to Rotating Editor Patricia O'Neill, outlining the leads for the next issue of the Immaculatan. s b94m,.-.., .. ,WMM MNWMQNAMAK