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Page 69 text:
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life a piece of acting. DEMOCRITOS My f LLB 2 2 i Q.. i ! . . And here choose I . . Gratiano CWiIliam FreindD, Nerissa Cltltarianne Fitzgeraldj, and Portia CJeanne Sullivanj await Bassanio's CJohn McGarryD decision on the caskets. Antoinette Iaquinto and Diane Viti I4, concentrate on memorizing their lines. The production of any play requires the combined efforts of many people. Director, Mr. Corr, confers with his assistants and the play chairman in anticipation of opening night and last-minute problems. Zi?
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Page 68 text:
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The villany you teach me I will execute, and it shall go hard but l will better the instruction, X Shylock, CAllan WilIigD solemnly promises. l've lost my costume! shouts Alan Willig and we go on in three minutes. PART OF THE sEARci-4 for perfection and beauty characterizing the Golden Age of Greece found evident fruition in the dramatic arts of the time, and has continued to in- fluence theater until the present day. Play your part vvell, you play for the King, the motto of the Cue and Curtain Players of lm- maculata College, has inspired them in their endeavor to give beauty back to God. This year, in addition to the Christmas Play, Pas- sion Play, one-act plays, and skits, they con- centrated their greatest efforts in producing The Merchant of Venice, a noble and inspiring challenge. 1 Oh, no, exclaims Jeanne Sullivan- ,
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Page 70 text:
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. I-.w Confusion assumes order, and practice achieves perfection as Mr. Costanza molds the tones of Immaculata's Orchestra and String Ensemble. 66 Voices of the senior members of Glee Club and Special Choir rise in swelling crescendos during concert. Members of the Performance Club, Helen Kelley, Josephine Franzone, Doris Bullock, Mary Payer, and Suzanne Miller, render their interpretation of modern iazz. V12 Beauty is U '-.. U H H I I I U l I
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