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Page 24 text:
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A--.QA S ,,,., .s .,...,f v' mmm, 1,'m'wv.:t A5 t . - gs ,f, X is Gertrude O'Brien exhibits her entry in the Philadelphia Arts contest for which she received first prize. r.s lvl if gp-nv Artists, ,,.M Gertrude O'Brien, Ellen Katona, and Mary Ellen Warnes A add a few finishing touches to Theatre Arts Class. , K, 43 A f f , 51 I lg? fzapzig, 3 psf 3 ff me ifiirlifiixm rf sw 'f :tztJt:i:f:taraS5?? wjraggxw W it .,, , 4553 , ff
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Page 23 text:
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Do, re, mi permeates room 208 as freshman music rnaiors exercise their vocal chords in sight singing class. WINDS IN THE RusHEs, sounds plucked from the air, order from chaos . . . The Greek concept of ordered beauty burst from the kithara, the aula, and penetrated civilizations. Ordered beauty was modi- fied and restrained by the ages into abso- lute beauty, absolute truth. Thus is de- rived the Immaculatan concept of music: the notes of the aula flow from the trumpet, the strains of the kithara cas- cade from the violin. Applied technique and aesthetic appreciation mold pulsating harmonies, giving beauty to life and glory to God. The search for the missing chord perplexes senior music maior, Anita Jackson, as she works on an original composition.
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Page 25 text:
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gfgigw Teacher, Toni Girard illustrates a lesson in design to her students, a group of future teachers. X , i f Agt, f ar X X er af My afexmsf 1 - f f a,.,fgmfqa?WiL,Magna?,iwwfww wfwpww ui .fu nfaaipiiii aww' ff?L,.,W.sa.fyWr if figwwiafiaewmsfyif f , ii, . ,if Wifi? sabmaawwgiab.si.fwbrwmfwLfQM2w?Hw.f A-f fwym .et irraxwiviii was Mfsfiifsiitesif 'MQETLEQ 'iw U .,+. f Q , W W' if1':,fff1 iffff ' '- , i fi 3 ffl- f f .f if .X s i JP X R gi sire K iffwvlfifr Honora Gough apples a few last strokes to her canvas while four aspiring artists watch in admiration. is symbolic of the pure perfec- tion of form Oiftwfiiifiwman..lS..9Qf2G.l?.lQf. s,,r Tl1QvS9UQlS.Of. years . . have passed since Phidias, yet today's art is striving more eagerly than any other since the Greeks to express the same purity, the same perfection of form, as is evidenced in modern sculpture, painting, architecture, and poetry. Comparing the culture and attitudes of the two eras, one realizes that art can go beyond itself to explain men as they think and feel in time. w fmfib f5wfHui .,,aau.f.5i. i get Mags
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