Immaculata High School - Immaculata Yearbook (Chicago, IL)

Page 67 text:

I., ml. fir!! mevegla ufiinefid .EC niciue Ti-ck, to-ck, ti-ck, to-ck! In split seconds, up-to-the-minute secretaries-to-be handle their assignments with atomic ac- curacy and precision, as attested by the dozen and a half speed certificates awarded monthly to best typists. Brief forms and the Congressional Record vocabulary are second nature to advanced shorthand students who can dash them oft as fast as one hundred twenty per minute Y and read them back the next day - the secretary's goal! For seniors only is the course in bookkeeping in which fundamental principles of accounting are studied in the light of current procedures. Left: Junior and senior typists: Marilyn Perkinson, Marilou McGuire, Jean Kurfirst, Irene Kowalko, Sally Wasserman, Marilyn Brokamp, Dorothy Marshall, Patricia Dorband, Mary Lou Sheehan, Betty Lavaty, Rosemary Colby, Marcella Purcell, Theresa White, Mary Ahern, and Lorraine Cichon. Lower center: Joan Cribari, Anna Marie Cleary, and Lucille Scholl believe that practice makes perfect as they chalk up a period of board writing on their shorthand record. Lower right: This senior bookkeeping group balances practice account- ing against profit and loss in a busy class period. qv . ,,,. PAGE 6i

Page 66 text:

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Page 68 text:

.fdrfirtfft ffainf in olcwfing 0 om Brushes and palettes beckon many students through the door of the art studio when they enter The Immaculata. Beginning with art tun- damentals, the course continues with a study of poster-making, design and crafts, mechanical drawing, and still-life painting. Extra work, including unusual bulletin boards in line with current school activities, supplements the regu- larly scheduled courses for advanced students. One bright dash of color on the year's palette was the regional meeting of the Catholic Art Association held at The Immaculata in Novem- ber. With the annual exhibit of their work lining the studio corridor, art students climax each scholastic season. Center left: Constructing designs to be transferred to smacks and aprons with textile paints occupies Betty Tholl and Rose Marie Kolb in their spring project. Lower right: While Patricia Sargent constructs an F on the board, other mechanical drawing students do the same on their papers. They arc Mary Lou Lynch, Sarah Agassie, Mary Kathryn Keating, Patricia Attardo, Lillian Lila, Jean Schet- fler, Lois Schmidt, Betsy Gould, Nancy Callahan, Patsy Gould, and Marilyn Wendelkin. PAGE 62