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Page 92 text:
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W1th a Tw1st of the Wnst Immoculoto rn IS s e s spend hours wnth scales for enter tounment and 0 metronome for o compomon m melody Iond where Iuve hummoble woltzes quick morches gay songs without number PICTURE I: Angelo Vombroch, PICTURE II: Helen Russo. PICTURE III: Mory Lounse Gulnck, PICTURE IV: Rosernory Toerney.
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Page 91 text:
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,- l lv O -1 Q, I Music, Maestro, Please . . . An expectant hush as the baton is raised . a melody from the violin . . , a rhythmic boom from the bass . , . a sud- den, sure blending of instruments in a rich classical interpre- tation A . . a musical satire in a gay mood . , . a reverent enthusiasm that shows itself in the hush that is almost o si- lence . . . before applause begins . . . these are bits of orchestra lite . , 4 that tit together to form the whole . . . just as successful organizations . . . such as the orchestra . . . fit together to form the whole . . , of a harmoniously happy lmmaculata. LEFT TO RIGHT: Naundas Fisher, Margaret Gra1a,R:ta Kraft, Mary Helen Barnes, Mary Kathryrf Kellv D
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Page 93 text:
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The Art Studio Provides a Palette-able Menu The busy art studio is really very much like a huge palette, gay with daubs of every color -a sports panel in one corner stresses green in various shades . . . there is a red-hued poster near the window-a country scene in oils contributes au- tumnal atmosphere - neatly severe black-and-white letter- ing marches across an easel close to the door-the large, roof-windows are done in a sky- and-sunlight tint that is ar- tistically repeated in the soft glow crowning young heads bent over hoped-about, prayed- about, worked-upon master- pieces. PICTURE I: Left to right: Mary Ellen Cotter, Mary Jane l-lannahan Mar Ellen Burke 1 Y Catherine Craig, PICTURE ll: Rosemary Eiden. PICTURE lll: Left to right: Dorothy Casago, Rosemary Gran dei, Rosalie Fracano. PICTURE lV: Left to right: Standing - Rosemary Marzano Sitting-Rosemary Eiden, Virginia Care Helen Frances Eiden Rita Y, Rothschlag, Joan Goebel,
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