Hunter College High School - Argus Yearbook (New York, NY)

Page 44 text:

RADIO INTERVIEW E were escorted into the broadcasting room just three minutes before Philco went on the air. As we crossed the threshold, our eyes viewed a never-forgetable picture. Dark red curtains hung from the high ceilings against the walls. The orchestra was seated in the center of the room facing a platform on which stood Harold Sanford, the musical direc- tor. To his left on a lower level were two microphones. Before one was Henry M. Neely, Philco's Old Stagerf' and before the other was Jessica Dragonette and Collin 0'Moore. In the far corner of the room, M. J. Cross was announcing into another mike that this was uStation W ,I Z, broad- casting the Philco Hour of Old Theater Memories. Then, with a hello everybody we were taken back to the old days by the beautiful song Mem'ries', sung by Miss Dragonette. It seemed strange that such a tiny thing ffive feet two inches, could embody such a powerful and yet sweet voice. As she sang she seemed to breathe beautiful melodies into the hearts of every individual of her radio audience. She was not in the room, but in the homes of all who were listening. After the brief half hour was concluded, Miss Dragonette took us to the reception room where we had a better chance to view the charming lady. Her hair, exquisitely blonde, falls in rippling waves on her forehead and is caught gracefully at the nape of her neck. The yellow of her velvet wrap reflected the light vividly to her hair that frames her soft, grayish-brown eyes, which are clear and large. But about her self, In a quiet and sincere manner, Miss Dragonette told us just a little about herself, letting a tolerant smile play around her mouth. Despite the fact she is so well known, her attitude is unassuming and her poise is admirable. I have only been in this city since I left school, four years ago. I studied at Georgian Court in Lakewood, N. J. When I came here I entered the theatre. Miss Dragonette had a solo part in The Miracle and played Kathie in The Student Prince. In the Miracle she was not visible to the audience, but sang the part of an angel above the clouds. In this role she was com- plimented by Feodor Chaliapin, the famous Russian Basso. I received letters from all over the world, from the sick and the needy. These letters mean all the world to me, she said, it makes me so happy to think that I bring them happiness. When I sing, I sing to them. I feel that I am with them, singing to each one. This is especially true, for as she sings, she uses gestures as if they can see her. She is oblivious to all that goes on in the room. Her thoughts are with her audience. I have sung ever since I was a child, yet I have only studied since I have been here in New York. I am still studying. Miss Dragonette says her ambition is to he the greatest radio artist, but she is already one of the radio's Hall of Fame. As we left her, she gave us each a red rose, a fragrant remembrance of a delightful evening. Bemice Stamilman, Ag8 Pon Thirty-four

Page 43 text:

Richard awoke to the matins that Coeur de Lion II was thrilling. It was much too early to get up, and that fool bird was murdering all thoughts of sleep. After a few minutes he yawned sullenly and got out of bed. He'd been such an idiot last night! He stretched languidly over to the window. People still got up early, then. The street showed more activity at the ungodly hour of eight A.M. than it did at night. He was about to turn away when the door of one of the little houses opened, and-was that Brownie? Tall, lithe, with hardly a wisp of those brown curls showing from under that smart little hat. She had some books on her arm and she gazed down the street expectantly. She must be eighteen now herself, a college girl! Suddenly a roadster swept up, a youngster opened the door and Brownie was off. Richard knew the boy, it was the captain of the band of ten year before. He looked at the street reproachfully, it had changed, it had played him false. xxxmxxx It was nearly five that afternoon when Brownie slowly came down the street. She could hardly see, for all the sunshine. Her eyes were full of tears and she leaned wearily against the stone before she went in. She looked at the sky purpling with the sunset and tried to dry her tears before Daddy should see her. Richard up in the window where he had waited for her return felt a mighty rebellion rise within him. It was his slmset hour-it was his Brownie standing over there crying, and here he was, a useless cripple, with nothing before him, except empty years of hearing others play, of seeing others comfort his Brownie, of seeing others do the things he had dreamt of. Through a blur of tears he saw the sun's last rays linger on the wom case of his beautiful, betrayed violin. He took it down reverently, took out the instrument. His last reserve was flung to the winds,-he caught it to his breast with a sob. The long-silent strings murmured a soft chord. He laid his cheek against the satiny wood and then caught his breath in wonder. Through the violet light that now Hlled the street, came the sobbing, throbbing song,-his own Nocturne, coming to him across the years. Who-? What-? Suddenly he knew! He laughed a half hysterical laugh from the depths of his gladness. Brownie was playing his Nocturne to him! Brownie had been carrying on for him! As the last notes quivered plaintively on the air he leaned far out the window, clutching his violin to his breast, longing to call out frantically: Brownie, Brownie, l'm back, I'm back here with you and the street that will never change! I'm whole again! Brownie! see me!,' Brownie saw, heard the silent call perhaps. For a moment there was a quivering stillnessg then elfin-wise, the Minuet in G came dreaming across to soothe and greet the tired ears, to find the waiting heart. Clara R. Steinhardt, Ag8 Page Thirty-three

Page 45 text:

IMPRESSION DE NUIT LONG the southernmost rim of Manhattan Island I walked, listening to the water beat rhythmically against the rocks, and suck into the hol- lows of the rotting wharfs in little swirls and eddies of sound. The night above was intensely black, varying into shades of darkness, yet the clear lights on water, earth, and sky made the scene a vivid etching in black and white. Blue-black the waters turned as they receded, shading into the coal blackness of the sky. Far-off lighted ships glided over the horizon and sailed into the borders of the heavens like great jeweled phantoms. To the east, three diamond braclets encircled the dusky arm of the river, and a thousand stars above reflected in the water from a thousand launches gay with lights. Away across the bay shone the Statue of Liberty clothed by night in white sanctity. The black, formless sky flowed along the angles made by her two rays of light, and the night was an enormous jeweled tent upheld by the great white hand. Within were priceless treasures, rows of colored gems, shimmering shafts of laughter, and a beautiful rose cloak of romance. But the dawn came piercing this hiding-place, and looted all the treasures with his gleaming sword. Grace Clanz, A7 HAVEN A sweet and gentle nun is Night, Who does the fiercely blazing light Of day with kindly shadows veil. At evening, stepping slow and calm, Her mission soothing brows with balm- By little lanterns silvery pale She sees a world o'errun with careg And yet from pain and grey despair To raise us, never does she fail. Each morn she leaves a world rebuilt, Refitted once again to tilt With Chance,-and though we lose, to learn That our significance is nought, W Our joys and sorrows dearly bought. And when our spirits ache and burn, And tumults rage within our hearts, To heal the wounds of cruel darts To Night compassionate we turn. Hazel Grace Boger, Bg4 Page Thirty-five