Howard University - Bison Yearbook (Washington, DC)

 - Class of 1988

Page 17 of 312

 

Howard University - Bison Yearbook (Washington, DC) online collection, 1988 Edition, Page 17 of 312
Page 17 of 312



Howard University - Bison Yearbook (Washington, DC) online collection, 1988 Edition, Page 16
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Page 17 text:

 Fashion was of (he utmost importance. A serious relationship existed between students and their leather. A strong commitment was evident between many people and their wool, and an undying love was present between individuals and their eel skin. Some may have considered these emotions extreme; however, for many it was simply obsession... Relaying that very Ihetne was the 1987 Spring Arts Fashion Show, sponsored by the Undergraduate Student Assembly. In a capacity filled Cramton Auditorium on Friday. April 24. obsession was personified. When the curtains opened on the first scene, the stage was completely dark as a small beam of light struck the audience Captured, they gasped, as the stage was illuminated with streams of synchronized light, all projected from tiny flashlights. Just as the excitement mounted, all the lights vanished, leaving the audience in the dark The production was geared toward those “obsessed with leather For the more casual dresser, there was the jean scene entitled “2 B Seen . Dedicated to the essence of womanhood was the formal wear scene Adorned in lavish evening dresses of taffeta, silk, organ- !n an illustration of a variety of patterns, stripes and colors. Pico lones. Tony Collins and Iona-than Slate add n splash of brilliance to the Spring Arts Fashion Show. za and sequins, it was indeed the ladies' time to shine The scene most appropriately entitled. “Splash , turned to be a real show stopper. The audience was ent lira I led by the swimwear which left little to tlu imagination Most definitely. this explained the wild cheers and screeching yells from the crowd Kncli scene was uniquely choreographed to insure that the audience received the full effect of the creative colors and the striking styles The technical aspect of the show was executed perfect ly. In fact, unlike many events of its kind, it started exactly on time and ran smoothly. The show was coordinated by Arthur (A.B ) Williams who commented. “We have bocoma obsessed with find-inga look that best expresses who we are and the image we are trying to project. Sometimes we hide behind a mask — a facade, to protect and defend our inner selves Out of obsession, you will find the look that is right for you. After attending the Spring Arts Fashion Show, most students realized that looking fashionable was feeling fashionable. Indeed, they were obsessed. by Andrea White Uyout by Alan D. Rvan 1987 Spring Art Fashion Show StS,

Page 16 text:

In yet another display of the popularity ol black for evening as well omul wear. Fredrlka Whllftnlil gr.n i s the stage as she leads the other models to the runway during the Obsession Fashion Show Dressed in basic black coordinated with pastels. Mark McCreary mikes a dramatic pose for an appreciative audience at the fashion show While keeping in perfect step. Allen Brown, kwith Grisbv and Devon llarmon display the latest in c .imi.i1 wear to an enthusiastic Cramtnn audience at thp Obsession Fashion Show .ISA - Spring ■Xrts Fashion Show t‘«i7



Page 18 text:

p xsssMmgw i» m ■■■■■■■■I Face contorted in the familiar uni of a pledge Conrad Thomas a member of the Crescent. «li»-play fhr struggle .m l determination required lu endure lit pledge period and .ltlam membership in d fraternity Excitement mounted. Spring Break was almost here Many students had vacations planned, and uur tied off to the airport or across campus to waiting chartered buses. Others, however, staunchly refused to leave vet. A crowd of students gath-ered in front of the College of Fine Arts, waiting Cries of. It’s hot out hero! . “Where are they?” and “Who's first7 were heard, as the spectator awaited the arrival of the members of the 5 pledge clubs who were about to present themselves to the campus in the annual probate show Shortly after noon, the five PlxloKitten of tht An ho i an Pledge Club of .eta Phi Beta Sorority Incorporated made their way through the waiting crowd to the apace cleared away for their performance These ladies, dressed in blue and white, each carried a stuffed white pixie kitten and had their hands turned down like paws, in imitation of their namesake. Relinquishing the kittens to their proud big sisters. they began their performance Vowing love to Zeta and affirming that there was no doubt that they had made the right choice, these ladies stamped their feet, clapped their hands and sang of loyalty to their sorority Immediately following the Pixie Kittens were the seven Dogs of the Crescent Pledge Club of Phi Beta Sigma Fraternity Incorporated Wearing blue, berets, blue r.ombal bools and blue overalls, these men trod through the throng The berets were removed, as were the overalls, to reveal white pants, suspendors. and blue shirts In an cxritingarro-balic display thdt involved variations on break dancing, these men wowed the crowd, as they claimed their superiority to other fraternities and bragged of their sexual prowess The departure of the Dogs heralded an interminable wait. Disgusted, a few onlookers left, but most remained, determined not to lose their spaces.” After almost un hour and a half, the crowd caught sight of the seven Nubian Aues of the Sphinxman Pledge Club of Alpha Phi Alpha Fraternity Incorporated Dressed in gold lame shirts, hlai k pants and black combat boots; each pledge carried a wooden shield in the shape of the African continent and wore the husk of a coconut and a banana around his nec k Brows furrowed and laces painted, their display was one which expressed fraternity pride Claiming that they had seen the light of Alulia. these men jumped around like apes, and on occasion snatched screaming women from audience into their arms Highlighting their performance was Dana Watkins. who sang “Mama Don'l You Cry lo his mother who sol close by After tins performance some members of the crowd dissipated to watch the death march of the Docks of the Pyramid Pledge Club of Delta Sigma Theta Sorority Incorporated. Forty three young women marched up the hill to the yard. Bent over backwards, one body on top of the other, each woman carried a white paddle, as she crept to the site of the performance Once they arrived, the pledges went through a series of choreographed motions, then began their performance which consisted of an imitation of several popular songs with the words changed to express their love for Delta. The end of their presentation made way for the thirty three Worms of the Ivy I.eaf Pledge Club of Alpha Kappa Alpha Sororitv Incorporated. Dressed in pink and green satin dresses and white gloves these women swirled around as they too paid homage to their sorority to the tune of popular songs. The end of their ceremony signaled the end of the show' Curiosity appeased, excited by the performances hill weary from standing, the crowd dispersed. The pledges wont off to fulfill the remaining duties of their pledge periods, the crowd went off lo the airport, to a favorite restaurant, and in rare instances lo the library. Spring Break had begun. by Karen Samuels Layout by Alan D. Ryan, MSA Probate Show

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