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Page 16 text:
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In yet another display of the popularity ol black for evening as well omul wear. Fredrlka Whllftnlil gr.n i s the stage as she leads the other models to the runway during the Obsession Fashion Show Dressed in basic black coordinated with pastels. Mark McCreary mikes a dramatic pose for an appreciative audience at the fashion show While keeping in perfect step. Allen Brown, kwith Grisbv and Devon llarmon display the latest in c .imi.i1 wear to an enthusiastic Cramtnn audience at thp Obsession Fashion Show .ISA - Spring ■Xrts Fashion Show t‘«i7
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Page 17 text:
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Fashion was of (he utmost importance. A serious relationship existed between students and their leather. A strong commitment was evident between many people and their wool, and an undying love was present between individuals and their eel skin. Some may have considered these emotions extreme; however, for many it was simply obsession... Relaying that very Ihetne was the 1987 Spring Arts Fashion Show, sponsored by the Undergraduate Student Assembly. In a capacity filled Cramton Auditorium on Friday. April 24. obsession was personified. When the curtains opened on the first scene, the stage was completely dark as a small beam of light struck the audience Captured, they gasped, as the stage was illuminated with streams of synchronized light, all projected from tiny flashlights. Just as the excitement mounted, all the lights vanished, leaving the audience in the dark The production was geared toward those “obsessed with leather For the more casual dresser, there was the jean scene entitled “2 B Seen . Dedicated to the essence of womanhood was the formal wear scene Adorned in lavish evening dresses of taffeta, silk, organ- !n an illustration of a variety of patterns, stripes and colors. Pico lones. Tony Collins and Iona-than Slate add n splash of brilliance to the Spring Arts Fashion Show. za and sequins, it was indeed the ladies' time to shine The scene most appropriately entitled. “Splash , turned to be a real show stopper. The audience was ent lira I led by the swimwear which left little to tlu imagination Most definitely. this explained the wild cheers and screeching yells from the crowd Kncli scene was uniquely choreographed to insure that the audience received the full effect of the creative colors and the striking styles The technical aspect of the show was executed perfect ly. In fact, unlike many events of its kind, it started exactly on time and ran smoothly. The show was coordinated by Arthur (A.B ) Williams who commented. “We have bocoma obsessed with find-inga look that best expresses who we are and the image we are trying to project. Sometimes we hide behind a mask — a facade, to protect and defend our inner selves Out of obsession, you will find the look that is right for you. After attending the Spring Arts Fashion Show, most students realized that looking fashionable was feeling fashionable. Indeed, they were obsessed. by Andrea White Uyout by Alan D. Rvan 1987 Spring Art Fashion Show StS,
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