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Page 33 text:
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Girls’ Band Helen Morton Dorothy Wells Louise Scott Mona Curtis Evelyn Gee Betty Brown Zelma Christman Mary Eversole Clara Sprowl Catherine Johnson Virginia Maderia Felicia Hamilton Fayne Johnson Miriam Welch Martha Johnson Ruth Cupp Julia Kruck Florence Griffith Betty Larson Josephine Pavlick Kathryn Dorland Evelyn Jones Marion Bailey Dorothy Uhlman Esther Luck Josephine Kennell Mildred Albert Nellie Zahutnic Helen Grote Gwendolyn Zukos Ramona Cummings Emma Wick Marion Roseberry Henrietta Johnson Eleanor Wilkins Genevieve Deck Ellen Cole Marydale Cox Helen Cupp Margaret Gerber Jane Causer Bernice Williams Elizabeth Yaborek Pearl Hepner Shirley Henderson Thelma Coldren Gretchen Cullison Mardell Quinn Ruby Howland Ellen June Peterson UANITA DUSENBERRY Iae Bobruk Anne Greve Zora Griffith
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Page 32 text:
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13he Band ■ (• M he Horace Mann School band was organized in the summer of 1925. The enrollment at m that time was nine students. Some of these boys have continued with the band without any extended absence. Great credit is due those who helped mould the project, now so much a part of the community life of the present fine school center at Horace Mann. Mr. C. D. Lutz, the principal, launched the project and was instrumental in placing in charge of the budding or¬ ganization, Mr. E. V. Roesler, who has continuously tried to make this department comparable to the splendid bands in other schools of the city. The faithful thirty-five boys who came to these evening rehearsals are the ones who are re¬ sponsible for putting the “Band Wagon” into motion. When that was done, it was easy to find plenty who were willing “to get on to ride.” This fact is evinced by the present enrollment of 210 children who meet every afternoon during the three hours from one to four. Among that num¬ ber there is included, the promising girl’s band of fifty-five pieces (still in the junior stage,) the boy’s junior band of seventy pieces, and the select boy’s Concert Band of seventy pieces; this lat¬ ter organization will extend to eighty when suitable instrumentation can be secured. Then too, there is a beginner’s class. The band has many loyal supporters, who have been firm friends in the past. The band stu¬ dents hope to further merit the loyalty of these promoters and to fulfill their expectations in the future. Thirty
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Page 34 text:
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Bonnie Mae Perry Abraham Welch Richard Hirsciileder Lillian Herndon Roy Swanson Hilda Hooper Marie Moridge Karl Chnupa Bernard Haas Jennie Gaudio Ruth Hutchinson Peter Knesevich Helen Petre Meriam Welch Irene Wadzenski Page Thirty-two Orchestra H. M. Johnson, Director PROPERTY Roy Swanson Ted Ihnat Ted Cohn, Concertmaster Leslie Gumbiner Wilbert Fleig Cly de Means Paul Bowles Broncho Wuletich Billy Schmick Raymond Stephen Ray Luck Clifford Romig Leland Sassman John Wilkinson Irene Rozyski Isabel Mattern Joan Burch Helen Hannabach Wilhelm Willing Wilma Barnes Carolyn Petre Wilbur Mitchel Leslie VanInwegan Janette Fisher Edward McKimmey Kathleen Sarkitch Mickey Brilla Joe Licari Anna Mae Shake Cloyd Shirey Marjory Smith Florence Shaffer Frank Nemetz Dove Beddow Robert Stevenson Alan Maurer Ruth VanWinkle Lois Maurer Ruth Millis Margaret Hayes Ann Grf.ve Kathryn Yaeger Doris Miller Rita Bush Tom Lievan Frances Rockwell Lloyd Norris Robert Wilkinson John Conroy Ward MacKeen Paul Kaar Albert Pagett Junior Hauger Alfred Milteer Stephen Powers Gretchen Warren Nado Luzato Ross Stanton Edward Pripps Clyde Erickson Paul Devine Ted Ihnat Russel Watts
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