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Page 29 text:
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P Pavibeig Saga Trek To BokJly eal whai no man has eaten betore 25
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Page 28 text:
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Saga Revitalized With New Cafeteria For the next three years, whenever dinnertime disappointment and indigestion run rampant among incoming Hope freshmen and other Saga initiates, some upperclassman will undoubtedly remark Hey, this is great. You should have seen what it used to be. Indeed. 79-80 was the ultimate year of contrasts in Hope food serv- ice. With construction on a totally renovated and expanded Phelps Hall cafeteria begun in May of 1979 and not finished until January of 1980. students endured the wait by eating in Carnegie gym during first semester. While the food remained the same, students made the additional adjustments of waiting in long lines and eating off paper plates with plastic utensils. Hopefully, we have more than compensated for the inconven- ience with our new Phelps service. said Saga director Keith Brown- ing. Second semester transferred the joys of cafeteria eating back to the building used in years past — but that building was nothing like it used to be. A multi-level seating arrangement combined with a scramble sys- tem to fill one’s tray made Saga a new and exciting experience in January. Waiting in line was minimized and, although a few bugs still needed some working out. the new operation ran remarkably smooth. It's a new experience for all of us. students and staff alike,” noted Paul Kury. one of the many people who see to it that Hope stu- dents get fed. The facility is about as modern as you can get in cafe- teria design. However exciting it may have been to enjoy the completion of a project planned for many years, the old sayings about Saga food, in keeping with longstanding student tradition, never ceased to abound. It really is terrific to be in this new place, commented one Hope junior, “but that doesn’t mean the food itselfmuch different. All in all. students and staff agreed that the experience of dining at Hope was greatly enhanced with the opening of the Phelps facility. S GoWxyn Everybody's Granny. Bess Smitter checks ID 'sand gives out smiles j lonrran D W»no Tired ot hot dogs and meat loat, Doug VanWieren chooses to bring his own entree for dinner
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Page 30 text:
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Hack Habel The stars of the silent screen set the stage for Mack and Mabel, the musical fall produc- tion of the Hope College Thea- tre. Working with a story of ris- ing to stardom and falling ung racefully from it the show offered the cast many opportu- nities for growth. Through the Artist in-Resi- dence program Christopher Coucill. a professional actor working in New York, joined the cast. Chris was great com mented Liz DeVette. who played Lottie Ames, as both a critic and as comic relief. Mabel, a girl working in a del- icatessen who is whisked to the top of movie stardom by direc- tor Mack Sennett was played by Junior Lori Moore. Along with' DeVette. Moore was a nominee for the Irene Ryan Competition, an annual award presented through the Ameri- can College Theatre Festival. January of 1980 brought the cast (including Coucill) back together to take Mack and Mabel to Akron Ohio for the regional American College The- atre Festival. Such an opportu- nity was very rewarding, com mented director Donald Finn as entrance in the ACTF brings national attention to quality theatre at small colleges like Hope. J. Lehman Lon Moore is held aloft during the song Look What Happened to Mabel. Mack a nd Mabel Eddie, the Watchman Michael Mr Fatten Mack Sennett Christopher Coucill Lottie Ames Elizabeth M DeVette Ella Sonia Ann Olsen Charlie Charles R. Bell Wally Jamie Huggins Ar.dy Kevin Bailey (-rank Wyman Russell Maitland Mabel Normand Lori Mccre Mr. Fox Arthur D. Brown Mr. Kleiman Marvin Frederick Hinga Iris, the Wardrobe Mistress Kathleen McGory William Desmond Taylor Karl Van Tommmqa Phyllis Foster Ardis Kelsey 26 Macl Sennett (Christopher Coonoll) frames Wally (Jamie Hoggins) In an imaginary movie still
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