Holy Names College - Yearbook (Spokane, WA)

Page 42 text:

9.4e44 The journalists form one of the hardest working groups in the college. The news room is con- stantly stirring with activity which reaches its zenith when the monthly deadlines for the col- lege paper arrive. Then editor Frances Nich- ols scurries for cuts and mats; Patricia Hartnett whips out ideas for Shop Chat, and Mary Alice Smead settles down to work on a music column. Reporters get under foot everywhere; typists roll out copy while the entire staff is gripped by the pressure of feverish haste. An innovation on the editorial page this year was a series of liturgical sketches drawn by stu- dents from the art department. Designs were supplied by Beatrice Simmons, Sister Paula Mary and Carol Jean McKown. From Anna Marie Hilscher came a number of editorials on symbolism. Even more intensified has been the Yearbook work. Busy making ends meet were Mary Louise Blanc, Eileen Pierce, Marguerite Adams, Bev- erly Schuster, Vivian Sinnett, Mary Agnes Mc- Cabe, and Artist Anna Marie Hilscher. Not to be overlooked in the matter of accomplish- ments is the advertising staff. Laurels go to Ad Manager, Marjorie Cash, whose zeal has in- spired both business and editorial functions. {Tot ' Introdiuinf!, Palruia Hartnett. the all-imp ' rianl .-. ifor ii the l ' U2 Annual, ,M(n;ii;i,i; irhite studying. (Left center) Collegian editor. France. I ichols (right), interviews Gertrude Costello. (Left) Staff members turn out copy Patricia Hartnett. Carmela Co. ' itello. (Right) The paper goes to press, reporters scan assigrmxents : Marguerite Adams, Bette Meeks, Frances Nichols, editor.

Page 41 text:

From November until May, dramatists toiled amidst a busy season. The year ' s outstanding production was the December Nativity Drama which numbered seventy in its supporting cast. Twenty choral read- ers sustained and developed the theme un- folded by the three principal characters: Patricia Hartnett, Anne Gallagher, and Helen Costelio. Mary Ferrell was cast in the role of the Blessed Virgin and Marjorie Cash as St. Joseph. Interpreting the parts of angels were: Virginia Bogar, Marguerite Adams, Bette Meelcs, Marcella Gibney, Te- resa Dowd, and Allene Myers. Irene Perno, harpist; the college string orchestra and choral ensemble furnished the background music. Honadra members were on stage for their final presentation at the Mothers ' Day open house, May 9. The one-act comedy, What Are You Going To VV ' ear? drew admiring tributes. In the leading roles were Marcella Gibney as the negro maid; Mary Ferrell as Anne, a young college girl; Betty Hattenburg, a talkative, middle-aged neigh- bor: and Betty Lynn Northrop, a punctil- ious aunt. -i»

Page 43 text:

•zi-;;,--: ■ m ' ' h. H T ( T-) X rc;v. 3 f Jf ■ v i; iCrV--- W i:. i7 ii ' X C i y ui J f ? - •, ' -vT, X •rr isx. Of no less importance in the place which they occupy are the little doings and social sidelights of the days and weeks. Certainly not purposeless but lending ease, charm, and social graces to each Holy Names woman, they have a niche in cultural growth. Culti- vated, as they are, for the end in view, they have an added worth. Nothing brought to the service of God is slight .... Welcomed for its opportunities to enjoy and further friendships is the fall Alpha Sigma Alpha Beaux Arts Ball. Tops on the social cal- endar is the January prom which attracts one and all to the Marie Antoinette Room to swing and sway .... Delightful is the termi- nation of spring festivities with the junior formal Cotton Ball. Steal a glimpse of them .... ?S?3e t [J - ' « ?a :r TT TTi T i m- ■m.. . i