16 everyone has his likes and disliij.es so I have tried to appeal to lrceaders this past year with reviews of the four major types of nws in their particular field, J considered them tops. Among fh talent snows, I picked Arthur Godfrey’s with Horace Heidt's winning a close second, Mr, and frlrs. North was my choice for the op position among the myfTenes, while the Lux Radio Theater won my oraise for grama. Comedy shows were the toughest but I finally came out with a tie between Amos 'n Andy and the Jack. Benny show, 0 Howls will arise and, in fact, have already been heard. How about Skelton? Where’s Lucille Ball? That's the funniest show on radio I don't see how you could pass by Suspense I May I re- peat myself? Everyone to his own taste but foi yobr information, I will show you my criteria for judging and then perhaps you will be able to see why I picxed the above shows. Mystery shows: 1, Must avoid wholesale murders or killings, 2, Must not make fools of the police force. 3, Acting ability of stars (avoiding heavies or the tiresome private eye type) Drama: 1. Avoids mysteries (drama is drama, mystery shows enough on the air,) 2. Type of play usually presented 3. Acting ability of cast (Lux Theater tries to get actual stars in parts,) 4. Music 5. Commercials (Lux Theater much too long) Talent Shows: 1. Master of Ceremonies (Can anyone beat Godfrey?) 2. Type (interviewing talent, just introducing talent, or as Godfrey, interviewing Talent Scout). 3, Variety-(more variety on Godfrey's due to professionalism of talent), 4, Musical lenrel -(Bleyer rated over Heidt) Comedy shows: 1, Language Type of joke (Neither of the snows I picked ever told an offfcolor joke-very clean and thus, listenable for whole family,) 3 Program set-up -(No monotony in either show. Contrast- Skelton with little boy, fighter, hick, etc, time after time,) 4, Supporting cast-(No one can beat Benny here,) that's it! I Now perhaps you can be your own radio expert, year then, this is Mary Jane Fuller signing off HI
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. this issue of the Beacon contains both newspaper and yearbook es we are going to write briefly about the pictures which have ] eatUconsidered tops by moviegoers and critics alike. ■ ieen • j I The Heiress Olivia de Haviland, motion picture Academy Award winner in 1950, ] lays her winning role in The. Heiress• Montgomery Clift, who portrays charming idler, falls in love with her and is driven off by her fa- er, Randolph Richardson. This tfckes away all her happiness. All the Kings Men Broderick Crawford as a ruthless backward politician, strongly 1 ruggests the late Hughie Long. Oh, You Beautiful Doll Oh. You Beautiful Doll is a carefree musical biography of the I ate Fred Fisher, one of'.the most prolific of Tin Pan lley's nu- 1 |erour geniuses. You heard songs like 1 There's a. Broken Heartifor 1 'very Light on Broadway and Come. Josephine in My Flying Machine. Cinderella An enchanting Walt Disney menagerie helps to restore the fclass 1 clipper to its rightful owner, and incidentally supplies a new angle 1 .o an old tale. Twelve O'clock High 1 , Gregory Peck turns in an outstanding performance as General 1 'rank Savage. Other important characters are Hugh Marlowe, Robert I Btterson, John Kellogg, Millard Mitchell and Paul Stewart. Sands of Iwo Jima 1 . This is a marine picture starring John Wayne as the hardbitten 1 marine sergeant who rtms his squad by the book. John Agar 1 'lashes his dimples petulantly as the softhead but proves his man- liness after all.
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