Hays High School - Indian Call Yearbook (Hays, KS)

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HOMECOMING continued Hail to the Kin ! I think the guys have just as much right to be royalty -Kelly Brungardt Homecoming was like a week-long bir- thday party. Everyone seemed in a festive spirit. No part of the week was business as usual. Responsible for much of the unusual ac- tivity, the new Alumni Association had sent letters to graduates, asking them each to contact another 20 alumni. Besides decorating a float for the parade, the rads formed a football-field-sized 100, hofding up flashli hts for birthday candles at halftime ofihe game against Dod e. Seniors voted for queen candidates as usual, but in a surprising move, StuCo had king candidates selected also. Naming senior boys as king hopefuls ended a con- fusing practice. Football layers used to vote for team members wlio would escort the girls at the assembly but couldn't ride in t e parade or be in the halftime ceremonies. Girls had to pick escorts to stand in for the players. Newcomers to Hays High were always a little confused because the guys who were introduced at the assembly were never seen again except on the field playing football. The crowning of a king was received more favorably than the sinking of the floats had been. lt's always been just the girls getting queen, and l think guys have 'ust as much riglgt to be royalty, soph. Kelly Brungardt sai . The chan e was less important to john Hamel, sopi. He really made no dif- ference to me, Hamel said. l'm just glad that everyone took it seriously, though. -Tracie Windholz Homecoming Queen Amy Craven Homecoming candidate Matt Brooks gets a kiss from his mother at the assembly. Rose Englert and Kent Thompson greet each other with a kiss as they are introduced at the Homecoming assembly. is , Yu- ? digg X

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Cast of Fiddler on the Roof A frequently heard question at the beginning of school was, Are you going to UZ out for 'Fiddler on the Roof'? A er many talented students tried out for the various arts, joe Dolezal and Rich Billinger, cllrloral and acting direc- tors, had to choose the best people for the parts and backsta e crews. When all of the dicisions had been made, rehearsals began. Aerobics, dance-step revisions, singing, and con- structive criticism became tradition for the cast. For six weeks they worked hard on perfectin their performance. Amid the hard work, students still had to manage jobs, dance or singin lessons and, most important, homewogc. Every chance they got they ulled out assignments and started working. Six weeks can be a very long time or a very short time, depending on how you loo at it. But it was long enough to create many memories of happiness, relief, frustration and bittersweet sadness. Everyone had to work together because, as Billinger said, You're only as strong as your weakest actor. And the cast and crew did work together, particularly on Sunday night, which they felt was their very best performance. After the final scene, after the curtain calls, the people of the little town of Anatevka were swept away with relief, pride and a hint of sorrow. -Erin Meckenstock TOP: Golda and Yente tBuffy Larson and Lydia Millerl discuss the pressing problem of husbands for Golda's daughters. ABOVE LEFT: Finding a perfect mate for the young people in Anatevka is Yente the matchmaker's specialty. ABOVE: At rehearsal the rabbi, Judd Choate, jests with Mendel, Erik Parker, about the Tzar of Russia. LEFT: Julie Dinges gives Kyle Quick the last touches to his makeup before rehearsal.