Hartt College of Music - Allegro Yearbook (West Hartford, CT)

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1 viii, Q' 1Y'fff ' qi-7 yvmgaignav-rw-m 7 lm-rx..-sg 1-1. '21 ' .sw :. .rr-71:-..:1:-'w -- ' .. ,, a.. t . M I E. -. -. p , jI , ' , ' ' f N -:7,pg'j,E,g:45ggEg'2Qvr:FJuP:551575595555 :fag-1-225-569:25 gt-Qgkizri-2-frfygr H ' ' ' - - ' ' - -- . 4' ff-ev 41'-'vii--fr-1 V..-ttf- .f1. A-ff. rss:-If '14-f nj? hqlii 2015-Q , Y ima M. 551015 alllfjg 2 .ral . -an ..L'. 1350 C:'l'v'E Z0 HCS. v-vw -Lai 5 zneq. sclua 2:10 W gilfy REVIKI: I've never noticed. What do you play? L.3.1P1II3TK gmlila y? Why I've never been so insulted! Hal, tell the man here of my prominent position with the Musicopolis HAROLD PORTNER: You mean you haven't seen Alvie push the harp on and off the stage? After twenty years? EQ?-Q: I'm so sorry. I thought you were a musician. Are you going to the concert, Hal? PORTNER: Yes, I play in ig I understand we're performing some of your music tonight, Bob. ws Yes, Ihave quite a collection of orchestral parts Iloaned the orchestra for tonight. Oh, hello, Joan. JOAN EGELAND: Have you heard the latest gossip I don't like to talk, but I heard that now that the A is being tuned, .Sherman Kegeles is being commissioned to composea 13 tone melody in honor of the tuning day, 'and Anthony Mucci is very angry because he s already written one with more tones than that. Pretty unfair, I'd say. CARL ERIKSON: I couldn't help overheating your conversation kids. But do you know its worse than that? They're paying Mucci only 3120, 000 to compensate for his pride. EGELAND: By the way, who's soloist tonight? ERIKSON: Ask Gritzfeld. She's always up on those things. RUTHE GRITZFELD: Somebody mentioned my name? Don't bother to ask me the question again, Carl. Itwas so well placed I Heard it clearly the first time. Have a you ever had voice lessons? ERIKSON: No, but I was a tuning fork once. GRITZFELD: Well, Clarence Westcott is the soloist tonight. He's playinga piano concerto which he has orchestrated Himself. Very talented pianist, that Westcott boy, never has to practice. In fact he's reading it tonight for the first time. LaBELLA: Well, what's so hard about that? Joe Horvath and I just finished reading through about ten Beethoven Symphonies. It only took us about five minutes a piece. Miniature score, you know. ERIKSON: Who's conducting tonight's concert, anyway? GRITZFELD: Why David Leader, of course. He's been conducting ever since they decided to conserve space on the ro ams The don't have to write Leader beside his name, so that saves six letters and 320,000 which P Sf - Y automatically goes into the Musicians Petty Cash fund. ERIKSON: He's a magnificent conductor. If Eleanor Sill's cello is out of tune he'll just reach over and hand her a violin. Now what conductor would be so humble. GRITZFELD: Well, Isaw Jack Steinecker conduct once, and the strings were so out of tune that he asked Ioan Cartmel to sound an A on her tuba. Now who would ask for such a loud A other than Jack! ERIKSON: Well, that's true, but we have to hurry because here come Laurel Baust and Ruth Senkel. Ruth just returned from the West Coast where she is appearinggin McCray Productions. We're all going to a lecture tonight to hear Ed Mazurowski speak on Ray Timoney's 'new ok, How to Kill Mice When They Get into Your Trombone. Laurel hopes to apply this information to her Hawaiian pipe organ. Mary Shea is taking box numbers, and'i'i We're not there on time, she'll start yelling at 445! 29 A, - ..-.-Y ... ..., , .,,, ., .. ... . , .-,-- 5?

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