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Page 64 text:
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4mm 40444 As Master of Ceremonies, Digby Sargeant, displayed his wit and charming personality in introducing the two male graduates from Hamilton Teachers' College. Stan Ritchie and George Pedrebarac have been working their way on the railroad for a cultural tour of France to see the historical sights. Making a grand entrance into the Garter Rouge, both gentlemen were immensely impressed with the surroundings. The floor show started with a tap dance when Gilda Romanelli. as Fifi La Fleur, made her debut. During the next silent moment, George and Stan admired an orange held by Donna Mae Odell who was wrapped in a sheet. The artist, Vic Parker, made a splendid drawing ol' the orange. The torch singer, Joan Robinson, as Peppy La Peche, unravelled herself from a curtain and appeared on stage singing I Love Paris . When our Italian musician, Charlie Sehrubsole, was belated because of a flat tire on his bicycle, the people in the cafe sang Allouette , then danced to the melodious strains of Charlie's clarinet. Just back from the morticians' convention in Chicago. Jim Reid enlivened the audience with his song, On the Riviera . Suddenly the lights dimmed and to the beat of the St. Louis Blues, out slinked one-half of the Apache couple, Irene Nitchie. Spying George, she sauntered over but was soon diverted from her reverie by her dancing partner. Paisley Potter. who hurled her to the floor and proceeded to attack George with his rubber saw. However, the duel was immediately averted by the Can Can line which performed under the supervision of Gilda Romanelli. The curtain was pulled aside for the Grand Finale, The French National Anthem. -Irene Nitchie 4mm '7en The contribution of Form 10 to the literary field was a one-act play entitled The Dear Departed , by Stanley Houghton. Muriel Sider related the prologue. The situation presented was that of an old man presumed dead by his family, while in fact still quite alive. The cast consisted of Marion Nethercott, John Sider, Oliva Tersigni, Claude Winger, Lydia Unger and Wallace Poole. In the production staff, the scenery was handled by Douglas Smith, Tom Roesch, Marian Wichert, Ann Loewen. Esther Wiens and Andy Ori. The pro- perty committee consisted of Dora Little, Lorraine McCourt, Anne Marsh, Mary Moore. and Pearl Sehlichter. The lighting was managed by Alton Van Every, Cecil Reid and Eugene MacDonald. The costumes were obtained by Ann Plausini, Barbara Reynolds, Josephine Ort. Barbara Powell. and Janet Rempel. Jean Poloso and Hubert Lounsbury collaborated on the make-up and programme. The promp- ter was Marion Vokes. Much of the success of the production was due to the able direction of Joan Pidduck. -Wallace Poole 58
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