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Page 30 text:
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,K' llfly Three Angels PLAYS Each la and its creative re aration forms P Y P P a plot for a larger play. The curtain rises on this play, so let's sit back and watch its performance - a play about a play. The exposition comes first. As soon as try- outs are called we are introduced to the characters that form the plot. Nonchalant, nervous, budding Barrymoreg all read and are then relieved that it is over. The rising action starts with that device, the cast list begins to transform a person into another personality. The story progresses to re- hearsals. Comedy relief appears in varied forms. Complications set in when the second parallel plot evolves. Another group of characters intro- duce the backstage plot. The hero stage manager Taming of the Shrew holds the final answer as to whether the sets and actors will meet at the proper time. Thus, the action keeps rising until the in- evitable climax of the 8:15 curtain. ls the play a hit? Perhaps it is. The audience was entertained and the cast was gratified. The fun and experience of My Three Angels , The Taming of the Shrew , A'Briga- doon , and HThe Lady's Not For Burning will be mirrored again next year: for The play must go ony. Drama, too, is another phase of our storyg but further on We show you . .
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Page 29 text:
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SPIRITUAL EMPHASIS i WIEEK Dr. Zaun - Our speaker Grove City College was fortunate this year in having as a Spiritual Emphasis W'eek leader, Dr. Alan Zaun, pastor of the Jefferson Avenue Presbyterian Church of Detroit. Dr. Zaun spoke in our morning chapel ser- vices and took part in informal discussion groups. He also held personal conferences with those who requested them, and concluclecl the week with a communion service. l ROW ONE: K. Keating, J. XfVerren, -I. Arnold, M. Langford, D. Harker, Harris. RO W TWO: tl. Craig, S. Coyle, G. Praml, D. Hayes, M. Magarrall, G. Odmark.
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