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Page 29 text:
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FRAN cis NliSLl2N Plllalic SPC1'ld'w ipwc Prov.lucil0n . . ,. Drami' . Stubbs ,. xx. s . and han' H Brcwcfy . - AN , . , S nh 1- Roach, Knuhn tm y Yrvsm - rchcmsc lmcs .. turv . , w c-IP ASPKLB '. Own . . LMYW I I tonumu l lcinil love in Emu hr 3 ,.' - hC3W ' luidd N95 5 Uaite Parissian Ballet? Cocodicetts? These weird heterogeneous terms circulating ahout the cam pus impelled me to conduct an investigation. They originated in the art department, headed hy amhitious Mr. Edward Neslen, who explained their significance. lt seems his class in pictorial composition designed costumes, scenery, and choreography of the Quite Piirissiun Bullet after hearing the plot and accompaniment. The cocodicetts, or gold diggers, furnished inspiration for the fanciful creations. Having satisfied my curiosity, I sought to gain the answer to a most pertif nent question. Vifhat is love? To ohtain this hit of wisdom I journeyed to Mr. Francis Neslen's puhlic speaking class, Here students were delivering tenfminute speeches on the suhject. No one could come to a definite conclusion, and as yet, this controversial question remains unsolved. Another department of the fine arts which caught my attention was drama. Students enacted, produced, and directed plays, one of which was Don't Take My Penny. A new class, stage prof duction, commenced this year. Here l found it interesting to note students applying stage make' up, manipulating scenery, and learning lighting and stage techniques. My suhjects will he amazed at the accomplishments of the fine arts department which provides vocations for ' tertainment for many. some and en- as
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Page 28 text:
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L 1-:a fi if L A4 X N , ,' Q X 1 , , Q, -' fi . tu an I u 1 . L A K of gnirfg you think ,I '. ,t!jC'j' ,,.' X , , ,- fu J xxx Et- I H I ' A ' fki wg LY N sfrgiirgenfic?:ltj?2'tl'l3' cl form of Ta., L 'fl Axll vlwy '-A', Ei .-,f 7lf,1f1f,,,1',.,. ent A . - iation exercises. . 1 'ds drama dans m PYOUUHC bex-ahl Xackbcm led HNF. ARTS APPEAL 10 GRANIHANS EDWARD NESLEN . . . Aft DEAN ALSOP . . . Band and Ofchcma LEE HUMPHRXES . . . vom
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Page 30 text:
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Left top, First row: S. Nordgren, ll. Hartman, Nl. johnson, L. Oreno, R. Wlrigltt, S. flark, Nl. Hodgen. Second row: ll. Uipo, B. Loukas, U. Peterson, N. Van Dam, B. Riches, M. YVagley, B. Christiansen, C. Showell. Third row: Lvthgoe, C. Morgan, P. Strong, M. Briggs, R. Hart, U. Mauer, XV. Stevens, B. Ash, D. Sharp. Fourth row: M. Sheldon, G. Davies, F. Roach, D. Faust, Biesinger, L. Lamlwert, Ottley, R. Nilsson, M. Klemm, N lk-Younfg. Fifth rowzj. S1liIlSl'llll Y,l3. Larsen, R. Thomas, -I. Hilton, P. Meadows, jaeohs, R. Armstrong, R Aposhian, C. Pomeroy, R. NVells, M. l.inton. Sixth row: C. Wleight, G. Harrison, G. Condie, Harline, li. NVil son, Hadley, V. Drage, Lyon, M. Olson, N. Huffaker, Ii. Barlow, l.. Paek. Seventh row: Charon, A. Pnel eher, P. Pmall, S. Laml'1ourne, S. lviurdock, L. Lvon, R. Record, Nl. Howard, U. Peacock, F. Alsop, f. Olmstead j. Lake, M. Hall. Left hottom, First row: N. Rutherford, S. l3urhidg.:e, Heiner, B. Brewer, johnson, S. VVatkins, A. Howard, I5 johnson. Second row: M. Newman, R. Pollard, T. Wriglit, S. Nelson, R. Tronier, C. Liston, G. Lloyd, A. Burrows li. Smith. Third row: j. Holding, A. Stewart, L. Baldwin, B. Peterson, M. Ivey, K. jones, J. Turner, G. Soren son, ll. Candland, B. Meliissiek. Fourth row: N. Sutherland, D. Udle, D. Magana, R. Van Dongen, L. Pnrewer R. Allred, F. Pserndt, li. Parris, A. NVood, Stuhlws, S. Millgate. Fifth row: R. Morse, R. Lavton, U. Moffat, L' i' th Maxwell, R. Bingham, L. lowell, G. Merrill, D. Stump, M. Peterson, N. Erickson, R. Clark, T. Duncan. Six row: Plant, li. Melde, l. Richards, G. NVood, B. Gudmundson, D. Martindale, G. XVilliams, l. Hancock, li Ostler, M. Prireh, Rogers, M. Reynolds, C. Newman. Seventh row: B. McNeill, B. Green, D, Christensen, M lilw, O. Lamlwert, D. Robertson, D. Clayson, B. Marehant, V. Belnap, P. Anderson, V. Mantvla. lm ..... .. ...
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