Goshen College - Maple Leaf Yearbook (Goshen, IN)

Page 22 text:

j iii iii iix. Singing the simplest hymns is an aesthetic experience when the group is expertly led. ., ,, R 18 Daily practice is a must for proficiency in the applied arts.

Page 21 text:

Language Lab: Communica- tion demands common speech symbols. Milton Class: The climate of the seventeenth century is dis- covered in the works of this Puritan. , .aw ft. - f .vs :M z. Z, ff: -was x,,vE3R'fQEf31 EL lla f ,- -' 'raw Q-15iJ:5..,: s 1' 'I ,g?2f- iw- an ' Q ' 9' X X W e ,z if-1, .J U N ,Q ' few 17 l -

Page 23 text:

Student body, faculty, and community were again stimulated this year by the academic and extracur- ricular offerings of the Art and Music Department. Many local citizens were drawn by aesthetic and practical values to take voice lessons and chor- ister training from Dwight Weldy. A new face at Goshen was Richard Brinklow, who instructed classes in brass and woodwind methods. Unrequired, but well attended, were the Exhibit of Norman Wilson, a Goshen artist, and a violin concert by Lon Sherer. An interesting project for students was the delicate construction of the six rank, two manual Austin pipe organ. Charles Roe. assisted by Richard Nase. directed the installation of this organ in Arts 331. XX Line, color. and texture are given unity through the artist's chalk. Realizing Wholeness in Art St. Crosier seminarians prepare to sing a service of chants for Fine Arts students, who study the art of diifering ages and worship experiences. 19