Glasgow High School - Hootman Yearbook (Glasgow, MT)

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Page 56 AROUND THE SCHOOL WITH OUR CAMERAMAN 3 ts .W . '- 2, sw. 5 t gr ei 2 . .... 1' Ziff. we mg , , ,. -V - .-..,.., .:. 2 3 1.51 .ts -1-:-: 41,-Q: 1 .sf 7' --If :z-2:22251 5 . ,..,., :,:: 1 i,, :,,., . P.. 5 1 . W W k, I 1, . - 454' F Vs'- ,,.-1-1 - . ..A w , .:.,.,.,? wx .,. , + 2.2. .5 r HOH sw-'IS -'Z e 1 i vw. ' I? -e 5 ' .- 1 -we .sf- 33' f 5 X .3- ZVZE.. -.IEE g x z f if 26-3 x -- .-:-:-:+:-:,s-w-:.:..- . gg Y 0 is 'S' E .36 0 :...:Ei.gse...-.g.555.Qg: Q.: ,,5 ,.g5,.:-. ': -a:se:s:s:5:s::: -1' IS: seize::i::--':'I-'5z'a.s.1.-:.:.. -. .:..,.i ....v . l:1-fffiiiiil-... .eff M ' ' ' , f'E'E52 I.-'ZZF -fIE1fffff'fE5rE:i-,', ,- , :' 'H ' :, H'f'!!y.,L-,- . ii ' Upper left: Is it swimming? No, football? We'll ask the coach. Upper right: The young in heart. Miss Brandon's white hopes. Center, upper left: Miss Creveling's social studies debaters go around and 'round Center, upper right: Truck on down dancers under direction of Miss Hilton. Center: Theoffice staff digs in. Lower left: Miss Van Duser's geometry class draws pictures. Lower right: Mr. Huber's algebra class figures out a stickler.

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THE SCOTTY, GLASGOW, MONTANA Page 53 someone must have seen you and followed you home. George: You're just nervous. Come. lt's time you were in bed. fl'le glances over his shoulder at the win- dow while urging her to the bedroom., Jane: fStarts to rise, but stares at the window and speaks in a hoarse whisper., Look. I-Ie's there again. See his shadow. Someone must have followed you. George: fQuickly glancing around, then going to the desk, 'he takes out his revolver., Wait, Jane, stay where you are. l'll see what it is. fHe starts to the window, but she pulls at his sleeve., jane: What are you going to do? Stay away from there. He might shoot. George: Stay away. It must be- Uust as he touches the blind it goes up with a bang. I-Ie jumps back, startled. ,lane screams. He peers out, pulls down the blind again., George: Jane, there wasn't anyone there. Calm down and go to bed. jane: Who did you shoot? George: I didnft. It went off accidentally. fl-Ie puts the gun in his coat pocket., Jane: You didn't see anyone because he jumped back. See. There isn't any shadow there now. George: I don't think you even saw anything. You are only nervous. Jane: Well, maybe, but who can tell whether or not someone might have followed you home. Didn't Mrs. MacAllister scream? George: When I flashed the light to shoot her, all I saw in t'he flash was two white startled faces, and then she screamed and collapsed into the chauffeur's arms. At that I ducked around the corner and ran. fHere Jane begins to sob and shake., Calm down, Jane. Everything is all right. fHe tries to comfort her., jane: How do you know? You have not told me whether someone followed you or not. Did someone? fGeorge avoids her eyes and does not answer., Jane: fAfter a pause., Why don't you answer me? Someone did see you and follow you, didn't they? George: I don't know. An usher of the opera house stepped out just as I ducked around the corner. I don't think he saw me, but as I was a block or so away I looked back and someone came running up the street. Whether they were looking for me or not I don't know and I did not stop to find out. l ran around from street to street and circled back here. Jane: Well, time will tell. George: jane, I'm sorry as the deuce that I fright- ened and worried you like this. fShe glances up and catches 'her breath. He glances up, too, and sees the .shadow again., jane: fln a hoarse whisper., The shadow again. George: fGets up., Jane, you wait here. I'll see what that is. Jane: Oh, no. fHe goes out through center door while she watches the window. I-Ie comes back laughing., George: Jane, your lovely vines, which have given you so much pleasure and pride, have been frightening you. The wind has caused them to sway against the window, causing the street light to cast a shadow against the blind. fl-Ie takes her by the shoulder so that she faces him., Jane, darling, do you know that I love you? I have been so thoughtless, letting you alone here, frightened and worrying about me while I prowled around the streets like a bum craving excitement. Darling, from now on, I'm going to spend my evenings at home with you. I'll never do anything to worry you again, and if my past sins aren't discovered, we won't have anything to worry about. Jane: No, George. You are only going to do that to please me. George: Sure, I'm going to do it to please you: and listen to this: I'm also going to do it to please myself. I'll stay at home and let you take care of me. jane: Then I'm going away. George: Well, then, I'm going with you. Jane: George, will you be serious? You wouldn't be happy and you know it. George: I am serious. Jane: And think what the people would say- George: Sure. They would say, Well, it is about time that that bum came to his senses. A little while longer and he would have had to lay her away in a cof- fin. And jane, I just found out that I don't want that to happen. Uane gets up and sits on the armchair., jane: George, the people would say that I tied you down and that you could not even spend your evenings the way you wanted to. fGeorge goes and sits on the arm of the chair and put his arm around her shoulders., George: Jane, I'm telling you that I love you, l love you, I love you. fShe raises her hands for hin. to stop, but is not displeased., George: Do you hear? I love you more than any- thing else. jane: Anything? George: Yes-- Uust then the door bell rings. They both jump up and face each other., jane: fGasps., Georgel fl-Iis face is white and he only looks at Jane. The bell rings again. He turns to the door with his gun in his hand. Then slowly he walks over and puts the gun back in the table drawer., George: Well, l'll tell them everything. Uane sits down weakly on the chair, while he goes to the door, steps out and half closes the door. lndistinct voices are heard for a few minutes while Jane watches the door intently. trying to hear what is being said. Soon she hears George's voice say, Good night, Sergeant. I-Ie steps in and puts his arm around Jane., Jane: Why did 'he stop in to see you? George: He saw me running down Sixth Avenue and another man following me. He thought I might have seen where the other man went. jane: Didn't he wonder why you were out so late? George: Yes. I told him why. He is a good friend of mine and he said that he would not say anything about it, especially since I told him that I was quitting that business. And now, just to prove to you that I am quitting and that I love you more than anything else- CI-Ie goes to the desk and gets the box. I-Ie pulls out a camera and gives it to her., Here. I'm through taking shots at rich folks and taking a chance of getting into trouble by annoying them. You sell this camera and get that lovely fur cape that you want so much. You will look lovely in it. Then we will go out and everyone will say-- fShe starts to cry., Why, jane, you're crying. What is the matter? Did I do something wrong again? Jane: No, goose. l'm only so happy. fShe bursts out crying again. He picks her up in his arms and sits down and starts to wipe away the tears., George: And will you stay here and take care of me? lane: fThrough tears., Yes, darling. fShe throws her arms around his neck and buries her face on his shoulder. He has a satisfied look on his face., fcurtain.,

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'ho-..,,,,M, N 4' SN 1. , W ct . . ,.,.,. . - Lg Y 1 'Q ' ..f:-lj-,, N ff w Q ' 3? , W r ,E in 'W f.W.L , .5 Ir ,UA :Mi LTQE 'W-'fr' -1 g ' Top row, left to right: Flea Circus , . . Yum Yum! . . . Quick,Henry, the toothpaste! . . . Leap before you look. Second row: Love boids . . . Who's watching the birdie? . . . Haw Haw! Third row: In the limelight. . . Tire trouble?. . . Posin'. Center group, reading from top to lower left: Warm enough?. . . Pictures of health . . . Whoops, the camera slipped!. . . One, two, slide together . . . Sign of spring . . . Who goes modest? . . . High, but not so dry . . . At ease! . , . Photographers must eat. Lower right: We knew them when.