Glasgow High School - Hootman Yearbook (Glasgow, MT)

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THE SCOTTY, GLASGOW, MONTANA Page5 their hobbies. They collect agates, good, precious Mon- tana agates. -is ik we The baffling belle of the school, Marie Hall, has just told us that her hobby is playing bridge. We have often wondered how that superficial game is played. Maybe, for all we know, she will turn teacher and show us the secrets of the game, including a couple of handy card tricks. ar -is as Mark Etchart, the kid that never grew up, sometimes known as Chivalrous Francois, has a hobby of taking pictures with a little black box. His views extend from a flagpole painter Cat the topl to kids standing with feet planted apart, leaning against nothing. -if -is Ik The peek-a-boo kid, Walter Larson, so-called because he is always darting in and out everywhere, is another camera hobbiest, and his specialty is to take your pic- ture before you have a chance to pose. Woe is usl Hope he doesn't start a blackmailing scheme on those undig- nified pictures of us wheare oiir hsair is standing on end. Lois Crow, the tap-dancer known all over town, has a bead collection, collected from all over the world. Her two most famous pair are the Japanese pair made in Japan and the American pair made in Japan. We hope she will never have to string the japanese pair up. I WANT TO LEARN MY A B C'S Anxious 1 Anna Anderson, Bright 1 Billie Bittle. Curious 1 Chelmer Witherbee. Different 1 Melford jones. Energetic 1 Lyola McCleery. Frank 1 Dot Christinson. Gracious 1 Kathryn Stieler. Handsome 1 Jasper Knight. lnteresting 1 Marvin Beck. Jaunty 1 Lorretta Palmer. Keen 1 Dick Hybak. Loud 1Mary Lee Gore. Moody 1 Frank Secora. Noisy 1 Ruby Clark. Obese 1 Clifford McPherson. Pretty 1 Clarice Wells. Quaint 1 Esther Dasher. Rowdy 1 Lyman Pattison. Sentimental 1 Shirley Brown. Tall 1 Bob Cross. Useful 1 Maxine Dross. Valiant 1 Fabian Nyquist. Wise 1 Cettie Burrus. Xtra good 1 Mary Ann Dillon. Young 1 Betty Ann Molvig. Zestful 1 Dorothy Turnacliff. Why the faraway look in your eyes, Madelyn? Cl-le couldn't be tall, dark and sympathetic, could he?D Can't Oty Wedum outrun a certain Bill out in Fort Peck, or did he just get tired of the only one? Well, whatever it was, don't feel too sorry for Oty, girls, be- cause from what we hear, he must be mighty quick on the recovery. It seems that he has been seen holding hands with a certain blonde in sixth period biology. 3 Green Front Grocery YOU'LL FIND OUR CANDY ALWAYS FRESH SSESCPES 1 II II II II II II II II II II II II II II II I II II II 1 :::::::::::::::::::::::::::::::::::::::t:: Have Your Pictures Framed at . LEEDHAM'S CARPENTER SHOP 'V II II II II II II II II II -:r:::::: k::::- Qc, ...,,,,., , ,---,---v Y ---v--- I -'-- -'---Y- The City Market FRESH MEATS FANCY GROCERIES FREE DELIVERY - PHONE 173 or 174 Ed Gallagher 8: Sons, Props. 1 II II II II II II II I II II II I II II II II II II i For Prom and Graduation . 1 We Say lt with M,iQ5Wj,Qg:- F lowers l Wfiiii lgg' 'vt - :+fv:'qg?,jy - 'fmsx CHOICE FRESH '15,-.3'QlIbQf2 CUT FLOWERS AND Sei.. BLoo1v1 L 'I ING P ANTS 3 XZNX Im .,, ,! ' Geo. P. Mitchell,Prop. Glasgow Flower Shop A Y --Phone 75 1 Night 3 l 6-W --' '--- -- ---' ---v---1 ---1-- --------1- 1 II II II II II II II II II II II W II II II II II II II II II II II II II 14

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Page 52 THE scoTTY, GLASGOW, MONTANA AMONG OUR HOBBYISTS Going clockwise starting at 9 o'c1ock: Walter Cornwell, one of the boys from up the river: Howard Cornwell, the other one: Walter Larson, shy cameraman: Mark Etchart, the small one: Harry Farrington, Wheaties championg Richard Button, wrecked machineg Marie Hall, card sharkg Paul Dillon, the ground flyerg Lois Crow, stone collector. HOBB ES Paul Dillon, the boy who can't make up his mind which girl to go with, has made up his mind on which hobby he wants to follow. I-le makes model airplanes. His collection includes 26 planes of all sizes. His latest idea is a plane with a wingspread of six feet and a one- cylinder motor to run its 3 Bk Kenny Newton has a hobby of collecting junk and having it turn out to be a car. His latest spring creation is Gwendolyn After a thorough secret inspection, we find that it is held together by one whole boltl Marvel of marvelsl as vs vs There always should be at least one watch. repairer in school and we think that Richard Button. fills the shoes, only we wouldn't trust our watches to him. His brain, it seems to us, is a mass of cogs and wheels which spends most of its time in making little black boxes that you can't open. What a boyl -is 4: PF That tall, dark and handsome boy we have been see- ing a lot of lately is Harry Farrington. He is one of the ' up and coming all-American star athletes. Maybe some day we can point to his picture on an orange and blue Wheaties box and say, l used to know him when- vs -if at The sophomore twins this year are Walter and How- ard Cornwell. Very little is known of them, suspicious characters. They might have been up the river: anyway they come from the river somewhere, as it proven by

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PMB THE AWAKENING A ONE-ACT PLAY By Elsie Funk, '39 TIME: l..ate in the evening. PLACE: A living-room of a small apartment. At the left-hand side of the stage in the foreground is a door leading into a bedroom. Along the left wall is a couch with a lamp in the back of the couch and a maga- zine stand at the foot of it, ln the center-back of the stage is a door leading into the apartment. Towards the right is a desk with books, a lamp, a phone and other articles on it. A chair is standing in front of it. ln the right wall is a window. ln the foreground is a large armchair. As the scene opens Mrs. Jane Parks, a small, nervous woman of twenty-five years or less, comes .into the room from the bedroom., dressed in a long bathrobe and slip- pers. She sits down on the couch and tries to read a magazine, but soon ,throws it down. She glances at her watch and tries to read again. The phone rings. She jumps up hastily ad answers it expectantly. , jane: Hello. George? fPause, Oh. CHer voice falls., Mr. Brown. fShe stops as though 'her mind wanders, but realizes that she is at the phone and answers hastily., Yes, yes, this is the Parks' apartment. CPause., No, ah- Mr. Parks is not at home at present. He-ah-he just went down to the drug store to get a bit ofrefreshment before we retire. CPause., You want me to tell him that you would like to see him the first thing in the morning about those time reports? CPause., Yes, l'll tell him. CPause,. Oh, that is quite all right, Mr. Brown. Good-bye. fShe hangs up the receiver and sits thinking. She gets up and starts, pacing the floor., Jane: Why, oh, why did he call up this late at night? He must have heard something about George and is try- ing to check up on him. flrinally she sits down on the arm of the armchair and glances at her watch. She goes to the window and peers out. The bell rings and she runs to the door and opens it. She steps back to let in a man who is about thirty years old. He is wearing a coat and a 'hat and is carrying a black box under his arm., George: fln a breathless and apologizing voice, Hello, Honey. Jane: Ohl lt's you. CWith a sigh of relief., George: Did l frighten you? l'm sorry, but l forgot my key. Jane: l-l was only startled. You seldom ring. George, you must have been running. Why? What did you do? Who chased you? fHe raises his hands for her to stop., George: One thing at a time. You have nothing to be alarmed about. Jane: George, don't try to hide it from me. You have been running. George: Yes, l have, but l like to run. You haven't forgotten that l was the fastest.runner at the university, have you? Say, were you going to bed already? It is still early and l thought we might play a game or two of checkers. jane: lt is almost twelve o'clock. George: That late? Why, l just left a few minutes ago. jane: Well, it has been hours to me. fln the mean- time George has taken off his coat and hat and has laid them down on the couch together with the box. George sits down on the couch while Jane sits down on the arm- chair., jane: George, did you see Mr. Brown anywhere to- night? George: Mr. Brown? No. Why? jane: He just called up a few minutes ago and wanted to speak to you. George: This late? Why didn't he wait until morn- ing or call sooner? jane: I don't know. He has not acted suspicious, has he? He may have seen you out so late ond won- dered why. George: Nonsense, Jane. What did he want and what did he say? jane: He said that he wanted to see you in the morn- ing about those time reports? George: Oh, no wonder he called up at such an hour. Those reports are important and he told me that when he was ready for them he would call up. Jane: Then you don't think that he called up for any other reason? George: No, Jane, l don't. Now, don't you think that it is time that you were asleep? QHe goes and puts the black box on the desk and turns out the lamp. She goes to the couch and sits down., Jane: But, you haven't told me where you were. George: fTurns around., l went over to Jim's. He wanted me to see if l didn't think that his new revolver was better than mine. fjane shudders., jane: You weren't there all the time, were you? George: No. On my way home l went past the bridge and when I came to the opera house- Jane: Oh, there again. George: l didn't want to, but all those shining cars and the expensive clothing the people wore fascinated me so l just stood there and looked. Jane: Oh, why am l so weak and helpless? Why can't l be of some help to you? George: l know that l promised not to go there again. jane: But you didn't do it again, did you? George: Well, l was just going to leave when Mrs. MacAllister- Jane: Mrs. MacAllister? fThrough strained lips., George: When she was helped out of her new car and was wearing such beautiful clothing and jewelry- well, it just got me again. jane: But, didn't anyone see you? George: No. That is just the reason why l did it. Everyone happened to be looking in the other direction because of some noise. Jane: Oh, there is always some reason which causes you to lose. Why did they have to look the other way? lf they had not, maybe you would 'have not- But George, didn't Mrs. MacAllister see you? George: No. The car stopped near the corner, in the shadows. Jane: Hurry. What happened then? George: Well, just when she stepped out of the car l stepped up to her and- Jane: CWith a scream, points to the window., George, someone is looking through the window. Pull the blind quickly.- fGeorge pulls down the blind and goes to Jane., George: You're tired. You're only seeing things. jane: No. l saw someone at the window. George,