Georgetown University School of Medicine - Grand Rounds Yearbook (Washington, DC)

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8' -S 1 1 I NICUTINE NICOTINE GDLDEF THAN TOAST NEWEST OF VICES AND MILDEFI TNAN MUST An BUT TRE LUNG MAS A DIFFERENT VIEW NEW, NAUGNTY NICOTINE KILLS QUITE A FEW Ji? X I A A5355 ff' DIGITALIS OIGITALIS TAUGHT BY TED DEPARTMENT HEAD MAKES YOUR HEART BEAT STRONGER LIVE IT UP MUCH LONGER HEART'S RELIEF T0 BE BRIEF. DIGITALIS DIGITALIS TOU MUCH LEAF WILL CAUSE GRIEF INTERFERES WITH DINNER HEALTHIER BUT TFUNNER THANK YOU TED. x 1 DR KOPPANVI, ALL HEARTY AND NALE, TOLD US TALE, CONCERNING A DRUG AND INVOLVING A PLUG WHEN WE HEARD IT WE BLANENED WAN AND PALE A BRIGHT YOUNG PHYSICIAN NAMED CLACTIIJN, FROM NIORPNINE DERIVED SATISFACTION ME TOOK I1 T00 FREELY, WITHOUT WARRANT REALLY, AND DIED DF A FECAL IMPACTION. UF OED I v lf ASPIRIN ASPIRIN SAINTLIEST FILL ST JOSEPH CURES EVERY MANNER ILL BUFFERED AND FLAVORED lT'S REALLY DELICIOU5 FOR IFAL KIDDOES WITH SUICIDE WISHES. X f 1+6I'fIP' CAFFEINE CAFFEINE YOU DANDY BEINE TO TIDE US THROUGH THE NIGHT TO HELP US CRAM FOR EACH EXAM TO BRACE US FOR THE FIGHT WHAT MATTERS IF OUR FINGERS SHAKE WHAT MATTERS IF OUR EOWEL5 OUAKE?YOU UNDERSTAND VM NOT BELITTLINQ IT'5 EITHER YOU OR RITALIN. x I JT.. ,7- ,,, if ,IQ STRYCHN05 NU! VOUICA ASSDNANT NAME HANDSOME YOUR FOLIAGE GRACEFIIL AND TAME BROWN IS THE NUT OF YOU IAHI WHAT BOUOUEYT BROWN IS THE EARTH I AH UNDER TODAY. 5 QT' v- x un. IT 5 JUST A WEED WHOSE HARMLESS SEED WILL GROW BETWEEN CEMENT WHOSE HAPPY SMOKE WILL DUICKLY CLOAK THE PSYCHE'S SAD FERMENT SO LETS NOT BE VINDICTIVE FOR ALL ITS KICK5. THE REEFER'S NOT ADDICTIVE. 46

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3394! N N ,lvl 53 , X ,..-. 'VL X, 5 be I-wig 6- -.pf N2-.rg x M W.. ,,--T f in 2 .fi ,.-A fy This image is hostile, ff It very hostile. The aver- , ' , age adolescent would , Q f , be very threatened by ' . V 1 ,J Q . . . controlling, seduc- VN I xfu-f' - , ,- fa- manipulating, for- ex, I n Q, 3, I mg . . . you see 'QW ,. ' ' Q, WY this is mother all over --9' 51' again, really . . . a This is obviously a poor, helpless son image, with that Dad can I have the keys to your car look in his eye . . . a confused, ambivalent convalescing adoles- cent, torn between the cradle and the battlefield, be- tween the sandbox and the saloon, with a teddy bear in one hand and the Wall Street Journal in the other, with Mother tatooed on one arm and Foggy Bottom Mo- torcycle CIub on the other .... Rosenberg: lust looking at this picture makes me angry. Now why am I angry? Ur even more important, why do I have to think of why I have become angry just now? It is probably less threatening to think of why I have to ask myself why I become angry all the time rather than to actually figure out the real reason for my anger to begin with. Speaking of reasons, I wonder why the students in my group are so silent all the time? Is it because they are afraid to express any hostility toward me? Or are they actually expressing their hostility by their silence? Now I really am angry. I wonder why??? Novak: .ln-3 Whatever it is, it would probably look a damn sight bet- ter with a moustache. May I have a pencil please? I Foy' Well to begin on a practical note, let's talk about how this picture fits into the schizophrenic, abstract, semi-surrealist world of Van Gogh .... Bogdan: Not being an individual who is intrinsically vociferous, I would unequivocally postulate that this a representa- tion, ialbeit vague, nebulous and somewhat indetermi- natej of my analyst's great dane. . -ES . ' if ,gi loaded relationship, , -.aj X t loaded!! And of course Father doesn't even be- gin to have the insight , to...youknow... whiney, dependent, clutching, guilt provoking, passive. A real sick chicken alright!!! i. Reldy: It is a man. His name is Dick. He is hostile. Run, lane Run!! wr This is certainly mindful of a group, with two people at its center, competing for leadership and at the same time desperately trying to identify with each other rather than with the group about them. The N' . - , - group, in turn, is threatened by the competition of the two central figures and would rather playfully identify M j with each other than face the real problem of identiti- ' '-'--' 2 'I' cation which is painful to them as well as to the two 1 figures frantically struggling in order not to face the deep feelings that would be brought to light if ever they should become really involved with the group. Do you see that? , .t 1 df' .- Laiendresse: Molndoo: Now really! One can go only so far with this phallic , business. Drat! where is my cigarette holder? sloinoaon: I t o . .--ff fl It is probably the most bizarre representation of an overpowering, threatening mother figure that l have ht ever seen. err . . . However, one must be careful that one doesn't read too much into these things. F I llvwdx ,J 1'3