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Page 56 text:
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Art Department Art Appreciation Stressed More Intricately Increased emphasis on art appreciation and art history was placed by the Art Department. Students probed more deeply into the early beginnings of creative design and painting to discover the birth of artistic techniques. Studying the development of these classical techniques through the ages gave the student a clearer understanding of the principles and functions of art today. Paralleling the study of art history, the Art De- partment, under the guidance of Mr. Randy Cheat- ham, urged the purposeful creativity on the part of each student. This individual expression was stressed as essential for artistic advancement. The young artists in the classroom learned and ab- sorbed the knowledge that their instructors had ac- cumulated from past experiences. Combining their techniques, principles, and discoveries with those of their own, the beginning artists created expressive works of art reflective of themselves. W. Randolph Cheatham B.F.A., RPI; M.S., Florida State University Mrs. Helen Sanders B.S., Madison College Mr. Cheatham explains techniques and quality of design of abstract art collection borrowed from Virginia Museum of Fine Arts.
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Page 55 text:
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ok Chippy Coalter slowly thumbs through one of the many new pa- perbacks, provided for the first time because of numerous requests. Taking advantage of the well-stocked periodical section, War- ren Stansbury leisurely flips through a current magazine. Margaret Sue Copenhaver B.A., A.B. in L.S., University of South Carolina, Emory University Marie M ks 3 = : B.S. Madison College of her many daily tasks—transporting audio-visual equipment and materials to English teac Junior Terry Hebert, anxious to help in any way, gallantly assists Miss Marie Mason as she porters one ers.
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Page 57 text:
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TLANE.D! Virginia Lee Patterson, trying out new craft techniques in weaving small objects, steadily works on her intricate art endeavor. Exploring the creative art of jewelry, Richard Williams is adding the final touches to his silver bracelet. Beginning on the potter's wheel, Anne Booker is solving some of the problems of working in clay, as Paul Parrish gives moral support. 53
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