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Page 32 text:
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Mrs. Pleasonton confides to Madge Passmore a few sure- fire ways to make her painting express her personality. Art department develops creative instincts. P5 A 'aft-:uw-. f '. QW ooo 141-t ?' in . Members of the ceramics classes lay a mosaic back- ground as one step towards completion of their Easter project.
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Page 31 text:
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Nancy Davison attempts to out- seream her tormentors in the Drama- tic Departments production of Ar- thur NIiller's The Crucible. Art YV00d gasps and dies as -lim Fox gasps and Bob Affeld spies in a Lab- Thenter production of Eugene O'- Nm-ill's Bound East for Cardiff. Mr. Sharpless explains the n u a n c e s of back-stage drudgery. f tx Thespizlns assume characteristic poses. From left to right: Sue Parrish, Nir. Cleveland, president Amei Wallaeh, Dodo Bernard. Svemul row: Bob Selunidt, Martine Weaver, Neal Shaffer, Peggy Foote. lb:-amatica The dramatic season came to its usual glittering close with a strenuous Lab Theater program. Past, but wistfully remembered, is the Juniors' tour cle force, Inherit the lVind. Stage-struck Sophomores take credit for lightening the mid-winter slump with a spry, Nuts in May. Now that their major opus, Crucible, is over, exhausted dramaties students are renouncing no-cloz and class eat-naps for nine hours a night and home- work. All-in-all a rewarding year.
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Page 33 text:
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Mrs. Jackman apprehensively eyes the cooking efforts of Dave Jackman, Graham johnson, and Roy Duhoff. Hal -creditA Half-credits provide students with an oppor- tunity to express creative drives. Shop and mechanical drawing encourage young design- ers and engineers. The creations that boys, cooking concocts once again prove the superi- ority of the male. li' '1 ,iv I K .4hn- . Chiseler Art Brosius watches Mr. Sharpless demonstrate- the latest methods of wood-chipping. r. Burton preaches precision.
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