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Page 170 text:
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A brisk wind tousles Butch Thomas' hair as he prepares to enter the bus back to Marshall after a Madrigal Concert at the Fort Meyer Officers' Club. TVi-.M - Front rote: Kelly Long. Be«a Him. Tom Wood . Jane Gilmore. Scott Pierce; Second roa-: Su»y Chung. Cheryl Hamer, Becky CuthberWon. Nancy SchoJburg. |anet 8i»hop. Carin Parker. Leigh Harm. Ican-Ctiude Hurd; third row: Jim Catey. Sherryl Daugherty. Cindy Cummin . Cathy McMorh . Cary Wolfe. David Thornburg; Fourth rose: Mark Wilton. Carol Key. Brian Finchum.Joe Hold. Linda Blanchard. Cheryl Braltch; Top row: Burch Thom at. Cindi Hart, Call Bartholomew. Hrik Zenone. Mary Bedford. Madrigals Eddie Roberts, Jean-Claudc Hurct, and Pat Murphy find different ways of coping with the long ride to their Fort Meyer performance. 160 Madrigals — Tri-M
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Page 169 text:
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Copies of music are not abundant, so Concert Choir members are forced to share during class. K.ilhy Bolger. Kathy Olenic. Lon Moretti, Kathy Casey, Lina Kntghl, K.ilhy Key, Debbie Ryabik; Second row: Diane Fortier, Cindy McIntyre, Barbara Strite, Bonnie Petty. Mary Shea. Nancy Simon. Pam Thomas. Paige PhiEips. Carol Ryan; Third roav Tanya Cooper. Karen William», Cathy Stanton. Ed Levine. Mike Butler, Crace Hart. Lori RaviUe. Lon Criffith; Back rote; fere Bedford. Laura Addison. Nadine Charlirr. Randy DeSteuben, Chris Bullard. Crcg Yost. Joey Sarliano, Lynn Ottroiki. Janet Mlavin. Lora Htiruclman. Girls' Ensembcl - Front row: Lucy Gates, Jane Costello, Hac Ri Kim, Kathy Kittridge, Laurie Jones, Cindy Guyton, Bobbie Kern, Lori Coughanour, Karen Tarcza. Mixed Choir — Girls' Ensemble — Concert Choir 159
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Page 171 text:
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Modern musi c mastered A combination of many hours of practice, dedication, and a tremendous amount of talent were all factors in the success of the Madrigals. Being a Madrigal was not only an honor, but an activity requiring a great deal of work. Many times during the year, Madrigals rose early to attend practices. They also rehearsed daily in their second period class. Although the Madrigals usually received many invitations to sing, they were exceptionally busy during the Christmas season. Their schedule included recitals at the Mercedes-Benz Club and the Custis-Lee Mansion. While being a Madrigal was the highest honor in the choral department, being a member of Modern Music Masters was a high honor for all participants in the Music Department. Tri-M members were taken from the band and the choir. A major qualification for membership was participation in the music curriculum for at least two years. Prospective members applied to this elite group, and hoped to be accepted. Tri-M's main activities were a Variety Show in January and a spring recital for parents. Tired of their constant practicing, Carin Parker, Janet Bishop, and other Madrigals polish up another of their songs. Alto Leigh Harris sings her part while Butch Thomas follows the music and waits for the tenors' turn to sing. Madrigals - Front row: John Cherry, Susy Chung, Mary Bedford, Carin Parker, Janet Bishop, Cindy Cummings, Jane Gilmore, Nancy Scholburg, Phyllis Runyon, Leigh Harris, Pat Murpny; Back row: Jean-Claude Huret, Butch Thomas, Will Pharis, Jim Hildreth, Scott Pierce, Bryon Mitchell, Brian Fin-chum, Gary Wolfe, Eddie Roberts. Madrigals — Tri-M 161
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