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Page 69 text:
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Opposite page: Top: Demonstrating the art of karate, livens up banquet festivities. Bottom: Pretty girls introduce onlookers to native Hawaiian dances. Left: Lee Hae Young does a Korean fan dance fro an ap¬ preciative audience. Below: Dutch Sch¬ weitzer performs his own original musical compositions. Organizations 65
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Page 68 text:
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Foreign fun. food featured Strange posters and announce¬ ments in Russian, Korean, Indian, German, Spanish, and French proclaimed the coming of the annu¬ al International Banquet. Achtung! Romme Sie Bitte Zu der Interna¬ tional Fest! !Venga! Enervez-vous! Venez au Banquet International! Preparations began before Christmas for entertainment for the banquet which was held on March 9th. With tickets at the reasonable price of $2.50, students, parents and faculty come to taste foreign delica¬ cies and see the magnificient show of skits and dances from the various clubs and organizations: the AFS sponsored a demonstration of the art of Karate; the German Club presented a comedy, • Cinderfrog; members of the Russian Club per¬ formed a traditional dance with a bear (and a tricycle!); a Flamingo dancer was the entree for the Spanish Club; and Vampire Club sponsor, Mr. Ned Vergason pre¬ sented a selection of monologues. As overseers and organizers, the AFS was proud of their success at involving the school in a cultural exchange.
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Page 70 text:
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BELOW: Reveille; Felicia Bulka, Jeanne Morrison, Andy Culhane, Wendy Meyer, Ned Vergason, Carol Dunlap, Polly Bat- cheldor. RIGHT: Cissy Belousovitch assists Sue Compton as she puts the finishing touches on a layout. Reveille revived Inadequacy coupled with disin¬ terest in past Reveille publications all but snuffed out hope for the lit¬ erary magazine ' s continuation when its former advisor left Marshall. However, championing the cause, Mr. Ned Vergason endeavored to revive Reveille as a worthy expendi¬ ture by sponsoring the production of a low cost but quality publica¬ tion. Exerting the only real leadership present, Mr. Vergason led the for¬ mation of a staff, a drive for material and the conception of a format, as staff members decided upon ac¬ ceptable material and created ap¬ propriate artwork and design. Working with the innovative struc¬ ture of a two-sided poster, the staff labored to prove Reveilles ' viability in a winter publication. 66
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