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Page 17 text:
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Opposite page: Lighting crew: Jim Lee, Eddie Fortnie, Pat Holstrum. Above: Cos¬ tume crew: Gail Jeffords, Carolyn Chryst, Cindy Walters, Reese Klein, Raquel Sheehi, Natalie Sheehi. Left: Construction crews put finishing touches on the set for South Pacific. Above left: The artist and the archi¬ tect, Cindy Walters and Reese Klein, begin detailed work on Emile de Becqui ' s planta¬ tion house. Activities 13
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Page 16 text:
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§ South Pacific coming to life Contrary to the summer of leisure enjoyed by most, the construction crews of George C. Marshall ' s drama club, worked to complete the preparations for this year ' s musical, South Pacific. Soon after the closing of school, thirty drama students began the building of sets necessary for the production. Old sets were redesigned, and new ones built to fit the needs of each scene. All sets were completed by the opening of school. Cooperation from the administra¬ tion and persistance on the part of the crews led to the installation of a track system. In previous years changing scenes often meant chaos, no matter how practiced or experi¬ enced the changers were. With the track system, however, movement of sets will be faster and easier. Recognition of the people behind the scenes has often been restricted to a name in the program. Several committees made up the behind- the-scene crews. They were Paint¬ ing, Costume, Construction, Make¬ up, Publicity, Props, Lighting. The people on these committees gave time, effort, and energy to the preparation of the show. No production could survive without their dedication. 12
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Page 18 text:
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Below: Atop a ladder, Drum Major Mike Wilson leads Marshall ' s Marching Band through their complex formations. Op¬ posite page, top: Karen Glenn rythmically steps through various routines of the Georgy Girls. Bottom left: Playing with fire, Majorette captain Cyndee Miller performs for Marshall ' s enthusiastic crowd. Bottom right: Danny Norton, Mark Layer, and Roy Lashbrook clown around after the band ' s halftime show. 14
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