Fryeburg Academy - Academy Bell Yearbook (Fryeburg, ME)

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THE ACADEMY BELL 23 of tJbei'-.'Xmmergau to the outside world is derived from the Passion Plays which are performed there by the villagers at intervals of ten years and are now at- tended by many thousands of liuropean and .-Nmerican people. The Uber-Ammergau Passion l'lay took its rise from a vow made by the inhabitants in 101313 with the hope of stay- ing a plague then raging. The performances take place on the Sundays of summer, in a large open-air theatre holding about 0000 people. There are seventeen principal actors and be- tween six and seven lmndred other per- formers. The parts are distributed at a general election, held on the sixth of De- cember, the feast of St. Nicholas, and he who is chosen as' Christus is regarded as the village king. ln 1870, 1880 and 1800 -Ioseph Klayer took the part of Christus, and in 15100 .Xnton l.ang took the part. lle was a wood carver, and when the news came that he had been chosen, he did not leave his work, but simply said. l have tried to live the life, then he re- sumed his carving with the thought that he must not be unfaithful in little things, he who had been chosen ruler over so much. lle must tinish his work. The tirst sight of the chorus, eight men and ten women, is something which can- not be readily forgotten-the band of peasants, fresh from their daily work, every expression, every movement, full of dignity. grace, and beauty, of noble simplicity, and with an entire absence of self-consciousness. Such is the effect even to those who can clearly see every motion and play of feature: no distanceisneeded to lend enchantment to those noble figures and faces. Their robes and the blending of colors are striking and beautiful. Now the first scene of the Passion l'lay begins, and often as we may have read or heard of the entry into jerusalem as acted in this theatre, the reality far ex- ceeds our expectations. lt is one of the most powerful and etlfective scenes in the whole drama. As the seemingly endless crowd flows on, men, women and children are all swayed by one sentiment, every voice joining in the choral march. The first appearance of the Lihristus is apt to cause disappointment. perhaps be- cause expectations have been wrought too highly by the song and triumph of the multitude. .Xt all events the first feeling is that he has attempted the impossible. The attitude, also, cannot but injure the effect. and the first words he utters may cause disapiptiintment. What do 1 lze- hold? ls this tiod's house, or is it a market-place? he exclaims with accents of strong indignation. Lol l come to do thy willlu. was expressed in every word and action. bringing the thought before the spectators with wonderful vividness. lle was possessed by his mission, and throughout the ttunult and variety of the play, this calm unity of unwavering purpose was manifested with unfailing force. Une of the next very touching scenes is The Parting at llethanyf' lNlayer's act- ing as Christus here was very admirable. Once more, farewell, beloved, peaceful Ilethany. never more shall l tarry amid thy still valleys. .Xnd in this scene with his mother he sustains his part with true feeling and dignity. The words he speaks are all distinctly utteredg Thou wilt suffer with me, dearest mother, wilt battle with me in my mortal struggle, and also take part in my triumph. 'lhe first

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THE ACADEMY BELL 25 almost rushes from the judgment seat. Now comes the scene of The Cruci- fixionf' The two thieves are already fastened to their crosses, which are up- right, but in the center a prostrate form lies nailed to a cross, which has not yet been raised. .-Xt some distance the effect of the pierced hands is perfectly given, but from near the stage it is easy to see that the bent nails pass between the fingers. Now the Christus is taken from the cross. 'l his seems to be the mo-st beauti- illl scene in the play, both in grouping and action. Nothing could be more touching than the laying down of the body on Mary's knee. or the slow mournful procession to the grave. Next comes the scene of the Resur- rection, llere we see Magdalene with her risen Master. After the Christus leaves Mary she exelainis. Halleluiah, lle is risen, and the cry is echoed on all sides. The Christus is seen for the last time standing on a mount in white and glistening raiment, holding in his hand the resurrection banner. His enemies are made his footstool and cower beneath his feet, while around him are grouped his friends and many from the Old Tes- tament tableau. Then comes behold, ere we part, the triumphant fes- tival of victory. Now, in majesty and great glory, he enters the new jerusalem, where he will gather to himself all whom he hath purchased with his blood. Strengthened and full of joy at this sight, return to your homes, O friends, Hlled with tender- est love for him who loved you even unto death and still loves you eternally in heaveng there where the song of victory their farewell. Let us ever resounds, praises be to the Lamb that was slain! There, reunited around our Savior we shall all meet again, Halle- luiah ! Guido Mayer and Anton Hasar, an- other aetor, recently finished a wood- Caffmlg depicting the crucifixion scene Vlfhlch they have presented to Boston College- llie Carving is said to be worth :5i,5oo. The Passion Players were scheduled to open their exhibitions of carvings, pottery and fabrics, in Mechanics' Building, BOS- Hifi, runnlng from the thirteenth to the nineteenth of April. The money gained will be used for the perpetuation of the plays in their own village. All proceeds from their American trip which exceeds 25100000 will be used to feed and clothe the people of Bavaria, After the exhibition Mr. and Mrs. An- ton Lang, Guido Mayer, and a few of the leaders started to the White Mountains for a rest. They returned to their homes in Uber-Ammergau on the fourteenth of last month. HELENA MCALLISTER ,24 FRYEBURG ACADEMY In the little town of Fryeburg, That famous building standsg Famous because one teacher Was known in many lands. That teaeher's name was Webster, A statesman great was heg His name thruout the nation Shall ever cherished be. But since his day in Fryeburg F. A. has been replaced. Thruout the large brick structure A fault cannot be traced.