Franklin and Marshall College - Oriflamme Yearbook (Lancaster, PA)

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,gan --v- I iss' ' ff' 91 N f v n ff 5,14 0 , Q - U If fi 'fv 5 ' 'ff K 'I 1 1 . , .I-A ffl ,nfs FV 'j . qt- Q ff vw 'f fwf'1' it F 0 222 X gi. 9 f 0 8w JP in xr?-519' Q. 3 :Vi 'i'lsk'x. '?'f'51l ?5 -- f-,q.m, 1 . V . 'P ' -P.. ., 'r,.,x,l-:hi -, 'ig'- ,.,..H., -'ff-T f .s:5.' I 5 A 1fv,.N-..,Ayw.,a I if -ffififf 7 - V V '-'-i79t1f?g:x'?Q'- ft2?7fa- ' 1 - ll? . if-37-5Q'E..1 , J 'gg.Zf-' g.kT 3W ... -'-.'i -'TAL , Lv'-N--wt, 4 .' . .rg-1-K' .4Vigrgfv'- VT:-.155-.i,r' , 7 :Lg ,A ,fx ,Q-7- T , iz gun-b.l,A.fg-4 . Y 2 nsyaflfwiis4.-fts3r'faLf-,i -nf-fm-1 4 1, e ., - ,SM-,V 'ee.-qgmx-.i1c11:gtv t':g'?E' abit, ifggitl-sf 3 .g9,f-fat-X1 -45 Y' A, 5, L-'-X rr- .-,-52f.dg.g,.. ww-1c4,.f.,Sg.'-I ,2gg5p.i,. .1 N , -3Q.,N 191-,Z ,.N'g1l, I -' FD'-'J .ggi-. -3'g.,,7 no , my ri iw' 16' if'71'3 vt -wrt? 'f -' 9.57 W ff' ffbmw vw s f,,,x Rgmckg. ff, 99.3.-,M,1g,,q.' .W3QrNV?c,.,x3,w ' i- .-syn! L..-.f'1r-: .'f1if. -QW'4m,.-mc,2w-F. - .MSC-., A, ' . .A ' Q - - exe- IIE PRI A variety of harmonies shimmer- ing in shade and color reflect the theme, the spirit, the essence of Franklin and Marshall College. A native gallant whiteness and blueness of dink blended with a redness of face is absorbed into the crispness of autumnal gloss. Games and parties glitter in the noise and beat and gleam of hope and friend- ship. Figures emerge from classes to be blended into shadows of Old Mainfs spires. They turn and re- flect on themes sometimes obscured from comprehension by opaque texts which suddenly become trans- parent in points of discussion, in spheres and cones of complicated mechanisms, in crystals of an un- known glistening in a test tube: facets of triumph. In late-season the campus shines in snow spines sparkling from branches, and through crisp cold- ness the inner work of mind warms to meet the multi-shaded scopes of examinations. The prism of an interjected week- end glows with color, sheer, fine harmony of gaity, the mirror of fun, and clear and sharp in its images and shadings becomes a convex surface to the infusions of subtle hues in the anticipation of spring warmth. An image of pledgeship is mir- rored back from traditional antics and is brittle and delicate only to be molded into softened memory the day after hell-week when murky shadows are transcended by initiatory brightness. The multi-colored mirror blends the many into one accord, for the one is of the many, and the many are one-ever like a gem-in the kaleidoscope of reflections.

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