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Page 26 text:
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Tn The Class As we, the Class of 1942, leave Franklin, we like to feel that we have left to our immediate successors, the Class of 1943, something of each one of us which is truly worthy of note. Therefore, it is unanimously agreed that we who are about to graduate, bequeath the following attributes and accomplishments to members of the class we leave behind us. Margie Shaneybrook's and Ruth Crudden's good-looking clothes to Gloria Kohler and Jeanne Knatz Price Moore's sporty clothes to Wilson McBurney Ralph Wisner's towering inches to John Spence and Wilbur Shaeffer Tommy Fie1d's managing ability to Jane Botts Helen McKee's sunny smile to Betsy Richmond and Keith Fuller Emily Krauch's dark hair to Violet Carr and Altea Vagnoni Shirley Wolf's beautiful eyes to Jane Bartgis Martin Barnes's and Paul Chenoweth's ability to draw to Betty Harvey Caroline McBride's red hair to Betty Seaton and Regina Grimm Flo Ella Waddell's petite attractiveness to Dorothy Koenig Harry Loose's argumentative disposition to Ann Woodring Frances Williams' dancing to Mary Raver and Jane Walter Wilbur Williams' and Richard Knott's wit to George Veise and Howard Espey Joe Wiley's and James Robinson's interest in photography to Andy Hubbard and, Phyllis Stolpp Betty Jean Neifs and Esther Murk's smooth complexion to Paul Wareheim Billy Cole's and Elwood Ensor's short stature to Robert Kagle and Dorothy Hall Ruth Belt's and Marie Bean's friendly nature to Nancy Cronhardt, Mary Belt, and Bernice Cooper Glenn Gore's musical talent to Betty Bucher and Carl Schuster Rowe Hipsley's smooth dancing to Stanley Mayer Calvin Beach's dark and handsome features to Dean McCoid Pauline Royston's versatility to Jackie Rouchard Carol Anderson's tennis championship to Vernon Gill Winnie Baker's erect posture to Audrey Grimm Lloyd Sullivan's and Royden Long's loyalty to soccer to Emory Peregoy, George Schreck, and Stanley Hanna Florence Keiper's place in the library to Betty and Marian Stultz Mary Ellen Benson's giggles to Elizabeth Lau and Margaret Korman Bertha Reigler's typing speed to Evelyn Heintzman and George Follmer Marie Winebarger's neatness to Rita Heise and Albert Criswell V Gilbert Gi1l's dark complexion to Gilbert Fadely and Edward Stevens Milton Peacock s model airplanes to Gene Duncan Gus Schultheis' sense of humor to Charles Kellar Kenneth Williams' teasing to Donald King Virginia McElhattan's and Pat Berryman's needlework to Mary Adele Hubbard Charles Sullivan's ruddy complexion to Billy Anderson and John Burnham Emory Cox's varsity participation to Doris Norfolk Mary Green's friendly smile to Charles Klein and Eleanor Johnson Jimmy Alban's driver's license to Warren Miller Harold Belt's school spirit to Gifford Blaylock William Belt's place in the A. and P. to Howard Peltzer Barbara Beacham's ability to voice her opinion to Virginia Arbaugh
We Leave Behind s Clinton Smith's knack of getting to school at exactly 9 o'clock to George Evans, who never does Ida Mae Armacost's neat hair-do to Myrtle Brown and Helen Boniface Helen Fiedler's H's to Vernon Randall Jane Cross's capability to Walter Quinton and Jeanne Thomson Thomas Gompf's and Jesse Kagle's companionship to Dorothy Moser and Evelyn Wark . Jean Childs' and Mildred Blaylock's affairs to Leo Johnston and Fred Eckhardt James Alder's mischievous pranks to Leon Meekins and Woodrow Noel Merab Small's and Grace Uhler's efficient attitude to Katherine Schmidt and Jean Pearce Margaret McComas' and Bessie Wirts' secretarial ability to Bertha and Mary Randall - Helen Osborn's place in the cafeteria to Dorothy Dorsey Philip Brown's and Doris Belt's blonde hair to George Zentz Hilda Nash's neat handwriting to Frances Fritz and Margaret Klein Ethel Weber's glamour to Lola Martin Bruce Smith's clarinet to Glenn Shipley Marie Brown's enthusiasm for school dances to Fletcher New and Warren Chenoweth Jeanne Berryman's dramatic ability to Linwood Mather Jennie Schneider's pleasant manner to Margaret Crawford Carroll Caltrider's sparkling eyes to Leroy Constantine Norman Baker's smooth appearance to Russell Southard Benny Fleagle's roller skates to Dorothy Tracey and Doris Garman Betty Bosley's alto voice to Frances Brocato Agnes Colofen's wavy hair to Marie Colofen Hunky Newell's lacrosse to Buddy Berryman and Robert Hudgins Qbrma White's and Kitty Buell's place on the varsity to Margie Gill and Jessie Gill Bette Myers' piano playing to Roland Standsfield Maurice Wilson's way with the girls to Charles Beachboard Robert Cronhardt's baseball to Kenneth Meekins and Billy Harmon Elizabeth Miller's sedate manner to Marian Wiley Doris Baublitz's generosity to Audrey Bowling Robert Carr's unruflied spirit to William Harrison and Dorothy Gamber Billy Hem1er's politeness to Alma Brown and Helen Pobletts Margaret Jane Beltz's love for reading to Kentucky Smith Walter Shipley's comic books to Edgar Mosner Pete Marquess' deliberate ways to Ruth Finch and Margaret Dorsey Harry Kane's initiative and perseverance to Frankie Adams Joe Cool's blushes to Carroll Eppley Rutherford Kuser's and Robert Blank's talking aloud in classes to Billy Haviland Jack Henley's curiosity to Elwood Michael John Baublitz's contradictory characteristics to Calvert Phillips Calvin Price's quietness to Jacob Frederick, George Williams, and William Howard Peggye Heisey's sweet disposition to Maxine McKnight
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