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Page 30 text:
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In Memoriam Jewel Ache was a freshman at F.W.B.C. in the fall of 1972. She came with high hopes of becoming a missionary nurse and returning to Haiti where she had worked for a summer in a clinic. She loved nursing and practiced on us by passing out scores of vitamin pills at the least sign of a chill or sniffle. Her wall was plastered with cutouts from nursing school catalogues, constant reminders to spur her in her homework. Jewel was shy so not too many students knew her well, but those of us who were blessed enough to know her will never forget her love for God, her love for people, and the lessons she taught us through them. Jewel was an open friendly person, easy to talk with and always available to comfort us when troubles were building up. She gave us advice, helped solve our problems, and reconciled our misunderstandings. Sensitive to our needs, she counselled us without reluctance or imposition. Her quick infectious giggle was a delight to hear -- we had to smile whether we felt like it or not. She would laugh about anything or anyone -- often herself. Jewel, sometimes apprehensive as we all are, would wonder what the future held for her. Then she would always say that her whole life was God's. She was His regardless what purpose He would have for her. She eagerly planned for her life ministry in Haiti, but was not waiting for that time to start serving God. She served Him in Bethany with her patient, friendly smile as bell girl, and as a loving, available friend and counselor. We do not understand why the Lord would take someone so sweet from a world that needs her kindness so much. But He knows, and we rest in that confident assurance, as Jewel did. by Pamela Padgett
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Page 29 text:
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Quartet Delights Meager Audience Saxophone quartets, apparently, do not generate much enthusiasm. Not too many students showed up for the second presentation of the College Community Artist Series. Those who came, however, were surprised to find themselves enjoying the University of Michigan Saxophone Quartet concert. Upon hearing the name saxophone, many people immediately associate the in- strument with jazz. Although jazz is an important music type in America, the saxophone with the richness of tone it is capable of producing, handles equally well the works of Bach, Greig, Debussy and many Neo-Classical writers. Well rehearsed, the University of Michigan Sax- ophone Quartet demonstrated a high degree of ability by their precision on fast passages, their balance and controlled tone quality. Leader Stephen Mark displayed mastery of the soprano sax, an instrument very difficult to keep in tune. Much to the delight of the audience, the concert not only included serious works, but also light pieces such as The Gold Rush Suite. All alto sax- ophone majors from the University of Michigan, the quartet's members, Steven Mark, Patricia Nixon, John Salistian and Lynn Klock, have each been associated with the prominent saxophonist from that university, Larry Teal. The quality of this fine instrumental concert will hopefully encourage the committee of the Guest Artist Series to introduce a still wider representation of the field of music.
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Page 31 text:
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C I ll' -a .741 41,1 4 eff RTK lx V14 ,o mg X 1- 'fT'm at .1 'H' Mia ' 1 K . . . 4. .I I-'iff I , 19.453, 4 , if W ill ,ll Ill!! 'fi l .ffit t -1 '- . fi.. I will 1' .fl . t.,fig'?ff a la' '9 ll li J ' -t ff ,, ' I I til. i Z ji-Zh 1' -. 5, Efil'. ii i'i'1'i .?.1lxf' , ' ji, if 'X , I ' li.: Vial' .1 217 ef, . X 4 f m 7 ,'!-U l'3ljf,,1 bfi. l2isi.il. :l f -.Z --Y lr' l?'.f.-' F'-'lil-l if f. X. X 2 fff:f..Q5'zfv .. .C I , v -4fQ . -lf. ltr Qt -. ' , ,,- ,tg f.,.4,cgp 'll 14 ,fl 3 f-- I rx. -.W ...L .1 1 fx qitll' - 4. X -' .,7, z??fff?f.g2' .. I 1 ff 244 ,L -X ti ' il 'ft X 9. .3 'L c 1 ,t fs. Yet 5. I ' - ' J : l1-M3524 .4 '- r .'. ' ' W.. ff' 1' , -1 L-.31 . 2 I , J..- ,lt x l 1' 1 .L J t , 3 p - The Ftoad Goes Ever On: J. Fi. Fi. Tolkien 1892 - 1973 The Road goes ever on and on Down from the door where it began. Now far ahead the Road has gone. And I must follow, if I can. Pursuing it with eager feet. Until it joins some larger way Where many paths and errands meet. And whither then? I cannot say. In the 1960's thousands of college students traveled the road of THE LORD OF THE RINGS into Middle Earth. And now the death of John Ronald Reul Tolkien on September 2 provides new impetus to reenter his world. Tolkien, one of the leading writers in the sweet world of fantasy and Faerie, was born in South Africa, orphaned at the age of twelve, and reared by a Roman Catholic priest. In 1922 A MIDDLE ENGLISH VOCABULARY secured Tolkien his status as a first-rate philologist. Indeed, THE LORD OF THE RINGS was primarily linguistic in inspriation, begun to provide the necessary background of history for Elvish tongues. His edition of SIR GAWAYNE AND THE GREEN KNIGHT is considered the authoritative text of that cryptic medieval tale. At the time of his retirement in 1959, he was Merton Professor of English Language and Literature at Oxford University, where he had taught for thirty-four years. Most readers, however, remember Tolkien as sub- creator of Middle Earth. One is drawn into the world of THE LORD OF THE RINGS with almost cultic effect. Tolkien uses archetypes and myth to reach us at levels seldom contacted, drawing the depth of our basic needs to our consciousness. He satisfies our yearning for a deliverer, providentially secured to vicariously purge our world of seemingly inexorable evil, reconcile us to the universe, absolve our guilt and offer us love and the secure feeling that we are home at last. Although Tolkien declared emphatically that THE LORD OF THE RINGS has no allegorical elements, the epic reflects an imagination enmeshed with and controlled by the Christian story. As he once remarked to Clyde Kilby, I am a Christian and of course what I write will be from that essential viewpoint. Commenting on the gospel story, he wrote: The Birth of Christ is the eucatastrophe of man's history. The Ressurection is the eucatastrophe of the Incarnation. This story begins and ends in joy. It has pre-eminently the 'inner consistency of reality.' There is no tale ever told that men would rather find was true, and none which so many skeptical men have accepted as true on its own merits. In THE LORD OF THE RINGS Tolkien provides the Christian reader with a fresh perspective on the eucatastrophe of history, the Resurrection. And he provides non-Christians with new -- or perhaps eternally old -- images by which to view the universe. As the great Rennaisance scholar C. S. Lewis said of myth in general, I shall never escape this. This will never escape me. These images have struck roots far below the surface of my mind. Still round the corner there may wait A new road or a secret gate: And though I oft have passed them by. A day will come at last when I Shall take the hidden paths that run West of the Moon, East of the Sun.
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