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Page 67 text:
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In triumph and despair, the cast moves through the anguish of Detective Story. Above are Herb Craig, Jerry Gularte, Doug Ross, George Seitz, Lewis HamiUon, Tiny Bender, Rebecca Ruffner, Dawn Gaskill, Chuck Francis, James LaBelle, Ruth Kehir, Clay Alexander, John Frank and Sonny Smith. Caught up in the maelstrom of a microcosm within the squad room life becomes a kaleidoscopic view of man and good and evil. Above are Herb Craig, Tiny Bender, Jan Frisby, Clay Alex- ander, Sonny Smith, Jerry Gularte, Darlene Yesberger, Dawn Gaskill and Chuck Francis during dress rehearsal. i Through Fear, Pity- A Catharsis Rendered Director David Berg said, We can identify with this man ( McLeod ), for he represents all men. The tragic flaw inherent in the nature of McLeod reminds us of the deviousness of our own natures. When we observe his inexorable will to self- immolation, we are moved by fear and pity; we undergo a catharsis; we are purged of evil. For at leas ' t an evening we have been confronted by the tragic condition of Man. Above are Lou Wells, Ruth Kehir, Doug Ross and Jack Oskoloff. 53
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Page 66 text:
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Savage emotions pitted against the necessity to sur- vive permeated the squad room with an air of hving death. Above, left. Clay Alexander fends off attack- ing Chuck Francis, pushed to the limit of his endur- ance. At center. Herb Craig is recipient of the McLeod treatment as Sonny Smith works out his profound loathing on the victim of the moment. Tiny Bender watches but cannot intercede. At right, above, Howard Sackett and Lewis Hamilton bring in burglar James LaBelle to face the pseudo-pious crusader against evil. Dale O ' Keefe served the production staff in the capacity of supervisor; Paula Sperling was production manager; Dina Leuci worked as assistant to the director. Sonny Smith, again was technical director; Mike Smith worked as business manager, and Doug Ross held the post of publicitv manager. Richard Marrs designed the scenery; Nanci Simmons doubled as wardrobe mis- tress; Chris Piers came forward to be lighting techni- cian and Dave Crawford handled the sound. Gwenda Lou Wells was in charge of make-up; property mistress was Alison Richards. Production crews also earned deserved plaudits. Working with chief John Frank on scenery were Pony Allen, Jack Oskolkoff, Clay Alex- ander and Phil Showalter. Thom Phillips and Bill Beck- man were the carpenters; with Chris Piers on the lights were Bob Austin, John Bircher, Bill Blunt, Fred Wat- kins and Terry Daniels. With Alison Richards on Prop- erties were Bill Beckman and Peggy Gordon. 62
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Page 68 text:
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ucational Executors: ministration, Faculty Dean of Faculty Dr. Kenneth Euhovks e4
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