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Page 27 text:
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IHaVUI CATES Hall and Oates at Gross Coliseum: ' Dazzling’ The lights in Gross Memori- sic ' explained the soft-spoken al Coliseum dimmed for a sec- ond time on the chilly October 3 evening, and over 6,000 spectators scrambled to their seats anticipating the entrance of the main event — Daryl Hall and John Oates. A roar of approval rose from the crowd as the lights came up and the New York City duo led their band on stage. The release of the first chords sent the near-capacity crowd to its feet, clapping to the rhythmic melody of the hit song, “How Does It Feel To Be Back? In return, the Rock and Soul musicians provided a concert full of a mixture of both old and new hits. “We play a very special kind of mu- Oates after the concert. It ' s a combination of the classical Northeast sounds and the soul feeling of the Southern Black music. The combination of the two music styles became increas- ingly evident as numerous solo performances were given by band members. The audience reacted enthusiastically to al- most all of these solos. “We had a good crowd and a great night for a show, Hall said. Hays was the 15th stop on their first-ever world tour and the first performance in Kan- sas . “We were really happy that our music and show did well, the duo said. DURING A LONG INSTRUMEN- TAL sequence featuring each band member, John Oates and G.E. Smith combine talents, en- thusiastically performing during the time they shared in the spot light. THE PACE OF THE concert slows, as Daryl Hall performs “You’ve Lost That Loving Feel- ing.” The roch and roll stars pro- vided their audience with a wide variety of music throughout the October 3 concert. AGAINST A DAZZLING ARRAY of bright lights, Hall and Oates kept fans reminiscing with She ' s Gone. The hit song was one of several performed during their three encores. 25
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Page 28 text:
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ICCIEIBIEIC BBIDECKCOM ' Never lie in your face’ Life is easy on the Natchez Trace, and the people there would W,„ never there and lie in your face ' boasted the characters of the fall musical The Robber Bridegroom. However, a most remarkable and unusual yarn was unraveled during the course of their performances in October. As explained during the opening musical number, their tale is set on the Natchez Trace, one of the most devel- oped areas in Mississippi in the late 17CGs. The southern bluegrass musical revolved around Clement Musgrove (Philip Martin, Matoma sophomore), his wife Salome (Shelly Holle, Atwood junior), his daughter Rosamund (Denise Cole, Great Bend senior) and Jamie Lockhart (David Clark, Oakley senior), alias the Bandit of the Woods, Although the overall theme of the show concerned itself with the dual personality of the main characters, a sec- ond storyline is revealed as the performance progresses. The main plot centered around the Musgrove house- hold and the difficulties Salo- me created for her step- daughter Rosamund, The sub- plot arose when Roasmund was robbed of her clothing by the Bandit of the Woods. The story grew even more complex when Musgrove decides Rosa- mund should be saved by Ja- mie Lockhart; who, unknown to everyone, is a gent and a robber all in one ' The musical comedy was di- rected by Stephen Shapiro, as- sistant professor of communi- cations, with musical direction by Donald Stout, professor of music. Those who attended the performances on October 2 and 3 as well as on October 9 and 10, were left to decide if That’s exactly how it hap- pened, once upon a Natchez Trace, ROSAMUND LONGINGLY DAY- DREAMS about her lover, The Bandit of the Woods, whom she has not seen for several days. UNAWARE OF THE DISAP- PROVING look from Clement Musgrove, wife Salome sings “Marriage Is Riches’ ' to Jamie Lockhart. 26
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