Florida Agricultural College - Pinakidia Yearbook (Lake City, FL)

Page 42 text:

T Y lx' 7 . Ji aff? , ff -X li pf, 'i if , X l 1 i i j i ix f x ' ,' in Ali- f' WJXNX wf ffy, 'lf , if r ,ffl is 31- in I KX, if gil! 11' J Q, .X lvl f ,I I!! 'XV .,,,,, xr , f rl l f' all F1 1 F 7' ' V if illxlw' IV JH' -fl , ll 4 , , 1 i N9 6 -C.. student of Philology, and, although he finds idea, still his motto, Slow and Sure, has ing. XVe believe that his scholarship. in XVe pass from the ridiculous to the sublime in going to No. 6. In arranging these as adjoining pictures, the characteristics of each stand out strong and prominent. This water color has been cata- logued The Pattilloan Monk, and it is with disgust that he gazes upon the antics of Sambof' This monk, it is said, was at one time a social star 1 but, alack, the day! he was chosen Busi- ness Manager of an ancient Greek n1anuscript,P1NA KIDIA. He was driven to drink by this, and, years after, follow- ing his reformation, he ene tered the monastery. In the Brotherhood he won fame and popularity, as is evidenced by the various regaliaithat adorns his manly breast. He was known as the adjutant of his brother monks, and was Lord High Mayor of the United Brotherhood. He is a thorough it necessary to 'L take in an never brought him out lack- this branch will make him 4 renowned as a translator of valuable Sanscrit documents. 31

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KA S N Renae new +7 u v T' N Q: my-.veg Ig KF . 4. ' Wt' , .iii f X 4 2 .I 7 F ' V r sas. it ' it H S 'ir iv' 'X 'iz ' : Y l I ji' gif ?- - . - a 5 f A :ex fl ' . 1 ' I 'ix f , 5 ,.- ' 'X lf gi ,Q-ig, i 44 f -N53 L. X and beautiful, so it was decided that the Next we come to No. 5, a rare production of art. The history of this is very interesting. VVhat the originator had in mind when he first outlined this sketch has never been known 3 for he only began it and died in the atteinpt. VVhen it came into our possession, we fan- cied it was an Archer. The Institution employed an arlfsmz of some note to complete the work, and as head of the waugh department, he allowed his interest in mar- tial atfairs to influence this sketch. As a result, much to our surprise, the picture took on the expression of a minister, and immediately we called it Samuel. But 4Maryl Law decreed it otherwise. Our collection so far had consisted entirely of pictures of the sublime humorous niust play soine part in our gallery. Since that, our much prized Samuel is rap- idly being transformed into an Elhiojulzzz .4rfz's1f, skilled in the Pas a- ina-la, the latest coon dance. XVe like the change, and all agree that this picture is to be a howling success. 30

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X .3 L. 'fa Q5 I G QRS WRX ar, , rl F -1 as H wg is , . ill 5 . 5. Q' 0 .V l ' - WK ' 5 if , f ' 'Ai jf xl - I at 2 -D v H I If I , N All IA- I N NQ:v 7 7.? N- '-J, E hiiaxrial l ' l -Q n s JJ? QI. 3 hand, Alplieus is seen with buretts and retorts, besides a few test tubes and beakersq a natural born chemist. He looks to Horace with that dutiful expression of an obedient wife, while Horace returns it with a husbandly glance. As we pass down the corridor, We come to No. 7, entitled, Horace and Alpheusf' United they stand, divided they fall. This is a typical illustration of brotherhood and constancy. As you will notice, the artist has depicted Horace wearing a care-worn and vigilant expression. Horace's experiences in life, as tax collector, gave him this serious, grave appearance. His mathematical talent can be easily read in his features. On the other